Portrait of Theodore Clement Steele

The 100 Most Famous Theodore Clement Steele Paintings, a Gallery Selection

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 490 works by Theodore Clement Steele in our catalogue

In short

Of all the originals Theodore Clement Steele left, the most famous is Beech Trees. Close behind it come Pleasant Run (1885) and In the Whitewater Valley near Metamora (1894). Our catalog holds 490 works by Theodore Clement Steele; the gallery has kept the 100 the world admires most, each shown with its date, its museum and its story.

1847 – 1926, Owen County Impressionism Most works: Indianapolis Museum of Art

Theodore Clement Steele's top 10 paintings: the gallery's choice

1
Beech Trees by Theodore Clement Steele

Beech Trees

Oil On Canvas

A Serene Forest Escape Immerse yourself in the tranquil beauty of nature with this captivating Impressionist landscape. The artwork invites you into a lush forest scene, where tall beech trees stand as silent sentinels, their verdant foliage creating a canopy of calm and serenity. This piece is a testament to the artist's ability to capture the essence of the natural world, offering a moment of peace and reflection amidst the…

2
Pleasant Run (1885) by Theodore Clement Steele

Pleasant Run

1885 · Oil On Canvas · Indianapolis Museum of Art, Indianapolis

Theodore Clement Steele's Mastery Theodore Clement Steele (1847-1926), a pivotal figure in American Impressionism, created "Pleasant Run" in 1885. This enchanting landscape exemplifies Steele's unique fusion of European techniques and the burgeoning American Impressionist movement. His work is celebrated for its luminous landscapes and serene beauty, making it a sought-after addition to any art collection or interior design scheme. A Serene Autumnal Landscape "Pleasant Run" captures a tranquil moment in…

3
In the Whitewater Valley near Metamora (1894) by Theodore Clement Steele

In the Whitewater Valley near Metamora

1894 · Oil On Canvas

The scene unfolds within the quiet expanse of the Whitewater Valley near Metamora. Here, in Franklin County, Indiana, the landscape breathes with a sense of stillness. Theodore Clement Steele captures this specific corner of the American Midwest, focusing his attention on the rolling terrain that defines this region. The work, titled In the Whitewater Valley near Metamora, emerges from the year 1894. It offers a glimpse into a rural existence…

4
Cumberland Mountains (1899) by Theodore Clement Steele

Cumberland Mountains

1899 · Oil On Canvas

Theodore Clement Steele captures a quiet moment in the Tennessee landscape within his 1899 work, Cumberland Mountains. This oil on canvas presents a view of a small village nestled among the peaks, where the air feels heavy with the stillness of rural life. The scene unfolds across a surface measuring 45.72 cm x 71.12 cm | 18 in x 28 in, inviting a close look at the figures and animals…

5
Roan Mountain (1899) by Theodore Clement Steele

Roan Mountain

1899 · Oil On Canvas

The sun hangs heavy over a field of lush, green grass. In this corner of the landscape, time seems to slow to the pace of grazing animals. Cows move through the pasture, their forms scattered across the verdant expanse, while two horses find their own stillness near the center and the edge of the frame. The background is a soft wall of trees, their leaves catching the light of a…

6
Study of male nude by Theodore Clement Steele

Study of male nude

Charcoal

The artwork titled Study of male nude is a drawing by the artist Theodore Clement Steele. This specific piece focuses on the anatomical study of a male nude figure. The subject is positioned in a seated pose atop a rectangular block, with one arm raised toward the head while the other hand rests upon the structure. The composition centers on the back and side view of the man.

7
study of male nude 2 by Theodore Clement Steele

study of male nude 2

Charcoal

The charcoal lines of study of male nude 2 capture a quiet moment of anatomical observation. This work, titled study of male nude 2, emerges from the hands of Theodore Clement Steele. The artist, Theodore Clement Steele, focuses his attention on the raw, unadorned form of the human body, seeking to understand the tension and grace of muscle and bone through quick, decisive marks.

8
The Creek by Theodore Clement Steele

The Creek

Oil On Canvas

In The Creek, Theodore Clement Steele presents a quiet moment within a natural landscape. The scene captures a creek as it winds through a wooded area, its surface reflecting the soft light of the surroundings. It is a composition that invites a sense of stillness, focusing on the gentle movement of water amidst the dense foliage of the forest.

