Portrait of Frederick William Elwell

Frederick William Elwell Paintings: The 100 Most Famous, Through a Gallery's Eye

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 147 works by Frederick William Elwell in our catalogue

In short

To the gallery's eye, Frederick William Elwell's most famous painting is The Wedding Dress (1911), whose original hangs in the Ferens Art Gallery, Hull. The First Born (1913) and Four Friends (1925) complete the trio every eye recognises. Of the 147 works by Frederick William Elwell in our catalog, the gallery presents the 100 most famous below, each original with its year, its museum and what makes it unique.

1870 – 1958, Beverley Contemporary realism Most works: Beverley Art Gallery

The gallery's top 10 Frederick William Elwell paintings

1
The Wedding Dress (1911) by Frederick William Elwell

The Wedding Dress

1911 · Oil On Canvas · Ferens Art Gallery, Hull

In this 1911 oil on canvas, Frederick William Elwell captures a moment of profound stillness and private sorrow. The work, titled The Wedding Dress, presents a scene that feels suspended in time, as if the air itself has grown heavy with the weight of the subject's emotion. A young woman kneels upon the floor, her body bowed in a posture of deep distress. She leans against an open trunk, her…

2
The First Born (1913) by Frederick William Elwell

The First Born

1913 · Oil On Canvas · Ferens Art Gallery, Hull

The First Born is an oil painting by Frederick William Elwell. Created in 1913, this work presents an intimate portrait of a young mother and child. The subject matter focuses on a young girl entering motherhood, depicted with a new-born babe folded in her arms.

3
Four Friends (1925) by Frederick William Elwell

Four Friends

1925 · Oil · Beverley Art Gallery, Beverley

is an oil on canvas painting executed by the artist Frederick William Elwell. The work is dated 1925. This piece belongs to the genre of figurative subjects, specifically focusing on a man relaxing at a table. The composition captures a moment of repose within a dining setting.

4
Bric à brac (1931) by Frederick William Elwell

Bric à brac

1931 · Oil · Usher Gallery, Lincoln

In this 1931 oil painting, we find ourselves standing at the threshold of a lived-in domestic space. The scene unfolds within a hallway, where the perspective draws the eye past an open doorway on the left and into a room filled with the quiet clutter of daily existence. It is a composition of stillness, capturing a moment where nothing is happening, yet everything feels present. Hardwood floors catch the light,…

5
Evensong (1917) by Frederick William Elwell

Evensong

1917 · Oil · Beverley Art Gallery, Beverley

In the painting Evensong by Frederick William Elwell, the scene is set within the interior of a cathedral. A large wooden bench occupies the center of the room. At least thirteen people are positioned on this bench, some in the foreground and others further back in the space. These figures sit together, creating a sense of community and worship within the architectural setting. The composition focuses on this gathering amidst…

6
Dolley Madison (1848) by Frederick William Elwell

Dolley Madison

1848 · National Portrait Gallery, Washington, D.C.

Dolley Madison: A Portrait of Grace and Resilience This captivating portrait by Frederick William Elwell offers a compelling glimpse into the life of Dolley Madison, a woman celebrated as much for her social acumen as for her role as First Lady. Painted in 1848, several years after James Madison’s death, the artwork presents us not with the vivacious hostess of Washington society, but with a dignified and contemplative elder stateswoman.…

10
The Last Purchase (The New Purchase) (1921) by Frederick William Elwell

The Last Purchase (The New Purchase)

1921 · Oil On Canvas · Ferens Art Gallery, Hull

In the quietude of a private study, where the scent of aged paper and polished wood lingers, Frederick William Elwell captures a profound moment of stillness in his 1921 masterpiece, The Last Purchase (The New Purchase). This evocative oil on canvas invites the viewer into a sanctuary of contemplation, centered around an elderly gentleman seated before a table laden with the treasures of a lifetime. The painting is far more…

