gejza
barczi
The Crucible of New York: Francis Bacon and the 1950s The decade of the 1950s witnessed a seismic shift in the landscape of Western art, largely spearheaded by a group of American painters who rejected the established norms of European tradition and forged a distinctly …
A portrait built from gejza barczi's own colours
Every 1 approved work contributes its dominant tone to a single flowing field. Sorted along the hue wheel, the strip reads as a smooth spectrum. Click any band to reveal its full four-colour palette.
Bands follow the hue wheel; visually identical tones are merged.
Every painting, placed on the hue wheel
Each dot is a work — its angle set by hue, its distance from the centre by saturation. Hover a dot to see the painting.
The signature, in numbers
Where the colour came from
Up to 24 paintings representing the most frequent palette tones — each shown with its dominant colours.
