Portrait of Louis Eilshemius

The 100 Most Famous Louis Eilshemius Paintings, a Gallery Selection

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 129 works by Louis Eilshemius in our catalogue

In short

Of all the originals Louis Eilshemius left, the most famous is Wading Through Water (1916). Close behind it come Mother Bereft (1890) and Adirondacks: Bridge for Fishing (1897). Our catalog holds 129 works by Louis Eilshemius; the gallery has kept the 100 the world admires most, each shown with its date, its museum and its story.

1864 – 1941, Newark Impressionism Most works: The Phillips Collection

Louis Eilshemius's top 10 paintings: the gallery's choice

1
Wading Through Water (1916) by Louis Eilshemius

Wading Through Water

1916 · Watercolor

The watercolor depicts three figures wading through shallow, clear water. On the left, a single figure stands near the edge of the frame, holding an object that resembles a piece of clothing or a blanket. In the center, a second person moves through the water, while a third figure is positioned on the right. A small boat rests on the surface of the water in the middle ground. Above the…

2
Mother Bereft (1890) by Louis Eilshemius

Mother Bereft

1890 · Oil On Canvas

A young woman reclines upon a bed, her body positioned centrally within the frame. The composition is defined by the organic curves of her form and the heavy folds of the drapery surrounding her. She rests amidst a collection of textiles, where the light appears soft and diffused, casting a glow across the scene. The color palette is dominated by warm tones, specifically shades of yellow and orange, which contrast…

3
Adirondacks: Bridge for Fishing (1897) by Louis Eilshemius

Adirondacks: Bridge for Fishing

1897 · Oil · The Phillips Collection, Washington, D.C.

The painting titled "Adirondacks: Bridge for Fishing" captures a quiet moment in the American landscape. Louis Michel Eilshemius, an American painter, rendered this scene about 1897. The work exists within the collection of The Phillips Collection in Washington, D.C., United States of America.

4
Beach at Apia, Samoa (1905) by Louis Eilshemius

Beach at Apia, Samoa

1905 · Oil On Canvas · Yale University Art Gallery, New Haven

Louis Eilshemius captured a quiet moment in the South Pacific with his oil on canvas, Beach at Apia, Samoa. Painted about 1905, this impressionistic landscape seeks to hold the stillness of a tropical shore. The scene rests in the light of a late afternoon sun, casting long shadows across the sand.

5
Springtime Song (1902) by Louis Eilshemius

Springtime Song

1902 · Watercolor · Herbert F. Johnson Museum of Art, Ithaca

In the quietude of a landscape from 1902, Louis Eilshemius invites the viewer into a world where nature and myth intertwine. This work, titled Springtime Song, captures a moment of pastoral celebration. The scene unfolds across a wide horizontal expanse, where the earth itself seems to rise and fall in gentle, undulating waves. It is a vision of a world caught in a perpetual state of seasonal renewal, far removed…

6
The Concert Singer (1910) by Louis Eilshemius

The Concert Singer

1910 · Oil · Yale University Art Gallery, New Haven

In The Concert Singer, we encounter a quiet, singular moment captured by Louis Eilshemius. Painted about 1910, this work presents a solo female performer positioned upon a stage. The artist has chosen a specific vantage point, placing us within the darkened theater. We view the scene from the perspective of an audience member, looking up toward the light.

7
Children on the Beach (1909) by Louis Eilshemius

Children on the Beach

1909 · Oil · The Phillips Collection, Washington, D.C.

The scene unfolds in Children on the Beach, a work painted by Louis Eilshemius about 1909. This piece captures a quiet moment along the coast, where the salt air seems to linger in the stillness of the composition. The artist, Louis Eilshemius, brings a specific, singular vision to this coastal setting, presenting a view that feels both intimate and distant.

8
Samoa (1907) by Louis Eilshemius

Samoa

1907 · Charcoal · Metropolitan Museum of Art, New York

In this work titled Samoa, Louis Eilshemius presents a quiet moment within a tropical landscape. Created about 1907, the scene focuses on two figures enjoying themselves in the water. They appear immersed in a tranquil environment, surrounded by the natural elements of a remote setting. The atmosphere is one of leisure and calm, captured through a specific, localized lens of the natural world.

