Portrait of Simone Peterzano

The 14 Most Famous Simone Peterzano Paintings, a Gallery Selection

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 14 works by Simone Peterzano in our catalogue

In short

Of all the originals Simone Peterzano left, the most famous is Venus and Cupid (1554), in the collection of the Statens Museum For Kunst, Copenhagen. Close behind it come Head of an Old Bearded Man (1578) and Ecce Homo (1585). Our catalog holds 14 works by Simone Peterzano; the gallery has kept the 14 the world admires most, each shown with its date, its museum and its story.

1540 – 1599, Venice Most works: Civiche Raccolte d'Arte

Simone Peterzano's top 10 paintings: the gallery's choice

1
Venus and Cupid (1554) by Simone Peterzano

Venus and Cupid

1554 · Oil · Statens Museum For Kunst, Copenhagen

This work, titled Venus and Cupid, was executed by the Italian Mannerist painter Simone Peterzano. The painting presents a quiet encounter between the mythological figures of Venus and her young son, Cupid. It is a piece that reflects the specific stylistic transitions occurring in late sixteenth-century Italy, capturing a moment of classical grace through a Mannerist lens.

2
Head of an Old Bearded Man (1578) by Simone Peterzano

Head of an Old Bearded Man

1578 · Chalk · Museo Civici, Milan

The artwork, titled Head of an Old Bearded Man, is a focused portrait study by the artist Simone Peterzano. Created about 1578, this work captures the likeness of an elderly man. The subject's face is the singular point of interest, rendered with a quiet, heavy presence. It is a study of age and the physical weight of time.

3
Ecce Homo (1585) by Simone Peterzano

Ecce Homo

1585 · Oil On Canvas · Kunsthistorisches Museum, Vienna

This vertical oil on canvas portrait, dated 1585, focuses on the upper body of a man positioned slightly off-center. The subject is Christ, depicted with a crown of thorns upon his head and eyes cast downward. A strong sense of three-dimensional volume is achieved through highly directional lighting that emerges from the upper left, casting deep shadows across the right side of the face and torso. The color palette relies…

4
Study of a Half-Length Figure (1580) by Simone Peterzano

Study of a Half-Length Figure

1580 · Charcoal · Civiche Raccolte d'Arte, Milan

In this intimate study, Simone Peterzano presents "Study of a Half-Length Figure," a work that focuses intently on the human form. Created about 1580, the drawing captures the torso and head of a nude female figure. The composition is tightly framed around the upper body, creating a sense of proximity that invites a quiet, close observation of the anatomy. There is a subtle tension in the way the subject is…

The Simone Peterzano selection continues, 11 to 14

The subjects that held Simone Peterzano's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Simone Peterzano's originals

The 5 museums that hold the most of the paintings on this page.

Museum City Works by Simone Peterzano Paintings from this list
Civiche Raccolte d'Arte, MilanCiviche Raccolte d'Arte Milan 4 Study of a Half-Length Figure, Still-Life of Figs, Peapods and Cherries
Statens Museum For Kunst, CopenhagenStatens Museum For Kunst Copenhagen 1 Venus and Cupid
Museo Civici, MilanMuseo Civici Milan 1 Head of an Old Bearded Man
Kunsthistorisches Museum, ViennaKunsthistorisches Museum Vienna 1 Ecce Homo
Musée Des Beaux, StrasbourgMusée Des Beaux Strasbourg 1 Deposition of Christ

Simone Peterzano decade by decade: the original that defines each

Works per decade

Pick a decade to see the original that defines it.

Collectors' questions about Simone Peterzano's paintings

Which work is Simone Peterzano most famous for?Reveal the answer

Venus and Cupid (1554), Statens Museum For Kunst, Copenhagen. Head of an Old Bearded Man (1578) and Ecce Homo (1585) come next.

What age was Simone Peterzano when Venus and Cupid was made?Reveal the answer

14 years old: Venus and Cupid dates from 1554, and Simone Peterzano was born in 1540.

