José
Juárez
The Dawn of a New Baroque Mexico City, mid-seventeenth century. The air in the Franciscan Convent is heavy with the scent of incense and the weight of devotion. José Juárez moves through these spaces not merely as a spectator, but as a creator tasked with …
A portrait built from José Juárez's own colours
Every 9 approved work contributes its dominant tone to a single flowing field. Sorted along the hue wheel, the strip reads as a smooth spectrum. Click any band to reveal its full four-colour palette.
Bands follow the hue wheel; visually identical tones are merged.
Every painting, placed on the hue wheel
Each dot is a work — its angle set by hue, its distance from the centre by saturation. Hover a dot to see the painting.
The signature, in numbers
Where the colour came from
Up to 24 paintings representing the most frequent palette tones — each shown with its dominant colours.