9
Spanish Fortress in Moonlight (1909) by Louis Eilshemius

Spanish Fortress in Moonlight

1909 · Oil

In Spanish Fortress in Moonlight, Louis Eilshemius invites us into a nocturnal landscape where the arrangement of forms follows a quiet, pyramidal structure. At the apex of this composition sits the imposing silhouette of a Spanish fortress, perched firmly atop a hill. This central weight overlooks a body of water, establishing a sense of verticality that anchors the entire scene. To the left, a single sailboat occupies the foreground, providing…

10
Girl Resting (1910) by Louis Eilshemius

Girl Resting

1910 · Charcoal

Louis Eilshemius presents a monochromatic, pastoral scene in "Girl Resting," a work dating from about 1910. The composition utilizes a horizontal format to emphasize the breadth of the landscape. A young woman is seated on the ground in a state of repose, positioned slightly off-center in the foreground. To the left, a large tree dominates the frame, while another tree on the right side provides a secondary vertical anchor. The…

The Louis Eilshemius selection continues, 11 to 100

11Landscape With Two Nudes (1908) by Louis EilshemiusLandscape With Two Nudes1908 12Sorrowful Girl (1908) by Louis EilshemiusSorrowful Girl1908 13Fifty Seventh Street (1908) by Louis EilshemiusFifty Seventh Street1908 · Smithsonian American Art Museum 14The Flood (1911) by Louis EilshemiusThe Flood1911 15Louis Michel Eilshemius Self-Portrait (1915) by Louis EilshemiusLouis Michel Eilshemius Self-Portrait1915 · National Portrait Gallery 16The Startled Nymphs (1914) by Louis EilshemiusThe Startled Nymphs1914 · Museum of Fine Arts 17Nude in Tree (1917) by Louis EilshemiusNude in Tree1917 · Herbert F. Johnson Museum of Art 18Nymphs at Sunset (1917) by Louis EilshemiusNymphs at Sunset1917 · Herbert F. Johnson Museum of Art 19The Sheik (1917) by Louis EilshemiusThe Sheik1917 · Herbert F. Johnson Museum of Art 20Nude in Woods (1916) by Louis EilshemiusNude in Woods1916 · Herbert F. Johnson Museum of Art 21Tragedy of the Sea (1916) by Louis EilshemiusTragedy of the Sea1916 · Metropolitan Museum of Art 22Two Women in Uniform Before Tent (1916) by Louis EilshemiusTwo Women in Uniform Before Tent1916 23Bathers (1920) by Louis EilshemiusBathers1920 · Brooklyn Museum 24Swimming Party (1918) by Louis EilshemiusSwimming Party1918 · Metropolitan Museum of Art 25Nude in Forest (1916) by Louis EilshemiusNude in Forest1916 · Smithsonian American Art Museum 26Yuma, Arizona (1890) by Louis EilshemiusYuma, Arizona1890 · The Phillips Collection 27Summer Landscape with Hawk (1906) by Louis EilshemiusSummer Landscape with Hawk1906 · The Phillips Collection 28Street in Lugano (1893) by Louis EilshemiusStreet in Lugano1893 · The Phillips Collection 29Coney Island (1909) by Louis EilshemiusConey Island1909 30Nude in Landscape (1900) by Louis EilshemiusNude in Landscape1900 31Self-Portrait (1882) by Louis EilshemiusSelf-Portrait1882 32Puritan Type (1884) by Louis EilshemiusPuritan Type1884 33Fishermen in Rapids (1884) by Louis EilshemiusFishermen in Rapids1884 34Bridge in Moonlight (1890) by Louis EilshemiusBridge in Moonlight1890 · Art Institute of Chicago 35Stormy Landscape (1890) by Louis EilshemiusStormy Landscape1890 · Los Angeles County Museum of Art 36Delaware Water Gap Village (1886) by Louis EilshemiusDelaware Water Gap Village1886 · Metropolitan Museum of Art 37Slender Tree (1891) by Louis EilshemiusSlender Tree1891 · Harvard Art Museums 38Landscape (1889) by Louis EilshemiusLandscape1889 · Metropolitan Museum of Art 39Delaware Water Gap Village (1886) by Louis EilshemiusDelaware Water Gap Village1886 40Woodland Brook (1890) by Louis EilshemiusWoodland Brook1890 41Autumn Landscape (1887) by Louis EilshemiusAutumn Landscape1887 · Smithsonian American Art Museum 42Autumn Landscape (1889) by Louis EilshemiusAutumn Landscape1889 43Spanish Lady (1889) by Louis EilshemiusSpanish Lady1889 44Waterfalls (1890) by Louis EilshemiusWaterfalls1890 45Night Through Forest (1889) by Louis EilshemiusNight Through Forest1889 46Figure Seated (1890) by Louis EilshemiusFigure Seated1890 47Five Nudes in a Grape Arbor (1889) by Louis EilshemiusFive Nudes in a Grape Arbor1889 48American Tragedy Revenge (1890) by Louis EilshemiusAmerican Tragedy Revenge1890 49Approaching Storm (1890) by Louis EilshemiusApproaching Storm1890 · The Phillips Collection 50Delaware Water Gap Village (1895) by Louis EilshemiusDelaware Water Gap Village1895 · Metropolitan Museum of Art 51Street in Biskra (1893) by Louis EilshemiusStreet in Biskra1893 · Herbert F. Johnson Museum of Art 52Untitled landscape (1905) (1905) by Louis EilshemiusUntitled landscape (1905)1905 53American Farm (1900) by Louis EilshemiusAmerican Farm1900 54Birthplace of the Artist (1902) by Louis EilshemiusBirthplace of the Artist1902 · Metropolitan Museum of Art 55Mountain Stream (Three Nudes At A Mountain Creek) (1900) by Louis EilshemiusMountain Stream (Three Nudes At A Mountain Creek)1900 56Fairy Tale (1901) by Louis EilshemiusFairy Tale1901 57Balcony, Delaware Water Gap (1900) by Louis EilshemiusBalcony, Delaware Water Gap1900 · The Phillips Collection 58Sirens of the Sea (1908) by Louis EilshemiusSirens of the Sea1908 · Dallas Museum of Art 59Kingsbridge (1909) by Louis EilshemiusKingsbridge1909 · The Phillips Collection 60Two Nymphs by a Palm Tree by Louis EilshemiusTwo Nymphs by a Palm Tree 61New York at Night (1910) by Louis EilshemiusNew York at Night1910 · Metropolitan Museum of Art 62Landscape, Binghamton, New York (1907) by Louis EilshemiusLandscape, Binghamton, New York1907 · Metropolitan Museum of Art 63Macbeth and the Witches (1909) by Louis EilshemiusMacbeth and the Witches1909 64Nude Holding Shift (1907) by Louis EilshemiusNude Holding Shift1907 65Three Girls and River (1907) by Louis EilshemiusThree Girls and River1907 · Smithsonian American Art Museum 66Rooftops At Moonrise (1909) by Louis EilshemiusRooftops At Moonrise1909 67Meandering River (1908) by Louis EilshemiusMeandering River1908 68Two Girls on a Log Bridge (1907) by Louis EilshemiusTwo Girls on a Log Bridge1907 69East Side, New York (1908) by Louis EilshemiusEast Side, New York1908 70Sailboat, Stormy Sea (1907) by Louis EilshemiusSailboat, Stormy Sea1907 71New York Street at Dusk (1908) by Louis EilshemiusNew York Street at Dusk1908 72Standing and Reclining Nymphs (1908) by Louis EilshemiusStanding and Reclining Nymphs1908 · Smithsonian American Art Museum 73Twilight in Samoa (1907) by Louis EilshemiusTwilight in Samoa1907 · The Phillips Collection 74Samoan Scene (1908) by Louis EilshemiusSamoan Scene1908 75Madge in the Morning (1910) by Louis EilshemiusMadge in the Morning1910 · The Phillips Collection 76Samoa (1907) by Louis EilshemiusSamoa1907 · The Phillips Collection 77New York Roof Tops (1908) by Louis EilshemiusNew York Roof Tops1908 · The Phillips Collection 78Cabs for Hire (1909) by Louis EilshemiusCabs for Hire1909 · The Phillips Collection 79Gas Tanks at End of 23rd Street, New York (1909) by Louis EilshemiusGas Tanks at End of 23rd Street, New York1909 80Mountain Landscape (1914) by Louis EilshemiusMountain Landscape1914 · Yale University Art Gallery 81Sunset (1916) by Louis EilshemiusSunset1916 · Minneapolis Institute of Art 82Moonlight Nymphs (1913) by Louis EilshemiusMoonlight Nymphs1913 · Vanderbilt Museum of Art 83The Haunted House (1917) by Louis EilshemiusThe Haunted House1917 · Metropolitan Museum of Art 84Two Nymphs at River at Sunset (1916) by Louis EilshemiusTwo Nymphs at River at Sunset1916 85Portrait of Rose Marie (1916) by Louis EilshemiusPortrait of Rose Marie1916 · Smithsonian American Art Museum 86The Rejected Suitor (1915) by Louis EilshemiusThe Rejected Suitor1915 · The Phillips Collection 87Fire On Bremen Dock (1914) by Louis EilshemiusFire On Bremen Dock1914 88The Dream (1917) by Louis EilshemiusThe Dream1917 · The Phillips Collection 89Sunset with Man Standing on Shore (1920) by Louis EilshemiusSunset with Man Standing on Shore1920 · Dallas Museum of Art 90The Pool (1920) by Louis EilshemiusThe Pool1920 · Yale University Art Gallery 91Autumn Landscape (1919) by Louis EilshemiusAutumn Landscape1919 · Smithsonian American Art Museum 92Untitled landscape (1920) (1920) by Louis EilshemiusUntitled landscape (1920)1920 · Herbert F. Johnson Museum of Art 93Woman Washing her Hair while Another Sleeps (1919) by Louis EilshemiusWoman Washing her Hair while Another Sleeps1919 · Herbert F. Johnson Museum of Art 94Landscape with Cows (1919) by Louis EilshemiusLandscape with Cows1919 · El Paso Museum of Art 95Two Gulls and Cliffs (1921) by Louis EilshemiusTwo Gulls and Cliffs1921 · Smithsonian American Art Museum 96Untitled (1919) by Louis EilshemiusUntitled1919 · The Phillips Collection 97Birch Tree (1918) by Louis EilshemiusBirch Tree1918 · Nationalmuseum 98Overhanging Branches (1919) by Louis EilshemiusOverhanging Branches1919 99The Dream (1918) by Louis EilshemiusThe Dream1918 · The Phillips Collection 100Nymphs Sleeping (1920) by Louis EilshemiusNymphs Sleeping1920

