Portrait of Tom Thomson

The 100 Most Famous Tom Thomson Paintings, a Gallery Selection

Updated October 2026 · ranked by our popularity score (searches, visits and orders for each work) · 130 works by Tom Thomson in our catalogue

In short

Of all the originals Tom Thomson left, the most famous is Thunderhead (1913), in the collection of the National Gallery of Canada, Ottawa. Close behind it come Pine Cones (1916) and The Fisherman (1917). Our catalog holds 130 works by Tom Thomson; the gallery has kept the 100 the world admires most, each shown with its date, its museum and its story.

1877 – 1917, Claremont Impressionism Most works: National Gallery of Canada

Tom Thomson's top 10 paintings: the gallery's choice

1
Thunderhead (1913) by Tom Thomson

Thunderhead

1913 · Black and White Photography · National Gallery of Canada, Ottawa

Tom Thomson was born in 1877 in Claremont, Canada. A pioneer of the Canadian wilderness, his brief career ended with his death in 1917. Through works like Thunderhead, Thomson established a visual language for the northern landscape. He acted as a crucial precursor to the Group of Seven, providing a foundational influence on their collective direction. Although he died before their formal establishment, he is widely considered an unofficial member…

2
Pine Cones (1916) by Tom Thomson

Pine Cones

1916 · Textile · National Gallery of Canada, Ottawa

There is a stillness in this piece that comes from its lack of perspective. By avoiding the illusion of space, the work focuses entirely on the surface. The viewer is drawn to the small, dark geometric patterns and the way the light catches the delicate holes in the crochet. It feels less like a window into another world and more like a fragment of a domestic history, preserved in thread.…

3
The Fisherman (1917) by Tom Thomson

The Fisherman

1917 · Oil · Art Gallery of Alberta, Edmonton

Tom Thomson's "The Fisherman" isn't merely a depiction of a solitary figure casting his line; it’s a profound immersion into the heart of Canadian wilderness, a distilled essence of the early 20th century’s burgeoning interest in capturing the soul of the land. Painted in 1917, during a pivotal period for both Thomson and the nascent Group of Seven, this oil on wood panel vibrates with an almost palpable sense of…

4
The Birch Grove, Autumn (1916) by Tom Thomson

The Birch Grove, Autumn

1916 · Oil · Art Gallery of Hamilton, Hamilton

In the quiet, transformative moments of the Canadian wilderness, few works capture the ephemeral beauty of the changing seasons as poignantly as Tom Thomson’s “The Birch Grove, Autumn.” Created in 1916, this masterpiece serves as a breathtaking window into the soul of Ontario's boreal forests. The painting presents a quintessential autumnal landscape, where a grove of birch trees stands bathed in a soft, diffused light against the backdrop of a…

5
Morning (1915) by Tom Thomson

Morning

1915 · Tom Thomson Art Gallery, Toronto

Tom Thomson’s “Morning,” painted in 1915, isn't merely a landscape; it’s a distilled moment of profound serenity captured on wood-pulp board. This evocative piece, now readily available as a meticulously crafted reproduction at AllPaintingsStore.com, transports the viewer to the heart of Ontario's wilderness – a place where the air is crisp with anticipation and the promise of a new day hangs heavy in the mist.

6
Fraser's Lodge (1915) by Tom Thomson

Fraser's Lodge

1915 · Oil On Canvas · Art Gallery of Alberta, Edmonton

Fraser’s Lodge – A Vision of Winter Solitude Tom Thomson's *Fraser’s Lodge*, painted in April 1915, stands as one of his most celebrated landscapes—a testament to the artist’s ability to distill the essence of Ontario’s boreal forest into a single, breathtaking image. Located at the Tom Thomson Art Gallery in Owen Sound, this piece embodies Thomson's signature Impressionistic style: loose brushstrokes dance across the canvas, capturing not precise details but…

7
Near Grand Lake, Algonquin Park (1916) by Tom Thomson

Near Grand Lake, Algonquin Park

1916 · Oil

The scene unfolds in the heart of the Canadian wilderness within the work titled Near Grand Lake, Algonquin Park. Painted by Tom Thomson in 1916, this landscape captures a specific moment of seasonal transition. The air feels heavy with the presence of autumn, as the trees prepare for the coming change. Every brushstroke seeks to hold the essence of this northern terrain, where the wildness of the woods meets the…

8
The Hill in Autumn (1914) by Tom Thomson

The Hill in Autumn

1914 · Oil On Canvas

is an oil on canvas work by the Canadian artist Tom Thomson. Executed in 1914, the painting captures a hillside blanketed in autumn foliage, primarily utilizing shades of red and orange. The composition features a body of water in the foreground that reflects the sky, creating depth against the warm tones of the landscape.