Frederick William Elwell paintings, ranked 11 to 100

11Three Maids, 'Beverley Arms' Kitchen (1945) by Frederick William ElwellThree Maids, 'Beverley Arms' Kitchen1945 · Beverley Art Gallery 12F. G. Hobson, Mayor of Beverley (1897–1899) (1898) by Frederick William ElwellF. G. Hobson, Mayor of Beverley (1897–1899)1898 · Beverley Art Gallery 13Gardener with a Pipe (1898) by Frederick William ElwellGardener with a Pipe1898 · Beverley Art Gallery 14Mischief (1901) by Frederick William ElwellMischief1901 15The Housekeeper's Room (1911) by Frederick William ElwellThe Housekeeper's Room1911 · Ferens Art Gallery 16Mrs R. Hodgson (1928) by Frederick William ElwellMrs R. Hodgson1928 · Beverley Art Gallery 17King George V (1865-1936) (1932) by Frederick William ElwellKing George V (1865-1936)1932 · Royal Collection 18Study for 'The Window Seat' (detail) by Frederick William ElwellStudy for 'The Window Seat' (detail)Beverley Art Gallery 19Police Court (1938) by Frederick William ElwellPolice Court1938 · Beverley Art Gallery 20The Last Cab (1936) by Frederick William ElwellThe Last Cab1936 · Beverley Art Gallery 21County Court, Beverley, East Riding of Yorkshire (1937) by Frederick William ElwellCounty Court, Beverley, East Riding of Yorkshire1937 · Beverley Art Gallery 22Widdall's (1928) by Frederick William ElwellWiddall's1928 23An Old Inn Kitchen (1922) by Frederick William ElwellAn Old Inn Kitchen1922 · Walker Art Gallery 24Brick Bridge, Swinemoor, East Riding of Yorkshire (1945) by Frederick William ElwellBrick Bridge, Swinemoor, East Riding of Yorkshire1945 · Beverley Art Gallery 25A Musical Interlude (1944) by Frederick William ElwellA Musical Interlude1944 26Horse Tent (1923) by Frederick William ElwellHorse Tent1923 · Beverley Art Gallery 27The War Worker (1919) by Frederick William ElwellThe War Worker1919 · Ferens Art Gallery 28Performers' Entrance (1923) by Frederick William ElwellPerformers' Entrance1923 · Beverley Art Gallery 29Oil Sketch for 'Four Friends' (1925) by Frederick William ElwellOil Sketch for 'Four Friends'1925 · Beverley Art Gallery 30Interior of a Factory (1949) by Frederick William ElwellInterior of a Factory1949 31My Neighbour's House (1929) by Frederick William ElwellMy Neighbour's House1929 · Bristol Museum - Art Gallery 32The Butler Takes a Glass of Port (All Things Come to the Man That Waits) (1899) by Frederick William ElwellThe Butler Takes a Glass of Port (All Things Come to the Man That Waits)1899 · Beverley Art Gallery 33Maids with Pigeons (1918) by Frederick William ElwellMaids with Pigeons1918 · Beverley Art Gallery 34Alderman George Hall (1890) by Frederick William ElwellAlderman George Hall1890 · Hull Guildhall 35Leonie's Toilet (1894) by Frederick William ElwellLeonie's Toilet1894 · Beverley Art Gallery 36Codfish and Herrings (1897) by Frederick William ElwellCodfish and Herrings1897 · Beverley Art Gallery 37Birthday Party (1936) by Frederick William ElwellBirthday Party1936 · Beverley Art Gallery 38Mary Dawson Holmes (1874–1952) (1904) by Frederick William ElwellMary Dawson Holmes (1874–1952)1904 · Beverley Art Gallery 39Farm Scene (1900) by Frederick William ElwellFarm Scene1900 40The Last Beverley Pipemaker (1900) by Frederick William ElwellThe Last Beverley Pipemaker1900 · Wilberforce House Museum 41Wansford, East Riding of Yorkshire (Farmhouse) (1905) by Frederick William ElwellWansford, East Riding of Yorkshire (Farmhouse)1905 · Beverley Art Gallery 42Christopher Pickering (d.1920) (1906) by Frederick William ElwellChristopher Pickering (d.1920)1906 · Hull Guildhall 43Alderman Henry Feldman, JP (1910) by Frederick William ElwellAlderman Henry Feldman, JP1910 · Hull Guildhall 44Self Portrait (1911) by Frederick William ElwellSelf Portrait1911 · Ferens Art Gallery 45John E. Champney (1846–1929) (1906) by Frederick William ElwellJohn E. Champney (1846–1929)1906 · Beverley Art Gallery 46Sanger's Ring Horses by Frederick William ElwellSanger's Ring HorsesLaing Art Gallery 47Wheelwrights' Shop, Beverley, East Riding of Yorkshire (1941) by Frederick William ElwellWheelwrights' Shop, Beverley, East Riding of Yorkshire1941 · Beverley Art Gallery 48John Travers Cornwell (1900–1916), VC (1916) by Frederick William ElwellJohn Travers Cornwell (1900–1916), VC1916 · Fishing Heritage Centre 49Alderman Thomas Shemelds Taylor (1848–1930), JP (1913) by Frederick William ElwellAlderman Thomas Shemelds Taylor (1848–1930), JP1913 · Hull Guildhall 50A Visit to the Lawyer (1913) by Frederick William ElwellA Visit to the Lawyer1913 · Beverley Art Gallery 51William Spencer (1826–1910), JP (1912) by Frederick William ElwellWilliam Spencer (1826–1910), JP1912 · Beverley Art Gallery 52The Lily Pond, Bar House, Beverley, East Riding of Yorkshire (1914) by Frederick William ElwellThe Lily Pond, Bar House, Beverley, East Riding of Yorkshire1914 · Beverley Art Gallery 53The Big Top (1923) by Frederick William ElwellThe Big Top1923 · Beverley Art Gallery 54The New Frock (1919) by Frederick William ElwellThe New Frock1919 55Armstrong's Garage (1921) by Frederick William