9
The Munich Model (1884) by Theodore Clement Steele

The Munich Model

1884 · Oil · Indianapolis Museum of Art, Indianapolis

In "The Munich Model" by Theodore Clement Steele, a single female figure emerges from a dark, indistinct background. This bust-length portrait, created about 1884, positions the subject slightly off-center as she faces toward the right in a quiet profile. The perspective holds the viewer at eye level, creating an intimate encounter with her contemplative and serene expression. A muted blue headwrap rests near the top of the figure, offering a…

10
Winter Afternoon - Old Munich (1883) by Theodore Clement Steele

Winter Afternoon - Old Munich

1883 · Oil On Canvas

The air feels heavy with the stillness of a frozen afternoon. In this small oil painting from 1883, a wintry urban scene unfolds through a veil of muted tones and soft, diffused light. Snow clings to the rooftops and the skeletal branches of trees, softening the hard edges of the architecture. A central fountain, now blanketed in white, sits as a silent anchor amidst the surrounding buildings. To the left,…

The Theodore Clement Steele selection continues, 11 to 100

11A Corner in the Old Kitchen of the Mittenheim Cloister (1883) by Theodore Clement SteeleA Corner in the Old Kitchen of the Mittenheim Cloister1883 12The Pierce Children (1887) by Theodore Clement SteeleThe Pierce Children1887 · Indianapolis Museum of Art 13Portrait of a Man (1889) by Theodore Clement SteelePortrait of a Man1889 · Indianapolis Museum of Art 14Flower Mart (1890) by Theodore Clement SteeleFlower Mart1890 15Portrait of William J. Holliday (1903) by Theodore Clement SteelePortrait of William J. Holliday1903 · Indianapolis Museum of Art 16The Girl by the Window (1910) by Theodore Clement SteeleThe Girl by the Window1910 · Indianapolis Museum of Art 17Girl at the Piano (also known as The Piano) (1893) by Theodore Clement SteeleGirl at the Piano (also known as The Piano)1893 18Blue Range in Afternoon (Early Autumn) by Theodore Clement SteeleBlue Range in Afternoon (Early Autumn) 19Indiana University Campus, Bloomington by Theodore Clement SteeleIndiana University Campus, Bloomington 20Chicken Yard (The Chicken Lot) by Theodore Clement SteeleChicken Yard (The Chicken Lot) 21Portrait of James Whitcomb Riley (1891) by Theodore Clement SteelePortrait of James Whitcomb Riley1891 · Indianapolis Museum of Art 22Still Life of Fruit and Urn (1878) by Theodore Clement SteeleStill Life of Fruit and Urn1878 · Indianapolis Museum of Art 23Winter in Munich (1885) by Theodore Clement SteeleWinter in Munich1885 · Indianapolis Museum of Art 24Haying Scene (1884) by Theodore Clement SteeleHaying Scene1884 25Village Scene (1885) by Theodore Clement SteeleVillage Scene1885 26Village Scene (1885) by Theodore Clement SteeleVillage Scene1885 27Evening, Poplars (1885) by Theodore Clement SteeleEvening, Poplars1885 28Canal, Schlessheim (1884) by Theodore Clement SteeleCanal, Schlessheim1884 29Evening, Poplars and Roadway near Schleissheim (1884) by Theodore Clement SteeleEvening, Poplars and Roadway near Schleissheim1884 30Road to Schleissheim (1882) by Theodore Clement SteeleRoad to Schleissheim1882 31The Christ Child and the Infant St. John after Rubens (1883) by Theodore Clement SteeleThe Christ Child and the Infant St. John after Rubens1883 32Landscape (Laura's Nook) (1889) by Theodore Clement SteeleLandscape (Laura's Nook)1889 · Indianapolis Museum of Art 33Sunrise (1886) by Theodore Clement SteeleSunrise1886 · Indianapolis Museum of Art 34Morning--Old Schofield's Mill (1889) by Theodore Clement SteeleMorning--Old Schofield's Mill1889 · Indianapolis Museum of Art 35Morning – Old Schofield's Mill (1889) by Theodore Clement SteeleMorning – Old Schofield's Mill1889 · Indianapolis Museum of Art 36In the Berry Field ) (1890) by Theodore Clement SteeleIn the Berry Field )1890 37Okemo Mountain, Ludlow, Vermont (1887) by Theodore Clement SteeleOkemo Mountain, Ludlow, Vermont1887 38Summer Days at Vernon (1892) by Theodore Clement SteeleSummer Days at Vernon1892 39Meridian Street, Thawing Weather (1887) by Theodore Clement SteeleMeridian Street, Thawing Weather1887 40On the Muscatatuck (1886) by Theodore Clement SteeleOn the Muscatatuck1886 41Street in Vernon (1886) by Theodore Clement SteeleStreet in Vernon1886 · Indianapolis Museum of Art 42The Shades (1888) by Theodore Clement SteeleThe Shades1888 43September ) (1892) by Theodore Clement SteeleSeptember )1892 44An Indiana Road (1889) by Theodore Clement SteeleAn Indiana Road1889 45Tinker Place (1891) by