The Tom Thomson selection continues, 11 to 100

11Tamarack Swamp, Dawn (1916) by Tom ThomsonTamarack Swamp, Dawn1916 · National Gallery of Canada 12Snow and Rocks (1916) by Tom ThomsonSnow and Rocks1916 · National Gallery of Canada 13Thunder Cloud (1912) by Tom ThomsonThunder Cloud1912 · National Gallery of Canada 14Spruce and Maple (1916) by Tom ThomsonSpruce and Maple1916 · National Gallery of Canada 15White Frost (1914) by Tom ThomsonWhite Frost1914 · National Gallery of Canada 16Rocky Shore and Sky (1915) by Tom ThomsonRocky Shore and Sky1915 · National Gallery of Canada 17Tamarack Swamp (1916) by Tom ThomsonTamarack Swamp1916 · National Gallery of Canada 18Sunset Sky (1915) by Tom ThomsonSunset Sky1915 · National Gallery of Canada 19Grey Sky (1914) by Tom ThomsonGrey Sky1914 · National Gallery of Canada 20Tamarack (1915) by Tom ThomsonTamarack1915 · National Gallery of Canada 21Trees and Stump above a Shore (1916) by Tom ThomsonTrees and Stump above a Shore1916 · National Gallery of Canada 22Logging, Spring, Algonquin Park (1916) by Tom ThomsonLogging, Spring, Algonquin Park1916 23Little Cauchon Lake (1916) by Tom ThomsonLittle Cauchon Lake1916 24Twisted Maple (1914) by Tom ThomsonTwisted Maple1914 · McMichael Canadian Art Collection 25Near Owen Sound (1911) by Tom ThomsonNear Owen Sound1911 · National Gallery of Canada 26Nocturne by Tom ThomsonNocturneNational Gallery of Canada 27In the Woods by Tom ThomsonIn the WoodsNational Gallery of Canada 28Snow in the Woods by Tom ThomsonSnow in the WoodsNational Gallery of Canada 29Near Owen Sound (1911) by Tom ThomsonNear Owen Sound1911 30White Birches, Round Lake (1915) by Tom ThomsonWhite Birches, Round Lake1915 · National Gallery of Canada 31The Enchanted Stream, Midnight (1916) by Tom ThomsonThe Enchanted Stream, Midnight1916 · National Gallery of Canada 32The Brook (1914) by Tom ThomsonThe Brook1914 · National Gallery of Canada 33Decorative Panel (II) (1915) by Tom ThomsonDecorative Panel (II)1915 · National Gallery of Canada 34Canoe Lake (1913) by Tom ThomsonCanoe Lake1913 · National Gallery of Canada 35Decorative Panel (I) (1915) by Tom ThomsonDecorative Panel (I)1915 · National Gallery of Canada 36Thunderhead: Pink Cloud over a Lake (1915) by Tom ThomsonThunderhead: Pink Cloud over a Lake1915 · National Gallery of Canada 37Blue Clouds, Wooded Hills, and Marshes (1915) by Tom ThomsonBlue Clouds, Wooded Hills, and Marshes1915 · National Gallery of Canada 38Autumn Foliage (1916) by Tom ThomsonAutumn Foliage1916 · National Gallery of Canada 39Forest Undergrowth III (1915) by Tom ThomsonForest Undergrowth III1915 · National Gallery of Canada 40Forest Undergrowth I (1915) by Tom ThomsonForest Undergrowth I1915 · National Gallery of Canada 41Thaw in the Woods (1916) by Tom ThomsonThaw in the Woods1916 · National Gallery of Canada 42Cranberry Marsh (1916) by Tom ThomsonCranberry Marsh1916 · National Gallery of Canada 43Snow Pillars in the Sky (1915) by Tom ThomsonSnow Pillars in the Sky1915 · National Gallery of Canada 44Lumber Camp, Night (1916) by Tom ThomsonLumber Camp, Night1916 · National Gallery of Canada 45Autumn Birches and Poplars, Canoe Lake (1914) by Tom ThomsonAutumn Birches and Poplars, Canoe Lake1914 · National Gallery of Canada 46The Lily Pond (1914) by Tom ThomsonThe Lily Pond1914 · National Gallery of Canada 47Frost-laden Cedars, Big Cauchon Lake (1915) by Tom ThomsonFrost-laden Cedars, Big Cauchon Lake1915 · National Gallery of Canada 48Lake in Algonquin Park (1913) by Tom ThomsonLake in Algonquin Park1913 · National Gallery of Canada 49Pine Island, Georgian Bay (1915) by Tom ThomsonPine Island, Georgian Bay1915 · National Gallery of Canada 50The Silent Lake (1913) by Tom ThomsonThe Silent Lake1913 · National Gallery of Canada 51The Breaking of the Ice (1916) by Tom ThomsonThe Breaking of the Ice1916 · National Gallery of Canada 52The Hill in Autumn (1914) by Tom ThomsonThe Hill in Autumn1914 · National Gallery of Canada 53Nocturne: The Birches (1916) by Tom ThomsonNocturne: The Birches1916 · National Gallery of Canada 54Evening Wind: Wooded Point and Rough Water (1914) by Tom ThomsonEvening Wind: Wooded Point and Rough Water1914 · National Gallery of Canada 55Approaching Snowstorm (1915) by Tom ThomsonApproaching Snowstorm1915 · National Gallery of Canada 56Petawawa Gorges (1914) by Tom ThomsonPetawawa Gorges1914 · National Gallery of Canada 57Spring (1916) by Tom ThomsonSpring1916 · National Gallery of Canada 58Smoke Lake (1912) by Tom ThomsonSmoke Lake1912 · National Gallery of Canada 59Timber Chute (1916) by Tom ThomsonTimber Chute1916 · National Gallery of Canada 60First Snow in Autumn (1916) by Tom ThomsonFirst Snow in Autumn1916 · National Gallery of Canada 61On Georgian Bay (1914) by Tom ThomsonOn Georgian Bay1914 · National Gallery of Canada 62Winter in the Woods (1916) by Tom ThomsonWinter in the Woods1916 · National Gallery of Canada 63Red Leaves (1914) by Tom ThomsonRed Leaves1914 · National Gallery of Canada 64Swift Water (1916) by Tom ThomsonSwift Water1916 · National Gallery of Canada 65Lake, Shore and Sky (1913) by Tom ThomsonLake, Shore and Sky1913 · National Gallery of Canada 66Ice in Spring (1916) by Tom ThomsonIce in Spring1916 · National Gallery of Canada 67Birch by a Lake with Big Cloud (1916) by Tom ThomsonBirch by a Lake with Big Cloud1916 · National Gallery of Canada 68Lake in Autumn (1916) by Tom ThomsonLake in Autumn1916 · National Gallery of Canada 69Trees, Red Hill, and Sunset Sky (1916) by Tom ThomsonTrees, Red Hill, and Sunset Sky1916 · National Gallery of Canada 70Petawawa (1916) by Tom ThomsonPetawawa1916 · National Gallery of Canada 71Snow in the Woods (I) (1915) by Tom ThomsonSnow in the Woods (I)1915 · National Gallery of Canada 72Moose at Night (1916) by Tom ThomsonMoose at Night1916 · National Gallery of Canada 73Stormy Sky (1915) by Tom ThomsonStormy Sky1915 · National Gallery of Canada 74Birches (1916) by Tom ThomsonBirches1916 · National Gallery of Canada 75Portage, Ragged Lake (1917) by Tom ThomsonPortage, Ragged Lake1917 · National Gallery of Canada 76March (1916) by Tom ThomsonMarch1916 · National Gallery of Canada 77Clouds ("The Zeppelins") (1915) by Tom ThomsonClouds ("The Zeppelins")1915 · National Gallery of Canada 78Birch Woods in Autumn (1916) by Tom ThomsonBirch Woods in Autumn1916 · National Gallery of Canada 79Maple Woods, Bare Trunks (1915) by Tom ThomsonMaple Woods, Bare Trunks1915 · National Gallery of Canada 80The Marsh, Early Spring (1916) by Tom ThomsonThe Marsh, Early Spring1916 · National Gallery of Canada 81Burnt Country, Evening (1914) by Tom ThomsonBurnt Country, Evening1914 · National Gallery of Canada 82Campfire (1916) by Tom ThomsonCampfire1916 · National Gallery of Canada 83Giant's Tomb, Georgian Bay (1914) by Tom ThomsonGiant's Tomb, Georgian Bay1914 · National Gallery of Canada 84View over a Lake, Autumn (1916) by Tom ThomsonView over a Lake, Autumn1916 · National Gallery of Canada 85Snow in the Woods (II) (1915) by Tom ThomsonSnow in the Woods (II)1915 · National Gallery of Canada 86Boats (1916) by Tom ThomsonBoats1916 · Art Gallery of Ontario 87Lake, Shore, and Sky (1913) by Tom ThomsonLake, Shore, and Sky1913 88Burned Over Land (1916) by Tom ThomsonBurned Over Land1916 89Grey Day in the North (1913) by Tom ThomsonGrey Day in the North1913 90Moonlight (1915) by Tom ThomsonMoonlight1915 91Drowned Land (1912) by Tom ThomsonDrowned Land1912 92Early Spring in Cauchon Lake (1916) by Tom ThomsonEarly Spring in Cauchon Lake1916 93Evening, Pine Island (1914) by Tom ThomsonEvening, Pine Island1914 94Maple Saplings, October (1917) by Tom ThomsonMaple Saplings, October1917 95First Snow, Canoe Lake (1915) by Tom ThomsonFirst Snow, Canoe Lake1915 96First Snow in Autumn (1916) by Tom ThomsonFirst Snow in Autumn1916 97Larry Dickson's Shack (1914) by Tom ThomsonLarry Dickson's Shack1914 · National Gallery of Canada 98Lightning, Canoe Lake (1915) by Tom ThomsonLightning, Canoe Lake1915 99Fire Swept Hills (1915) by Tom ThomsonFire Swept Hills1915 100Hoar Frost (1914) by Tom ThomsonHoar Frost1914