ElwellArmstrong's Garage1921 56Old Mace Bearer (1921) by Frederick William ElwellOld Mace Bearer1921 · Beverley Art Gallery 57Alderman Harry Wray (1921) by Frederick William ElwellAlderman Harry Wray1921 · Beverley Art Gallery 58Cowshed (1922) by Frederick William ElwellCowshed1922 · Beverley Art Gallery 59Avignon, France (View from 'Les roches de justice') (1926) by Frederick William ElwellAvignon, France (View from 'Les roches de justice')1926 · Beverley Art Gallery 60Corsican Landscape (1927) by Frederick William ElwellCorsican Landscape1927 · Beverley Art Gallery 61Henry Micks (1928) by Frederick William ElwellHenry Micks1928 · Beverley Art Gallery 62The Badminton Court (1926) by Frederick William ElwellThe Badminton Court1926 · Ferens Art Gallery 63Welsh Ponies, Sanger's Circus (1923) by Frederick William ElwellWelsh Ponies, Sanger's Circus1923 · Beverley Art Gallery 64Corner of the Horse Tent (Sanger's Circus) (1923) by Frederick William ElwellCorner of the Horse Tent (Sanger's Circus)1923 · Beverley Art Gallery 65LNER Musical Society at Queen's Hall, London (1927) by Frederick William ElwellLNER Musical Society at Queen's Hall, London1927 66Self Portrait (1933) by Frederick William ElwellSelf Portrait1933 · Beverley Art Gallery 67Man with a Pint (1932) by Frederick William ElwellMan with a Pint1932 · Grundy Art Gallery 68Mrs Stephen Ellis Todd (1837–1936) (1932) by Frederick William ElwellMrs Stephen Ellis Todd (1837–1936)1932 · Beverley Art Gallery 69George V (1865–1936) (first sketch) (1932) by Frederick William ElwellGeorge V (1865–1936) (first sketch)1932 · Beverley Art Gallery 70Kitchen Scene in the Beverley Arms (1929) by Frederick William ElwellKitchen Scene in the Beverley Arms1929 71Reading the Will (1933) by Frederick William ElwellReading the Will1933 · Beverley Art Gallery 72The Squire (1931) by Frederick William ElwellThe Squire1931 73A Boy with a Pig (1934) by Frederick William ElwellA Boy with a Pig1934 · Grundy Art Gallery 74Arthur E. Morgan (1886–1972) (1935) by Frederick William ElwellArthur E. Morgan (1886–1972)1935 75James Downs (1856–1941), OBE (1936) by Frederick William ElwellJames Downs (1856–1941), OBE1936 76A Mixed Bag (1935) by Frederick William ElwellA Mixed Bag1935 · Beverley Art Gallery 77Model Ship Builder (1938) by Frederick William ElwellModel Ship Builder1938 · Beverley Art Gallery 78Nude Seated in a Studio (1935) by Frederick William ElwellNude Seated in a Studio1935 · Beverley Art Gallery 79Alfred Brotherston Emden (1888–1979), Principal (1929–1951) (1936) by Frederick William ElwellAlfred Brotherston Emden (1888–1979), Principal (1929–1951)1936 · Сент-Едмундс-Холл 80Girl with a Kitten (1910) by Frederick William ElwellGirl with a Kitten1910 · Beverley Art Gallery 81The Royal Academy Selection and Hanging Committee, 1938 (1938) by Frederick William ElwellThe Royal Academy Selection and Hanging Committee, 19381938 82Pigs in a Barn (1937) by Frederick William ElwellPigs in a Barn1937 · Beverley Art Gallery 83Brigadier Raleigh Chichester Constable (1890–1963) (1939) by Frederick William ElwellBrigadier Raleigh Chichester Constable (1890–1963)1939 84Zermatt, Switzerland (1939) by Frederick William ElwellZermatt, Switzerland1939 · Beverley Art Gallery 85My Old Friend, Mrs Leake (1939) by Frederick William ElwellMy Old Friend, Mrs Leake1939 · Beverley Art Gallery 86Refugees in My Studio (1940) by Frederick William ElwellRefugees in My Studio1940 · Beverley Art Gallery 87In a Bar (1943) by Frederick William ElwellIn a Bar1943 · Ferens Art Gallery 88Beverley Minster from Keldgate Manor Garden, East Riding of Yorkshire (1942) by Frederick William ElwellBeverley Minster from Keldgate Manor Garden, East Riding of Yorkshire1942 · Beverley Art Gallery 89John Raleigh Chichester Constable (b.1927) (1948) by Frederick William ElwellJohn Raleigh Chichester Constable (b.1927)1948 90The Visit of Sir Winston Churchill (The Tarran Luncheon) (1945) by Frederick William ElwellThe Visit of Sir Winston Churchill (The Tarran Luncheon)1945 · Hull Guildhall 91Inventory and Valuation for Probate (1948) by Frederick William ElwellInventory and Valuation for Probate1948 92Elevenses (1944) by Frederick William ElwellElevenses1944 · Beverley Art Gallery 93A Munitions Factory (1944) by Frederick William ElwellA Munitions Factory1944 94Still Life The Pickwick Club (1950) by Frederick William ElwellStill Life The Pickwick Club1950 · Ferens Art Gallery 95Continental Market (2006) by Frederick William ElwellContinental Market2006 · Beverley Art Gallery 96Study for 'The Squire' (detail) by Frederick William ElwellStudy for 'The Squire' (detail)Beverley Art Gallery 97Study for 'The Squire' (detail) by Frederick William ElwellStudy for 'The Squire' (detail)Beverley Art Gallery 98Scarborough from the Spa, North Yorkshire by Frederick William ElwellScarborough from the Spa, North YorkshireBeverley Art Gallery 99Study of a Man in Robes (detail) by Frederick William ElwellStudy of a Man in Robes (detail)Beverley Art Gallery 100Bailiff Man by Frederick William ElwellBailiff Man

