Portrait of Olof Johan Södermark

The 11 Most Famous Olof Johan Södermark Paintings, a Gallery Selection

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 11 works by Olof Johan Södermark in our catalogue

In short

Of all the originals Olof Johan Södermark left, the most famous is Peder Anker (1830), in the collection of the Bogstad, Oslo. Close behind it come The German Artist Franz Riepenhausen (1828) and Presumed Self Portrait (1827). Our catalog holds 11 works by Olof Johan Södermark; the gallery has kept the 11 the world admires most, each shown with its date, its museum and its story.

1790 – 1848, Landskrona Parish Most works: Nationalmuseum

Olof Johan Södermark's top 10 paintings: the gallery's choice

10
Portrait of Signora Vincensa by Olof Johan Södermark

Portrait of Signora Vincensa

Oil · Nationalmuseum, Stockholm

In the mid-1820s, while living in Rome, Olof Johan Södermark turned his attention away from the rigid structures of sculpture toward the intimate realities of daily existence. This oil portrait captures an employee in a Roman café, a woman caught in a moment of quiet, unposed labor. Unlike the idealized portraiture common to the era, this work rejects the polished perfection often demanded by high-society commissions. Instead, it offers a…

The Olof Johan Södermark selection continues, 11 to 11

The subjects that held Olof Johan Södermark's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Olof Johan Södermark's originals

The 3 museums that hold the most of the paintings on this page.

Museum City Works by Olof Johan Södermark Paintings from this list
Nationalmuseum, StockholmNationalmuseum Stockholm 8 The German Artist Franz Riepenhausen, Presumed Self Portrait, Regina. Roman Girl with Choral Necklace and Earrings
Bogstad, OsloBogstad Oslo 1 Peder Anker
National Portrait Gallery of Sweden, SträngnäsNational Portrait Gallery of Sweden Strängnäs 1 Porträtt av president Jacob August von Hartmansdorff

Olof Johan Södermark decade by decade: the original that defines each

Works per decade

Pick a decade to see the original that defines it.

Collectors' questions about Olof Johan Södermark's paintings

Which work is Olof Johan Södermark most famous for?Reveal the answer

Peder Anker (1830), Bogstad, Oslo. The German Artist Franz Riepenhausen (1828) and Presumed Self Portrait (1827) come next.

What age was Olof Johan Södermark when Peder Anker was made?Reveal the answer

40 years old: Peder Anker dates from 1830, and Olof Johan Södermark was born in 1790.

What are the ten most famous Olof Johan Södermark paintings?Reveal the answer

Peder Anker, The German Artist Franz Riepenhausen, Presumed Self Portrait, King Karl XIV Johan, Regina. Roman Girl with Choral Necklace and Earrings, Karolina Bygler. Model to the Sculptor Johan Niclas Byström, Gatumusikanter vid Pantheon, Porträtt av president Jacob August von Hartmansdorff, Grazia, Roman Model and Portrait of Signora Vincensa. The ranking above gives each one's year and museum.

How many paintings did Olof Johan Södermark leave?Reveal the answer

Our catalog holds 11 works by Olof Johan Södermark, dated from 1827 to 1845.

In which museums do Olof Johan Södermark's masterpieces hang?Reveal the answer

Mostly in Nationalmuseum (Stockholm), Bogstad (Oslo) and National Portrait Gallery of Sweden (Strängnäs). The museum table above lists them all.

In which years did Olof Johan Södermark paint the most famous works?Reveal the answer

In 1830s: 4 of the 11 works on this page were made then, Peder Anker among them.

What are the first and the last famous originals of Olof Johan Södermark?Reveal the answer

On this page, the earliest is Presumed Self Portrait (1827) and the latest Grazia, Roman Model (1845).

Which Olof Johan Södermark works hang at the Nationalmuseum?Reveal the answer

The German Artist Franz Riepenhausen, Presumed Self Portrait and Regina. Roman Girl with Choral Necklace and Earrings: the Nationalmuseum, Stockholm holds 8 of the works on this page.

Olof Johan Södermark: life and work

The Precision of the Cartographer’s Eye

Olof Johan Södermark was a man whose life was defined by the striking duality of the sword and the brush. Born in Landskrona, Sweden, in 1790, his early years were shaped by the rigorous discipline of military service, a path that began when he entered the fortification corps at the tender age of thirteen. This formative period as a cadet instilled in him a profound respect for accuracy and observation—traits that would later become the hallmark of his artistic style. As he ascended through the ranks to become a lieutenant within the Field Measurement Corps, Södermark dedicated himself to the science of cartography. The meticulous nature of mapping landscapes and recording topographical details provided him with a unique visual vocabulary; the same eye that traced the contours of the Swedish terrain would eventually be used to trace the delicate nuances of the human face.

From the Battlefield to the Roman Studio

The trajectory of Södermark’s life was irrevocably altered by the tremors of the Napoleonic Wars. His service took him to the heart of Europe's most pivotal conflicts, including the intense battles of Grossbeeren and Leipzig in 1813. These experiences of chaos and courage, alongside his time serving as an adjutant to Lieutenant General Sixtance David Sparre, infused his character with a certain Romanticist intensity. However, it was his transition from the battlefield to the artistic studio that would define his historical significance. Seeking to expand his creative horizons, Södermark traveled to Rome, where he immersed himself in the classical traditions of the era. Under the guidance of renowned sculptors such as Johan Niclas Byström and Bengt Erland Fogelberg, he initially sought to master the permanence of stone. Yet, as his travels took him through the cultural epicenters of Paris, Munich, and London, he found that his true passion lay not in the static weight of sculpture, but in the fluid, expressive potential of portrait painting.

A Legacy of Neoclassical Grandeur

As Södermark matured as an artist, his work became a sophisticated bridge between Neoclassical discipline and the burgeoning emotional depth of Romanticism. His ability to marry scientific precision with an evocative sense of character allowed him to ascend to the highest levels of Swedish society. By the early 1830s, he had earned the prestigious opportunity to paint members of the Royal Family, creating portraits that captured both their sovereign authority and their individual humanity. One of his most notable achievements remains his depiction of King Karl XIV Johan, a work that exemplifies his ability to render texture, light, and royal dignity with unparalleled clarity. Though his life was cut short in 1848, Södermark left behind a legacy of profound influence, passing his artistic torch to his son, Per Södermark, and ensuring that the meticulous, soulful vision of the soldier-artist would endure within the annals of Swedish art history.