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The 7 Most Famous Kees Maks Paintings, Each One of a Kind
Updated October 2026 · ranked by our popularity score (searches, visits and orders for each work) · 8 works by Kees Maks in our catalogue
In short
My Neighborhood (1919) is the Kees Maks painting that draws the most eyes. After it, the eye goes to Dancing Figures in Cafe (1900) and Zomervreugde (1910). Among the 8 works of Kees Maks in our catalog, these 7 are the most famous, each a unique original presented with its year, its museum and the reason it endures.
1876 – 1967, Amsterdam
Top 10 paintings by Kees Maks, through the gallery's eye
Kees Maks across the decades: one unique original for each
Works per decade
Pick a decade to see the original that defines it.
Kees Maks's paintings: questions for the gallery
What is the single most famous work of Kees Maks?Reveal the answer
My Neighborhood (1919). Dancing Figures in Cafe (1900) and Zomervreugde (1910) come next.
At what age did Kees Maks create My Neighborhood?Reveal the answer
43 years old: My Neighborhood dates from 1919, and Kees Maks was born in 1876.
How many works by Kees Maks are known?Reveal the answer
Our catalog holds 8 works by Kees Maks, dated from 1900 to 1936.
During which period did Kees Maks create the best-known paintings?Reveal the answer
In 1910s: 4 of the 7 works on this page were made then, My Neighborhood among them.
Which famous Kees Maks painting is the earliest, and which the latest?Reveal the answer
On this page, the earliest is Dancing Figures in Cafe (1900) and the latest Zelfportret met model (1936).
Kees Maks: a portrait of the artist
A Life Between Amsterdam and Paris
Cornelis Johannes Maks, known to many as Kees Maks, lived a life that moved between the quiet streets of his native Amsterdam and the bustling energy of Paris. Born in 1876, he began his formal training at the Rijksakademie, but it was under the guidance of George Hendrik Breitner that his artistic path truly took shape. This early mentorship left a lasting mark on his approach to the canvas.
His years were often split between two major European hubs. While his roots remained in the Netherlands, he found a significant part of his creative spirit in France. He was a regular presence at the Salon d'Automne in Paris for decades, exhibiting there from 1910 through the 1940s. This movement between cities allowed him to absorb different atmospheres, blending Dutch sensibilities with the changing trends of the French art scene.
The Spirit of the Night and the Circus
Maks found his true subject matter in the lively, often fleeting moments of social life. He turned his attention toward themes that were quite new to the Dutch tradition at the time. His canvases frequently captured the excitement of circus acts, the movement of dancing couples, and the atmosphere of garden parties. He had a particular interest in the fashionable nightlife of the era, bringing scenes of theatre and walking companies to life.
His technique relied on a specific way of seeing the world. He used bold, robust arrangements and focused on extreme contrasts between light and shade. Rather than fine, delicate details, he worked with simplified masses of bright, strong colors. This method gave his paintings a sense of weight and presence. His work often featured:
- Circus performances and clowns
- Theatrical scenes
- Garden parties and social gatherings
- Dancing couples in motion
A Place in the Modern Era
During the interwar period, as many artists across Europe began to move away from the avant-garde toward a more neo-classical figuration, Maks found himself part of this shift. This movement, often called Retour à l'ordre, saw him and contemporaries like Kees van Dongen embracing a more structured approach to the human figure. His work was appreciated for its modern character, even when some of his peers in the Netherlands viewed his style as being somewhat removed from local traditions.
His contributions were recognized on several international stages. He participated in the Munich Secession exhibitions in the early years of the 20th century and saw his work included in art competitions for both the 1928 and 1948 Summer Olympics. By the time he passed away in Amsterdam in 1967, he had left behind a body of work that captured a specific, lively era of European life through a lens of bold color and light.