The subjects that held Tom Thomson's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Tom Thomson's originals

The 6 museums that hold the most of the paintings on this page.

Museum City Works by Tom Thomson Paintings from this list
National Gallery of Canada, OttawaNational Gallery of Canada Ottawa 83 Thunderhead, Pine Cones, Decorative Panel (III)
Art Gallery of Alberta, EdmontonArt Gallery of Alberta Edmonton 2 The Fisherman, Fraser's Lodge
Art Gallery of Ontario, TorontoArt Gallery of Ontario Toronto 5 Boats
Art Gallery of Hamilton, HamiltonArt Gallery of Hamilton Hamilton 1 The Birch Grove, Autumn
Tom Thomson Art Gallery, TorontoTom Thomson Art Gallery Toronto 1 Morning
McMichael Canadian Art Collection, VaughanMcMichael Canadian Art Collection Vaughan 1 Twisted Maple

Tom Thomson year by year: the originals that define each

Tom Thomson's dated works in this selection cover only 7 years, from 1911 to 1917: a brief career, shown here year by year.

Works per year

Pick a year to see its originals.

Collectors' questions about Tom Thomson's paintings

Which work is Tom Thomson most famous for?Reveal the answer

Thunderhead (1913), National Gallery of Canada, Ottawa. Pine Cones (1916) and The Fisherman (1917) come next.

What age was Tom Thomson when Thunderhead was made?Reveal the answer

36 years old: Thunderhead dates from 1913, and Tom Thomson was born in 1877.

What are the ten most famous Tom Thomson paintings?Reveal the answer

Thunderhead, Pine Cones, The Fisherman, The Birch Grove, Autumn, Morning, Fraser's Lodge, Near Grand Lake, Algonquin Park, The Hill in Autumn, Lakeside, Spring, Algonquin Park and Decorative Panel (III). The ranking above gives each one's year and museum.

How many paintings did Tom Thomson leave?Reveal the answer

Our catalog holds 130 works by Tom Thomson, dated from 1911 to 1917.

In which museums do Tom Thomson's masterpieces hang?Reveal the answer

Mostly in National Gallery of Canada (Ottawa), Art Gallery of Alberta (Edmonton) and Art Gallery of Ontario (Toronto). The museum table above lists them all.

In which years did Tom Thomson paint the most famous works?Reveal the answer

In 1916: 38 of the 100 works on this page were made then, Pine Cones among them.

What are the first and the last famous originals of Tom Thomson?Reveal the answer

On this page, the earliest is Near Owen Sound (1911) and the latest The Fisherman (1917).

Which subjects did Tom Thomson choose most often?Reveal the answer

Landscape (6), Waterfall (2) and Canadianart (2), across the 100 works on this page.

Which technique did Tom Thomson use most?Reveal the answer

Oil, for 3 of the 100 works on this page.

To which art movement does Tom Thomson belong?Reveal the answer

Impressionism and Post-impressionism, judging by the originals on this page.