Theodore Clement SteeleTinker Place1891 46Daisy by the River (1891) by Theodore Clement SteeleDaisy by the River1891 47Portrait of Daisy (1891) by Theodore Clement SteelePortrait of Daisy1891 48The Oaks of Vernon (1887) by Theodore Clement SteeleThe Oaks of Vernon1887 · Indianapolis Museum of Art 49The Ohio river from the College Campus, Hanover (1892) by Theodore Clement SteeleThe Ohio river from the College Campus, Hanover1892 50Vernon Beeches (1892) by Theodore Clement SteeleVernon Beeches1892 51Landscape (1893) by Theodore Clement SteeleLandscape1893 · Indianapolis Museum of Art 52Street Scene with Carriage (1894) by Theodore Clement SteeleStreet Scene with Carriage1894 53Street Scene (1896) by Theodore Clement SteeleStreet Scene1896 54The Whitewater Valley (1896) by Theodore Clement SteeleThe Whitewater Valley1896 55The Muscatatuck (also known as Afternoon at the Ford) (1898) by Theodore Clement SteeleThe Muscatatuck (also known as Afternoon at the Ford)1898 56Mysterious (1895) by Theodore Clement SteeleMysterious1895 57The Mysterious River (1895) by Theodore Clement SteeleThe Mysterious River1895 58Gordon Hill (1897) by Theodore Clement SteeleGordon Hill1897 59C the bloom of grape (1893) by Theodore Clement SteeleC the bloom of grape1893 60November's Harmony (1893) by Theodore Clement SteeleNovember's Harmony1893 61Cows by the Stream (1895) by Theodore Clement SteeleCows by the Stream1895 62Morning by the Stream (1893) by Theodore Clement SteeleMorning by the Stream1893 63Hills of Vernon (1894) by Theodore Clement SteeleHills of Vernon1894 64Brookville (1903) by Theodore Clement SteeleBrookville1903 · Brauer Museum of Art 65Landscape (1899) by Theodore Clement SteeleLandscape1899 · Indianapolis Museum of Art 66Hills Near Redlands, California (1902) by Theodore Clement SteeleHills Near Redlands, California1902 · Indianapolis Museum of Art 67Brookville Landscape (1904) by Theodore Clement SteeleBrookville Landscape1904 · Indianapolis Museum of Art 68Clam Diggers (1902) by Theodore Clement SteeleClam Diggers1902 69The Old Mills (1903) by Theodore Clement SteeleThe Old Mills1903 70Flower Garden at Brookville (1901) by Theodore Clement SteeleFlower Garden at Brookville1901 71Puget Sound (1903) by Theodore Clement SteelePuget Sound1903 72The Old Mill (1901) by Theodore Clement SteeleThe Old Mill1901 73November Morning (1904) by Theodore Clement SteeleNovember Morning1904 74Lost Cove, Tennessee (1899) by Theodore Clement SteeleLost Cove, Tennessee1899 75The Grist Mill (1901) by Theodore Clement SteeleThe Grist Mill1901 76Creek in Winter (1899) by Theodore Clement SteeleCreek in Winter1899 77Tennessee Scene (1899) by Theodore Clement SteeleTennessee Scene1899 78On the Oregon Coast (1902) by Theodore Clement SteeleOn the Oregon Coast1902 79Mount San Bernardino, from Smiley's Heights, Redlands (1902) by Theodore Clement SteeleMount San Bernardino, from Smiley's Heights, Redlands1902 80On the Road to Belmont (1910) by Theodore Clement SteeleOn the Road to Belmont1910 · Indianapolis Museum of Art 81Landscape (1909) by Theodore Clement SteeleLandscape1909 · Indianapolis Museum of Art 82Indiana Landscape (1909) by Theodore Clement SteeleIndiana Landscape1909 · Indianapolis Museum of Art 83The River (1906) by Theodore Clement SteeleThe River1906 · Indianapolis Museum of Art 84Landscape 18 by Theodore Clement SteeleLandscape 18 85Study of a Male Nude 4 by Theodore Clement SteeleStudy of a Male Nude 4 86Libbie Standing by Theodore Clement SteeleLibbie Standing 87Sculpture in relief by Theodore Clement SteeleSculpture in relief 88Hunting Rock Oysters (The Oregon Coast) by Theodore Clement SteeleHunting Rock Oysters (The Oregon Coast) 89Study of a Male Nude 7 by Theodore Clement SteeleStudy of a Male Nude 7 90Landscape with figure by Theodore Clement SteeleLandscape with figure 91Portrait of man reading by Theodore Clement SteelePortrait of man reading 92Study of a Male Nude 3 by Theodore Clement SteeleStudy of a Male Nude 3 93Streetscape 3 by Theodore Clement SteeleStreetscape 3 94Figures studies of male nude by Theodore Clement SteeleFigures studies of male nude 95Daisy Steele by Theodore Clement SteeleDaisy Steele 96The Steps of the Monument, Indianapolis by Theodore Clement SteeleThe Steps of the Monument, Indianapolis 97Study of a Male Nude 5 by Theodore Clement SteeleStudy of a Male Nude 5 98St. Michaels by Theodore Clement SteeleSt. Michaels 99Study of a Male Nude 9 by Theodore Clement SteeleStudy of a Male Nude 9 100Portrait of a man 1 by Theodore Clement SteelePortrait of a man 1

