Carel
Willink
The Unsettling Precision of Imaginary Realism To look at a Carel Willink painting is to confront a world that feels physically present yet fundamentally wrong. He did not rely on the abstract distortions common in his era; instead, he utilized a technique of imaginary realism …
A portrait built from Carel Willink's own colours
Every 10 approved work contributes its dominant tone to a single flowing field. Sorted along the hue wheel, the strip reads as a smooth spectrum. Click any band to reveal its full four-colour palette.
Bands follow the hue wheel; visually identical tones are merged.
Every painting, placed on the hue wheel
Each dot is a work — its angle set by hue, its distance from the centre by saturation. Hover a dot to see the painting.
The signature, in numbers
Where the colour came from
Up to 24 paintings representing the most frequent palette tones — each shown with its dominant colours.