Antonio
del Pollaiuolo
A Florentine Master of Movement and Form Antonio del Pollaiuolo, a name resonating with the dynamism of the Italian Renaissance, emerged in Florence around 1429 as a pivotal figure who redefined artistic expression. Born into a family whose trade – “pollaiuolo” meaning hen coop – …
A portrait built from Antonio del Pollaiuolo's own colours
Every 18 approved work contributes its dominant tone to a single flowing field. Sorted along the hue wheel, the strip reads as a smooth spectrum. Click any band to reveal its full four-colour palette.
Bands follow the hue wheel; visually identical tones are merged.
Every painting, placed on the hue wheel
Each dot is a work — its angle set by hue, its distance from the centre by saturation. Hover a dot to see the painting.
The signature, in numbers
Where the colour came from
Up to 24 paintings representing the most frequent palette tones — each shown with its dominant colours.
