In short
Of all the originals Jacob Savery left, the most famous is Landscape with Village: "Autumn" (1600), in the collection of the Städel Museum, Frankfurt. Close behind it come St. Sebastian fair in a Flemish village (1598) and Winter landscape (1600). Our catalog holds 7 works by Jacob Savery; the gallery has kept the 7 the world admires most, each shown with its date, its museum and its story.
Jacob Savery's top 10 paintings: the gallery's choice
Landscape with Corn Fields, Jacob Savery (II) (attributed to), 1602 - 1630
Landscape with corn fields on the right side of a country road, on the left an inn. Travelling by road and a shepherd with sheep. In the foreground two sitting women who read the hand of two farmers.
Landscape with the story of Jephthah"s daughter, Jacob Savery (I), 1580 - 1589
Landscape with the story of Jefta's daughter. Mountain landscape with a city in a valley. On the left the city gate where Jefta's daughter plays tambourine to greet her father. In the background a vast landscape with a large church and more buildings on the edge of a bay.
The museums that keep Jacob Savery's originals
The 4 museums that hold the most of the paintings on this page.
| Museum | City | Works by Jacob Savery | Paintings from this list |
|---|---|---|---|
| Amsterdam | 2 | Landscape with Corn Fields, Jacob Savery (II) (attributed to), 1602 - 1630, Landscape with the story of Jephthah"s daughter, Jacob Savery (I), 1580 - 1589 | |
| Frankfurt | 1 | Landscape with Village: "Autumn" | |
| The Hague | 1 | St. Sebastian fair in a Flemish village | |
| Stockholm | 1 | Rural Scene |
Jacob Savery decade by decade: the original that defines each
Works per decade
Pick a decade to see the original that defines it.
Landscape with the story of Jephthah"s daughter, Jacob Savery (I), 1580 - 1589
Landscape with the story of Jefta's daughter. Mountain landscape with a city in a valley. On the left the city gate where Jefta's daughter plays tambourine to greet her father. In the background a vast landscape with a large church and more buildings on the edge of a bay.
Collectors' questions about Jacob Savery's paintings
Which work is Jacob Savery most famous for?Reveal the answer
Landscape with Village: "Autumn" (1600), Städel Museum, Frankfurt. St. Sebastian fair in a Flemish village (1598) and Winter landscape (1600) come next.
What age was Jacob Savery when Landscape with Village: "Autumn" was made?Reveal the answer
40 years old: Landscape with Village: "Autumn" dates from 1600, and Jacob Savery was born in 1560.
How many paintings did Jacob Savery leave?Reveal the answer
Our catalog holds 7 works by Jacob Savery, dated from 1589 to 1600.
In which museums do Jacob Savery's masterpieces hang?Reveal the answer
Mostly in Rijksmuseum (Amsterdam), Städel Museum (Frankfurt) and Mauritshuis (The Hague). The museum table above lists them all.
In which years did Jacob Savery paint the most famous works?Reveal the answer
In 1600s: 2 of the 7 works on this page were made then, Landscape with Village: "Autumn" among them.
What are the first and the last famous originals of Jacob Savery?Reveal the answer
On this page, the earliest is Landscape with the story of Jephthah"s daughter, Jacob Savery (I), 1580 - 1589 (1589) and the latest Landscape with Village: "Autumn" (1600).
Which Jacob Savery works hang at the Rijksmuseum?Reveal the answer
Landscape with Corn Fields, Jacob Savery (II) (attributed to), 1602 - 1630 and Landscape with the story of Jephthah"s daughter, Jacob Savery (I), 1580 - 1589: the Rijksmuseum, Amsterdam holds 2 of the works on this page.
Jacob Savery: life and work
Early Life and Artistic Beginnings
The story of Hans Heys, a name increasingly resonant in contemporary landscape painting, is one rooted deeply in the Dutch tradition yet blossoming into a uniquely personal vision. Born in 1974 in the Netherlands, Heys’s early life was steeped in the visual language of his surroundings – the expansive skies, the intricate network of waterways, and the flat, fertile polders that define much of the country's character. While not formally trained in a classical sense initially, Heys developed an acute observational skill through countless hours spent sketching *en plein air*, capturing the fleeting effects of light and atmosphere. This self-directed education fostered a direct connection to his subject matter, one that would become a hallmark of his mature work. His initial artistic explorations were modest, focusing on local scenes – windmills silhouetted against dramatic sunsets, fields of tulips ablaze with color, and the quiet dignity of traditional Dutch farmhouses. These early paintings, though relatively unassuming, reveal a nascent talent for capturing mood and an instinctive understanding of composition. Heys wasn’t immediately drawn to grand narratives or historical themes; instead, he found beauty in the everyday, imbuing ordinary landscapes with a sense of poetic stillness.Influences and Development
Heys's artistic journey was significantly shaped by his immersion in the Dutch Masters, particularly the 17th-century landscape painters like Jacob van Ruisdael and Aert van der Neer. He admired their masterful rendering of light, their ability to convey depth and atmosphere, and their subtle psychological portrayal of nature. However, Heys wasn’t content with mere imitation. He sought to move beyond the meticulous realism of his predecessors, incorporating elements of Impressionism and Post-Impressionism into his evolving style. The broken brushwork and vibrant color palettes of artists like Monet and Van Gogh resonated deeply with him, inspiring him to experiment with more expressive techniques.- Jacob van Ruisdael: Influenced Heys’s understanding of atmospheric perspective and the depiction of cloud formations.
- Aert van der Neer: Provided a model for capturing the subtle nuances of light in nocturnal scenes and winter landscapes.
- Claude Monet: Inspired Heys’s exploration of broken color and *plein air* painting techniques.
- Vincent van Gogh: Contributed to Heys’s expressive use of brushwork and emotional intensity.