Theodore Clement Steele's famous paintings, period by period

Late Medieval

1884 – 1901 · 3 works in this list

The subjects that held Theodore Clement Steele's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Theodore Clement Steele's originals

The 2 museums that hold the most of the paintings on this page.

Museum City Works by Theodore Clement Steele Paintings from this list
Indianapolis Museum of Art, IndianapolisIndianapolis Museum of Art Indianapolis 35 Pleasant Run, The Munich Model, The Pierce Children
Brauer Museum of Art, Porter CountyBrauer Museum of Art Porter County 1 Brookville

Theodore Clement Steele decade by decade: the original that defines each

Works per decade

Pick a decade to see the original that defines it.

Collectors' questions about Theodore Clement Steele's paintings

Which work is Theodore Clement Steele most famous for?Reveal the answer

Beech Trees. Pleasant Run (1885) and In the Whitewater Valley near Metamora (1894) come next.

What are the ten most famous Theodore Clement Steele paintings?Reveal the answer

Beech Trees, Pleasant Run, In the Whitewater Valley near Metamora, Cumberland Mountains, Roan Mountain, Study of male nude, study of male nude 2, The Creek, The Munich Model and Winter Afternoon - Old Munich. The ranking above gives each one's year and museum.

How many paintings did Theodore Clement Steele leave?Reveal the answer

Our catalog holds 490 works by Theodore Clement Steele, dated from 1878 to 1910.

In which museums do Theodore Clement Steele's masterpieces hang?Reveal the answer

Mostly in Indianapolis Museum of Art (Indianapolis) and Brauer Museum of Art (Porter County). The museum table above lists them all.

In which years did Theodore Clement Steele paint the most famous works?Reveal the answer

In 1890s: 31 of the 100 works on this page were made then, In the Whitewater Valley near Metamora among them.

What are the first and the last famous originals of Theodore Clement Steele?Reveal the answer

On this page, the earliest is Still Life of Fruit and Urn (1878) and the latest The Girl by the Window (1910).

Which subjects did Theodore Clement Steele choose most often?Reveal the answer

Landscape (7), Men (7) and Roads (6), across the 100 works on this page.

Which technique did Theodore Clement Steele use most?Reveal the answer

Oil On Canvas, for 14 of the 100 works on this page.

To which art movement does Theodore Clement Steele belong?Reveal the answer

Impressionism, judging by the originals on this page.

Which Theodore Clement Steele works hang at the Indianapolis Museum of Art?Reveal the answer

Pleasant Run, The Munich Model and The Pierce Children: the Indianapolis Museum of Art, Indianapolis holds 23 of the works on this page.