Frederick William Elwell's famous paintings, period by period

The subjects that held Frederick William Elwell's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Frederick William Elwell's originals

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Frederick William Elwell Paintings from this list
Beverley Art Gallery, BeverleyBeverley Art Gallery Beverley 95 Four Friends, Evensong, Interior, Beverley Minster, East Riding of Yorkshire
Ferens Art Gallery, HullFerens Art Gallery Hull 11 The Wedding Dress, The First Born, The Last Purchase (The New Purchase)
Hull Guildhall, HullHull Guildhall Hull 5 Alderman George Hall, Christopher Pickering (d.1920), Alderman Henry Feldman, JP
Grundy Art Gallery, BlackpoolGrundy Art Gallery Blackpool 2 Man with a Pint, A Boy with a Pig
Usher Gallery, LincolnUsher Gallery Lincoln 1 Bric à brac
National Portrait Gallery, Washington, D.C.National Portrait Gallery Washington, D.C. 1 Dolley Madison
The National Trust For Scotland, ElginThe National Trust For Scotland Elgin 1 Beverley Minster from the Hall Garth
Royal Collection, LondonRoyal Collection London 1 King George V (1865-1936)

Frederick William Elwell, one signature painting per decade

Works per decade

Pick a decade to see the original that defines it.

Frederick William Elwell's paintings: the gallery answers

Which Frederick William Elwell painting is the most famous of all?Reveal the answer

The Wedding Dress (1911), Ferens Art Gallery, Hull. The First Born (1913) and Four Friends (1925) come next.

How old was Frederick William Elwell on completing The Wedding Dress?Reveal the answer

41 years old: The Wedding Dress dates from 1911, and Frederick William Elwell was born in 1870.

Which are Frederick William Elwell's top 10 paintings?Reveal the answer

The Wedding Dress, The First Born, Four Friends, Bric à brac, Evensong, Dolley Madison, Beverley Minster from the Hall Garth, Interior, Beverley Minster, East Riding of Yorkshire, Caravans at Rye, East Sussex and The Last Purchase (The New Purchase). The ranking above gives each one's year and museum.