Which Tom Thomson works hang at the National Gallery of Canada?Reveal the answer

Thunderhead, Pine Cones and Decorative Panel (III): the National Gallery of Canada, Ottawa holds 75 of the works on this page.

Tom Thomson: life and work

A Pioneer of the Canadian Wilderness

Thomas John Thomson, known simply as Tom Thomson to generations of Canadians, remains a pivotal and somewhat enigmatic figure in the nation’s artistic heritage. Though his active career spanned only a handful of years – tragically cut short at the age of thirty-nine – he indelibly shaped the course of Canadian art, acting as a crucial precursor to the renowned Group of Seven and leaving behind a legacy of evocative landscapes that continue to resonate deeply with audiences today. His story is one of late blossoming, of a restless spirit finding its voice in the untamed beauty of Ontario’s wilderness, and of an enduring mystery surrounding his untimely death.

From Rural Beginnings to Artistic Awakening

Born August 5, 1877, in Claremont, Ontario, Thomson's early life was steeped in the rhythms of rural existence. He grew up as one of ten children in a farming family, an upbringing that instilled within him a profound connection to the natural world – though not initially expressed through artistic pursuits. His formal education was intermittent, punctuated by periods of illness and practical necessity. Before dedicating himself to art, Thomson explored various trades: he worked at an iron foundry, briefly attended business college, and even ventured west to Seattle where he honed his skills as a commercial artist. This period proved formative; it wasn’t merely about acquiring technical proficiency in penmanship and design at firms like Maring & Ladd, but also about encountering individuals who would later become central figures in the burgeoning Canadian art scene – J.E.H. MacDonald and Lawren Harris among them. These connections provided a crucial intellectual and artistic environment that nurtured his latent talent. However, it was the discovery of Algonquin Park in 1912 that truly ignited Thomson’s artistic passion. Guided by MacDonald's encouragement, he began to sketch the park’s breathtaking vistas, embarking on a journey of self-discovery through landscape painting.

The Evolution of a Distinctive Style

Thomson’s early paintings reveal a promising but unrefined talent. While demonstrating an understanding of composition and color, they lacked the distinctive voice that would come to define his mature work. Over time, however, his style underwent a dramatic transformation. He moved away from conventional techniques, embracing a bolder, more expressive approach characterized by vivid colors, thickly applied paint – *impasto* – and dynamic brushstrokes. These weren’t merely representations of the landscape; they were visceral interpretations, conveying the energy, atmosphere, and emotional intensity of the Canadian wilderness. His subject matter remained almost exclusively landscapes: towering trees, expansive skies, shimmering lakes, winding rivers, and the subtle nuances of light and shadow across the terrain. He captured not just what he *saw*, but how it *felt* to be immersed in that environment. This ability to infuse his paintings with a sense of immediacy and emotional resonance set him apart from his contemporaries.

Legacy and Lasting Influence

Paintings like The Jack Pine, The West Wind, Moonlight Sail, and Birch Grove, Autumn have become iconic representations of Canadian identity and the nation’s natural beauty. Though he died before the formal establishment of the Group of Seven in 1920, Thomson is widely considered an unofficial member – a foundational influence whose artistic vision paved the way for their groundbreaking work. His embrace of bold colors, expressive brushwork, and uniquely Canadian subject matter profoundly shaped the group’s direction. The circumstances surrounding his death in July 1917, by drowning in Canoe Lake, remain shrouded in mystery, adding to the mystique that surrounds his life and art. Was it a tragic accident, or something more? This ambiguity has fueled speculation for decades, further cementing Thomson's place as a legendary figure in Canadian culture. Today, his works are primarily held in major Canadian institutions such as the Art Gallery of Ontario, the National Gallery of Canada, the McMichael Canadian Art Collection, and the Tom Thomson Art Gallery, ensuring that his vision continues to inspire and captivate generations to come. He stands as a testament to the power of artistic expression to capture the essence of a nation’s soul.

A Lasting Symbol

Thomson is rightfully recognized as a pioneer of Canadian modern art, breaking away from European traditions and forging a uniquely Canadian aesthetic. His paintings are more than just landscapes; they are powerful symbols of Canada's wilderness and national identity. The enduring popularity of his work speaks to its timeless quality and universal appeal. He didn’t simply paint what he saw; he painted how it *felt* to be Canadian, to be connected to the vastness and beauty of the northern landscape. His legacy continues to grow, solidifying his position as one of Canada's most beloved and important artists – a true icon of the nation’s artistic heritage.