Theodore Clement Steele: life and work

A Luminary of the American Landscape: The Life and Art of Theodore Clement Steele

Theodore Clement Steele, a name synonymous with the blossoming of American Impressionism, stands as a pivotal figure in the nation’s artistic heritage. Born in 1847 amidst the rolling hills of Owen County, Indiana, Steele's journey was one of dedicated study, transatlantic influence, and ultimately, a profound commitment to capturing the unique beauty of his native land. His life unfolded against a backdrop of rapid change – a period where American art sought to define itself, moving beyond mere imitation of European masters towards an authentic visual language reflective of its own identity. From humble beginnings sketching in rural Indiana, Steele embarked on a path that would lead him to Munich’s prestigious Royal Academy and back again, forever transformed by his experiences yet deeply rooted in the landscapes he held dear. He wasn't simply painting what he saw; he was translating an emotional connection with nature onto canvas, imbuing each work with a sense of serene contemplation.

European Training and the Embrace of Impressionism

Steele’s early artistic inclinations were nurtured through initial studies at Indiana State University, providing him with a foundational skillset in drawing and painting. However, recognizing the need for more rigorous training, he ventured to Europe in 1880, settling in Munich – a vibrant hub for artistic innovation. It was here that Steele truly came into his own, immersing himself in the burgeoning Impressionist movement. The influence of French masters like Monet and Pissarro is palpable in his evolving style; a shift away from the darker, more academic palettes towards brighter, more luminous colors and broken brushstrokes. This wasn’t merely a technical adoption, but a philosophical one. Steele began to prioritize capturing the fleeting effects of light and atmosphere, seeking to convey not just *what* he saw, but *how* it felt to be present in a particular moment. His time in Munich instilled within him a dedication to plein air painting – working outdoors directly from nature – a practice that would become central to his artistic process. This commitment allowed him to translate the immediacy of experience onto canvas with remarkable fidelity and emotional resonance.

The Hoosier Group and a Distinctly American Vision

Upon returning to Indiana in 1885, Steele became a leading figure within the “Hoosier Group,” a collective of artists dedicated to establishing a distinctly American style of painting. Alongside contemporaries like William Forsyth, J. Ottis Adams, Richard B. Gruelle, and Otto Stark, he championed landscape painting that celebrated the beauty of the Midwest. While influenced by European techniques, Steele and his colleagues were determined to depict *American* subjects – the rolling hills, lush forests, and tranquil waterways of their homeland. He skillfully balanced the lessons learned abroad with a deep-seated love for Indiana’s natural splendor. This synthesis resulted in works that possessed both technical sophistication and an authentic sense of place. His portraits also garnered recognition, including commissions to paint official portraits of several Indiana governors, demonstrating his versatility as an artist. However, it was his landscapes – such as *Indian Summer* and *The Artist's Garden* – that truly captured the public’s imagination and cemented his reputation as a master of American Impressionism.

Legacy and The House of the Singing Winds

Steele’s influence extended beyond his paintings; he was also an educator, lecturer, and advocate for the arts within his community. He actively participated in art juries, helping to shape the direction of artistic exhibitions both nationally and internationally. In 1907, Steele and his second wife, Selma Neubacher Steele, established “The House of the Singing Winds” in Brown County, Indiana – a home and studio that became a focal point for artists and a catalyst for the development of the renowned Brown County Art Colony. This idyllic setting provided him with endless inspiration and allowed him to fully immerse himself in his artistic pursuits. Today, The House of the Singing Winds stands as a State Historic Site, preserving Steele’s legacy and offering visitors a glimpse into the life and work of this remarkable artist. His contribution wasn't just about creating beautiful paintings; it was about fostering a vibrant artistic community and championing the importance of art in society.

A Lasting Impression on American Art

Theodore Clement Steele’s work continues to resonate with audiences today, not only for its aesthetic beauty but also for its historical significance. He bridged the gap between European traditions and American innovation, helping to forge a uniquely American artistic identity. His paintings are held in prestigious collections across the country, including the Indianapolis Museum of Art, the Los Angeles County Museum of Art, and the Indiana University Art Museum. Steele’s legacy is one of dedication, passion, and a profound connection to the natural world. He remains an enduring symbol of American artistic achievement, inspiring generations of artists to embrace their own vision and capture the beauty that surrounds them. His ability to translate light, color, and emotion onto canvas ensures his place as a true luminary in the history of American art.