Louis Eilshemius's famous paintings, period by period

The subjects that held Louis Eilshemius's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Louis Eilshemius's originals

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Louis Eilshemius Paintings from this list
The Phillips Collection, Washington, D.C.The Phillips Collection Washington, D.C. 20 Adirondacks: Bridge for Fishing, Children on the Beach, Yuma, Arizona
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 11 Samoa, Tragedy of the Sea, Swimming Party
Herbert F. Johnson Museum of Art, IthacaHerbert F. Johnson Museum of Art Ithaca 11 Springtime Song, Nude in Tree, Nymphs at Sunset
Smithsonian American Art Museum, Washington, D.C.Smithsonian American Art Museum Washington, D.C. 9 Fifty Seventh Street, Nude in Forest, Autumn Landscape
Yale University Art Gallery, New HavenYale University Art Gallery New Haven 4 Beach at Apia, Samoa, The Concert Singer, Mountain Landscape
Dallas Museum of Art, DallasDallas Museum of Art Dallas 2 Sirens of the Sea, Sunset with Man Standing on Shore
National Portrait Gallery, Washington, D.C.National Portrait Gallery Washington, D.C. 1 Louis Michel Eilshemius Self-Portrait
Museum of Fine Arts, BostonMuseum of Fine Arts Boston 1 The Startled Nymphs

Louis Eilshemius decade by decade: the original that defines each

Works per decade

Pick a decade to see the original that defines it.

Collectors' questions about Louis Eilshemius's paintings

Which work is Louis Eilshemius most famous for?Reveal the answer

Wading Through Water (1916). Mother Bereft (1890) and Adirondacks: Bridge for Fishing (1897) come next.

What age was Louis Eilshemius when Wading Through Water was made?Reveal the answer

52 years old: Wading Through Water dates from 1916, and Louis Eilshemius was born in 1864.

What are the ten most famous Louis Eilshemius paintings?Reveal the answer

Wading Through Water, Mother Bereft, Adirondacks: Bridge for Fishing, Beach at Apia, Samoa, Springtime Song, The Concert Singer, Children on the Beach, Samoa, Spanish Fortress in Moonlight and Girl Resting. The ranking above gives each one's year and museum.

How many paintings did Louis Eilshemius leave?Reveal the answer

Our catalog holds 129 works by Louis Eilshemius, dated from 1882 to 1921.

In which museums do Louis Eilshemius's masterpieces hang?Reveal the answer

Mostly in The Phillips Collection (Washington, D.C.), Metropolitan Museum of Art (New York) and Herbert F. Johnson Museum of Art (Ithaca). The museum table above lists them all.