What are the ten most famous Simone Peterzano paintings?Reveal the answer

Venus and Cupid, Head of an Old Bearded Man, Ecce Homo, Study of a Half-Length Figure, Autoportret simone peterzano, Madonna and child, An allegory of music, Still-Life of Figs, Peapods and Cherries and Still-Life of Squash, Lilies, Peaches, and Pears. The ranking above gives each one's year and museum.

How many paintings did Simone Peterzano leave?Reveal the answer

Our catalog holds 14 works by Simone Peterzano, dated from 1554 to 1585.

In which museums do Simone Peterzano's masterpieces hang?Reveal the answer

Mostly in Civiche Raccolte d'Arte (Milan), Statens Museum For Kunst (Copenhagen) and Museo Civici (Milan). The museum table above lists them all.

In which years did Simone Peterzano paint the most famous works?Reveal the answer

In 1580s: 4 of the 14 works on this page were made then, Ecce Homo among them.

What are the first and the last famous originals of Simone Peterzano?Reveal the answer

On this page, the earliest is Venus and Cupid (1554) and the latest Ecce Homo (1585).

Which subjects did Simone Peterzano choose most often?Reveal the answer

Man (2) and Italian art (2), across the 14 works on this page.

Which Simone Peterzano works hang at the Civiche Raccolte d'Arte?Reveal the answer

Study of a Half-Length Figure, Still-Life of Figs and Peapods and Cherries: the Civiche Raccolte d'Arte, Milan holds 4 of the works on this page.

Simone Peterzano: life and work

Simone Peterzano: Life and Legacy

Early Life and Training

  • Born: Venice, Italy in 1540.
  • Initial training under the tutelage of Titian, a master of Venetian Renaissance painting. This foundational experience deeply influenced Peterzano’s use of color and composition.
  • Peterzano's early career saw him move to Milan, where he began to establish himself as a painter of religious subjects.

Artistic Development and Style

  • Peterzano’s style evolved within the context of Mannerism, characterized by elongated figures, stylized poses, and dramatic compositions. However, he infused this with a Venetian sensibility learned from Titian.
  • His work demonstrates influences from other prominent artists of the time, including Veronese and Tintoretto, particularly in his use of vibrant colors and dynamic scenes.
  • Over time, Peterzano’s style became more monumental and austere, reflecting a shift towards a more restrained aesthetic.

Major Works and Achievements

  • Frescoes in San Maurizio al Monastero Maggiore (Milan): Early works showcasing his Venetian influences and establishing his reputation in Milan.
  • Frescoes at Garegnano Charterhouse (1578-1582): Considered one of his most significant achievements, these frescoes demonstrate a masterful command of composition and narrative.
  • Religious Paintings: Numerous altarpieces and devotional works for churches throughout Milan and the surrounding region, including “Madonna with Child and Saints” (Bioggio) and “St. Ambrose between Sts. Gervasius and Protasius” (Duomo of Milan).
  • Still Life paintings: Peterzano also created several still life paintings, demonstrating a keen eye for detail and texture.

Influence and Historical Significance

  • Peterzano’s most enduring legacy lies in his role as the teacher of Caravaggio, one of the most revolutionary artists in Baroque history. He instructed Caravaggio between 1584 and 1588.
  • While Caravaggio ultimately developed a highly individual style, Peterzano provided him with a solid foundation in technique and composition.
  • Peterzano’s work represents a bridge between the Mannerist tradition and the emerging Baroque style. His emphasis on dramatic lighting and emotional intensity foreshadowed developments in 17th-century painting.
  • Death: Peterzano died in Milan in 1596, leaving behind a significant body of work that continues to be studied and appreciated today.

Legacy and Further Study

  • Peterzano’s contributions to art history are increasingly recognized for their influence on Caravaggio and his role in the transition from Mannerism to Baroque.
  • His paintings offer valuable insights into the artistic climate of late 16th-century Italy.