Portrait of Huib Luns

The 14 Most Famous Huib Luns Paintings, a Gallery Selection

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 14 works by Huib Luns in our catalogue

In short

Of all the originals Huib Luns left, the most famous is Portrait of My Father (1904). Close behind it come Adam and Eve (1911) and Two Seated Women (1916). Our catalog holds 14 works by Huib Luns; the gallery has kept the 14 the world admires most, each shown with its date, its museum and its story.

1881 – 1942, Paris Most works: Museum Catharijneconvent

Huib Luns's top 10 paintings: the gallery's choice

The Huib Luns selection continues, 11 to 14

The museums that keep Huib Luns's originals

The 5 museums that hold the most of the paintings on this page.

Museum City Works by Huib Luns Paintings from this list
Museum Catharijneconvent, UtrechtMuseum Catharijneconvent Utrecht 3 Portrait of Wilhelmus Marinus van Rossum (1854-1932), Lamentation, Portrait of Gerardus Cornelis van Noort (1861-1946)
Museum Rotterdam, RotterdamMuseum Rotterdam Rotterdam 1 Portrait of Alida Johanna Maria Klein (1874-1938)
Cuypershuis, RoermondCuypershuis Roermond 1 Portrait of Louis XVI of France
Rijksmuseum, AmsterdamRijksmuseum Amsterdam 1 Jeugdportret van Joseph Luns
Noordbrabants Museum, 's-HertogenboschNoordbrabants Museum 's-Hertogenbosch 1 Portrait of C.C. Fincken

Huib Luns decade by decade: the original that defines each

Works per decade

Pick a decade to see the original that defines it.

Collectors' questions about Huib Luns's paintings

Which work is Huib Luns most famous for?Reveal the answer

Portrait of My Father (1904). Adam and Eve (1911) and Two Seated Women (1916) come next.

What age was Huib Luns when Portrait of My Father was made?Reveal the answer

23 years old: Portrait of My Father dates from 1904, and Huib Luns was born in 1881.

What are the ten most famous Huib Luns paintings?Reveal the answer

Portrait of My Father, Adam and Eve, Two Seated Women, Augustine, Portrait of Wilhelmus Marinus van Rossum (1854-1932), Portrait of Alida Johanna Maria Klein (1874-1938), Granada, Augustine, Portrait of Louis XVI of France and Lamentation. The ranking above gives each one's year and museum.

How many paintings did Huib Luns leave?Reveal the answer

Our catalog holds 14 works by Huib Luns, dated from 1904 to 1936.

In which museums do Huib Luns's masterpieces hang?Reveal the answer

Mostly in Museum Catharijneconvent (Utrecht), Museum Rotterdam (Rotterdam) and Cuypershuis (Roermond). The museum table above lists them all.

In which years did Huib Luns paint the most famous works?Reveal the answer

In 1910s: 7 of the 14 works on this page were made then, Adam and Eve among them.

What are the first and the last famous originals of Huib Luns?Reveal the answer

On this page, the earliest is Portrait of My Father (1904) and the latest Portrait of Gerardus Cornelis van Noort (1861-1946) (1936).

Which Huib Luns works hang at the Museum Catharijneconvent?Reveal the answer

Portrait of Wilhelmus Marinus van Rossum (1854-1932), Lamentation and Portrait of Gerardus Cornelis van Noort (1861-1946): the Museum Catharijneconvent, Utrecht holds 3 of the works on this page.

Huib Luns: life and work

A Life of Versatile Form

Huibert Marie Luns entered the world in Paris on 6 June 1881, though his roots and eventual destiny remained firmly planted in the Netherlands. The son of a sculptor, he was raised in an environment where the tactile nature of art was a daily presence. His early training began under the guidance of the brothers Antoon and Theo Molkenboer, providing him with a technical foundation that would support a career spanning many disciplines. He later refined these skills at the Rijksnormaalschool for arts and crafts in Amsterdam and through an internship at the Rijksakademie.

His artistic path was never singular. While he is often remembered for his paintings, Luns moved with ease between the roles of sculptor, draftsman, lithographer, and even medal maker. He possessed a particular talent for graphic design, applying his eye to book covers and posters that utilized Art Nouveau decorative principles. This ability to navigate both fine art and applied design allowed him to remain active across various facets of the Dutch visual landscape.

The Academy and the Brush

Luns’s professional life was marked by a deep commitment to art education, often holding significant administrative responsibilities alongside his creative practice. He served as a teacher at the Rotterdam Academy from 1908 to 1917 and later directed the Academy of 's-Hertogenbosch between 1917 and 1923. His influence on the next generation of artists was solidified through his leadership at the Rijksinstituut voor Opleiding van Tekenleraren in Amsterdam and his tenure as a professor at the Delft University of Technology from 1931 until his death in 1942.

In his studio, his style reflected the shifting currents of his era. His work moved between the realism of his early teachers and the more fluid, loose palettes of Impressionism and Post-Impressionism. He was also associated with Luminism, a style that emphasized the play of light. His subject matter was as varied as his training:

  • Portraits of prominent Dutch figures and social elites.
  • Nude studies demonstrating academic precision.
  • Elegant women set within sun-drenched landscapes.
  • Still lifes, cityscapes, and beach scenes captured during his travels.

A Final Chapter in Amsterdam

Beyond the canvas, Luns was a man of letters, publishing books on Dutch painting and writing travel guides such as the Ten walks in... series. His intellectual pursuits were matched by his civic contributions, including the creation of a statue in Maastricht to honor French refugees from the First World War. He was a respected member of several art associations, including Arti et Amicitiae and Sint Lucas, and received the Order of Orange-Nassau in 1930.

The end of his life came in Amsterdam on 24 February 1942. He left behind a body of work that captured the light and atmosphere of the early twentieth century, as well as a family legacy that extended into international diplomacy through his son, Joseph Luns. His paintings remain held in significant collections, such as the Rijksmuseum and Museum Rotterdam, preserving the record of a man who lived at the intersection of art, education, and design.