In which years did Louis Eilshemius paint the most famous works?Reveal the answer

In 1900s: 36 of the 100 works on this page were made then, Beach at Apia, Samoa among them.

What are the first and the last famous originals of Louis Eilshemius?Reveal the answer

On this page, the earliest is Self-Portrait (1882) and the latest Two Gulls and Cliffs (1921).

Which subjects did Louis Eilshemius choose most often?Reveal the answer

Landscape (13), Water (10) and People (9), across the 100 works on this page.

Which technique did Louis Eilshemius use most?Reveal the answer

Oil, for 16 of the 100 works on this page.

To which art movement does Louis Eilshemius belong?Reveal the answer

Impressionism, judging by the originals on this page.

Which Louis Eilshemius works hang at the The Phillips Collection?Reveal the answer

Adirondacks: Bridge for Fishing, Children on the Beach and Yuma, Arizona: the The Phillips Collection, Washington, D.C. holds 17 of the works on this page.

Louis Eilshemius: life and work

A Visionary Outsider: The Enigmatic World of Louis Michel Eilshemius

Born into affluence in 1864 near Newark, New Jersey, Louis Michel Eilshemius remains a compelling and often perplexing figure in the landscape of American art. His life was a curious blend of rigorous academic training and an utterly untamed artistic spirit—a dichotomy that resulted in works both hauntingly beautiful and deliberately unsettling. Though born into privilege, Eilshemius’s path wasn't one of easy acceptance within the established art world; instead, he carved out his own unique niche, becoming a celebrated outsider whose vision was truly ahead of its time. He received a comprehensive education, studying in Europe and briefly attending Cornell University before dedicating himself to art at the Art Students League of New York. This formal grounding is evident in his early landscapes, which initially echoed the Barbizon school and artists like Corot, George Inness, and Albert Pinkham Ryder—but even then, a nascent individuality began to glimmer beneath the surface. These initial works, while technically proficient, failed to garner significant attention, setting the stage for a dramatic shift in style that would define his legacy.

The Evolution of a Unique Aesthetic

Around 1910, Eilshemius’s artistic voice underwent a profound transformation. He began to reject conventional techniques, embracing a coarser, more direct approach. A pivotal change was his preference for painting on cardboard rather than canvas—a deliberate choice that contributed to the raw, unrefined quality of his work. This period marked the emergence of his signature style: moonlit landscapes populated by voluptuous nymphs and figures rendered with an almost childlike naiveté. These weren’t classical depictions of mythological beings; they were dreamlike visions imbued with a strange, unsettling energy. The nudes themselves often possessed exaggerated smiles, adding to the disconcerting effect. His paintings of New York rooftops, equally captivating, are characterized by sinuous “frames” he painted directly onto the canvas, further emphasizing their otherworldly quality. This period also saw Eilshemius’s increasingly eccentric behavior; frustrated with a lack of recognition, he even briefly signed his work as "Elshemus," believing his name was too long to be remembered!

Recognition and Rediscovery

Despite facing widespread critical bewilderment during his lifetime, Eilshemius found an unlikely champion in Marcel Duchamp. Duchamp recognized the unique power of Eilshemius’s work and invited him to exhibit in Paris in 1917—a gesture that brought some international attention but also sparked further controversy. The Parisian reception was mixed, yet it planted a seed for future appreciation. For years, Eilshemius remained largely overlooked, struggling with financial hardship and declining mental health. He continued to paint, write, compose music, and publish his own eccentric manifestos, all while battling obscurity. It wasn’t until after his death in 1941, at Bellevue Hospital, that a broader audience began to recognize the brilliance of his vision. The rediscovery of Eilshemius was gradual but significant, fueled by scholars and collectors who appreciated his originality and his rejection of artistic norms.

Legacy and Lasting Influence

Today, Louis Michel Eilshemius is celebrated as a pivotal figure in American modernism—a precursor to both Naive art and the visionary landscapes that would emerge later in the 20th century. His work can be found in prominent collections such as The Phillips Collection in Washington, D.C., and the Neuberger Museum of Art in New York State, which houses a substantial body of his paintings donated by Roy Neuberger. Eilshemius’s influence extends beyond his aesthetic innovations. He embodies the spirit of artistic independence—a refusal to compromise one's vision for the sake of acceptance. His story serves as a reminder that true originality often exists on the fringes, and that sometimes it takes time for the world to catch up with a visionary artist. He was an artist who dared to be different, and in doing so, left an indelible mark on the history of American art.

Key Works & Collections