Gustave Caillebotte Audience & Top Works

1848 – 1894

What is this page?

This page shows how many people visit the pages of Gustave Caillebotte on this website. A visit means one person opened a page. Each chart below has its own short explanation.

Statistics were reset on 1 July 2026 — no data is available before that date.

Gustave Caillebotte: key figures

The work watched most is Man at the Window: 37,500 visits in twelve months, 34% of the views of Gustave Caillebotte. Then Paris street, Rainy Day and The Floor Scrapers (also known as The Floor Strippers). Altogether 113,300 visits: 21,000 on the artist page, 92,300 on the works. The audience grows: 41% more visits in Oct 2026 than in Sep 2026. Peak month: Jul 2026 with 48,000 visits. Languages of the audience: English (24%), French (23%) and Italian (11%). Countries of the audience: France (26%), United Kingdom (10%) and Italy (10%). Device split of the audience: computers (63%), phones (32%) and tablets (4%). One taste stands out: Nostalgic (Vibe) gets 52% of the visits for only 5% of the catalog.

Gustave Caillebotte: the 10 works watched most

This ranking counts visits, not catalog scores: the 10 works of Gustave Caillebotte watched most on OriginalUniqueArt.com in twelve months.

  1. Man at the Window 1 Man at the Window, 1875 37,500 visits · 34.3%
  2. Paris street, Rainy Day 2 Paris street, Rainy Day, 1877 3,700 visits · 3.4%
  3. The Floor Scrapers (also known as The Floor Strippers) 3 The Floor Scrapers (also known as The Floor Strippers), 1875 3,600 visits · 3.3%
  4. The Yerres, Rain 4 The Yerres, Rain, 1875 3,600 visits · 3.3%
  5. Paris street, Rainy Day 5 Paris street, Rainy Day, 1877 3,300 visits · 3.0%
  6. Paris Street: A Rainy Day (study) 6 Paris Street: A Rainy Day (study), 1877 3,100 visits · 2.8%
  7. Boating Party 7 Boating Party 2,000 visits · 1.8%
  8. Le Pont de L'Europe 8 Le Pont de L'Europe, 1882 1,800 visits · 1.6%
  9. The Floor Scrapers aka The Floor Strippers 9 The Floor Scrapers aka The Floor Strippers 1,800 visits · 1.6%
  10. A Balcony in Paris 10 A Balcony in Paris, 1881 1,300 visits · 1.2%

How does the audience of Gustave Caillebotte change from month to month?

Each bar is one month. It shows how many times people opened the page of this artist during that month, over the last twelve months.

Show the figures
MonthArtist pageArtwork pages
Nov 202500
Dec 202500
Jan 202600
Feb 202600
Mar 202600
Apr 202600
May 202600
Jun 20264001,900
Jul 20263,10044,900
Aug 20262,00012,400
Sep 20267,10013,100
Oct 20268,40020,000

How are the works of Gustave Caillebotte watched over the year?

Each bar is one month. It counts the visits to all the artwork pages of this artist added together, month by month, for one year.

The monthly figures of both charts are in the first table, above.

How do the most watched works of Gustave Caillebotte compare over the year?

Each row is one popular artwork. Each bar shows how many visits that artwork received in one month. Taller bars mean more visits that month.

Show the figures
ArtworkNov 2025Dec 2025Jan 2026Feb 2026Mar 2026Apr 2026May 2026Jun 2026Jul 2026Aug 2026Sep 2026Oct 2026
Paris street, Rainy Day0000000050060001,200
The Floor Scrapers (also kn…0000000100400300900800
The Pont du Europe00000000200000
Man at the Window000000007,3006,8008,1009,600
Paris street, Rainy Day000000007007003001,300
Pink Villas at Trouville00000000500300200200
A Balcony in Paris00000000500300100300
LES RABOTEURS DE PARQUET000000000000
Paris, a Rainy Day000000005002000100
Paris Street: A Rainy Day (…00000000800500300900

Phones, tablets or computers: where is Gustave Caillebotte watched?

Each slice is one kind of device: phone, tablet or computer. The bigger the slice, the more visits came from that kind of device during the last twelve months.

Show the figures
DeviceVisitsShare
computers71,90063.5%
phones36,70032.4%
tablets4,7004.1%

Which languages does the audience of Gustave Caillebotte use?

Each slice is one language. The bigger the slice, the more visitors used the website in that language during the last thirty days. Only the top ten are shown.

Show the figures
LanguageVisitsShare
English2,00024.4%
French1,90023.2%
Italian90011.0%
German6007.3%
Spanish5006.1%
Japanese5006.1%
Dutch5006.1%
Russian4004.9%
Czech2002.4%
Portuguese2002.4%

What do the daily visits to Gustave Caillebotte look like, and the forecast?

Each bar is one day. The first bars count the visits of the past three weeks. The bars in the second color are our guess for the next three weeks.

Show the figures
DayVisits
Mon 12 Oct2,000
Tue 13 Oct1,300
Wed 14 Oct400
Thu 15 Oct2,600
Fri 16 Oct900
Sat 17 Oct1,800
Sun 18 Oct1,700
Mon 19 Oct1,700
Tue 20 Oct1,300
Wed 21 Oct1,500
Thu 22 Oct1,500
Fri 23 Oct1,400
Sat 24 Oct600
Sun 25 Oct1,100
Mon 26 Oct700
Tue 27 Oct400
Wed 28 Oct2,000
Thu 29 Oct1,600
Fri 30 Oct1,200
Sat 31 Oct700
Sun 1 Nov1,300
Mon 2 Nov (forecast)1,100
Tue 3 Nov (forecast)700
Wed 4 Nov (forecast)900
Thu 5 Nov (forecast)1,400
Fri 6 Nov (forecast)800
Sat 7 Nov (forecast)800
Sun 8 Nov (forecast)1,000
Mon 9 Nov (forecast)900
Tue 10 Nov (forecast)600
Wed 11 Nov (forecast)800
Thu 12 Nov (forecast)1,200
Fri 13 Nov (forecast)700
Sat 14 Nov (forecast)600
Sun 15 Nov (forecast)800
Mon 16 Nov (forecast)800
Tue 17 Nov (forecast)500
Wed 18 Nov (forecast)700
Thu 19 Nov (forecast)1,000
Fri 20 Nov (forecast)600
Sat 21 Nov (forecast)500
Sun 22 Nov (forecast)700

Gustave Caillebotte: short answers

What is the most watched work of Gustave Caillebotte?

Man at the Window: 37,500 visits, 34% of the views of Gustave Caillebotte. The list goes down to rank 10.

How many visits does Gustave Caillebotte receive?

113,300 in twelve months (21,000 on the artist page, 92,300 on the works).

Do people watch Gustave Caillebotte on a phone or a computer?

On both: computers (63%), phones (32%) and tablets (4%); computers lead with 63%.

Is Gustave Caillebotte followed in several languages?

Yes: English (24%), French (23%) and Italian (11%). English leads with 24%.

Does the audience favour a kind of work by Gustave Caillebotte?

Yes, Nostalgic (Vibe): 52% of the visits for 5% of the catalog.