How many works did Frederick William Elwell create?Reveal the answer

Our catalog holds 147 works by Frederick William Elwell, dated from 1890 to 1950.

Where do Frederick William Elwell's most famous originals hang?Reveal the answer

Mostly in Beverley Art Gallery (Beverley), Ferens Art Gallery (Hull) and Hull Guildhall (Hull). The museum table above lists them all.

When did Frederick William Elwell create the most famous paintings?Reveal the answer

In 1930s: 24 of the 100 works on this page were made then, Bric à brac among them.

Which are Frederick William Elwell's earliest and latest famous works?Reveal the answer

On this page, the earliest is Alderman George Hall (1890) and the latest Still Life The Pickwick Club (1950).

Which subjects did Frederick William Elwell return to most?Reveal the answer

Chairs (7), Clock (6) and People (6), across the 100 works on this page.

Which medium did Frederick William Elwell work in most?Reveal the answer

Oil, for 15 of the 100 works on this page.

Which movement is Frederick William Elwell associated with?Reveal the answer

Contemporary realism, judging by the originals on this page.

Which Frederick William Elwell originals does the Beverley Art Gallery hold?Reveal the answer

Four Friends, Evensong and Interior, Beverley Minster, East Riding of Yorkshire: the Beverley Art Gallery, Beverley holds 56 of the works on this page.

Frederick William Elwell: the artist

Frederick William Elwell: A Yorkshire Painter of Life and Light

Frederick William Elwell, born in Beverley, East Riding of Yorkshire, on June 29th, 1870, was a pivotal figure in late nineteenth and early twentieth-century British art. More than just a painter, he captured the essence of his home county – its landscapes, its people, and its everyday moments – with a realism imbued with a distinctly Aesthetic sensibility. His legacy rests not only on a substantial body of work but also on his embodiment of Yorkshire’s artistic spirit, earning him recognition within both local communities and the prestigious Royal Academy. Elwell's early life was deeply rooted in Beverley’s artistic traditions. His father, James Edward Elwell, was a respected wood carver, instilling in young Frederick an appreciation for craftsmanship and detail. Recognizing his son’s innate talent, James encouraged Fred’s artistic pursuits, providing him with drawing lessons and fostering a love of art from a young age. This foundation led to Fred's enrollment at Lincoln Grammar School, where he honed his skills before receiving the coveted Gibney Scholarship, allowing him to pursue formal training at the Lincoln School of Art. It was here that Elwell’s interest in French Impressionism began to blossom, influencing his use of light and color – a departure from the prevailing academic styles of the time. He sought to capture not just what he saw, but also *how* it felt, imbuing his paintings with an emotional resonance. Elwell's artistic journey took him beyond Lincoln, culminating in a period of study at the Royal Academy of Fine Arts in Antwerp and later, the Académie Julien in Paris. These experiences broadened his technical skills and exposed him to diverse artistic movements. However, he always returned to the familiar landscapes and subjects of Yorkshire, finding inspiration in its rolling hills, quaint villages, and the lives of its people. His work during this period reflects a careful balance between Impressionistic techniques – particularly in his use of broken color and fleeting light – and a grounded realism that rooted him firmly within his regional context. He was particularly adept at portraying domestic scenes, capturing the warmth and intimacy of family life with remarkable sensitivity. A significant aspect of Elwell’s artistic development involved his engagement with the Aesthetic movement. This influential cultural current valued beauty, art for art's sake, and a rejection of purely utilitarian values. Elwell embraced this philosophy, creating works that were not merely representations of reality but rather explorations of mood, atmosphere, and subjective experience. His paintings are often characterized by a quiet contemplation, inviting the viewer to share in his observations and emotions. He frequently depicted scenes from rural life – farmers tending their fields, villagers gathering at the local pub, or families enjoying simple pleasures – transforming these ordinary moments into works of art. His subject matter was deliberately chosen to reflect the values of the Aesthetic movement: a celebration of beauty, nature, and human connection. Elwell’s career spanned several decades, during which he exhibited his work both in England and abroad. He achieved considerable success at the Paris Salon and, more notably, gained Royal Academy membership in 1938 – a testament to the recognition of his artistic merit by one of Britain's most prestigious art institutions. His paintings were acquired by prominent collectors, including members of the Royal Family, demonstrating the esteem in which he was held within the art world. Amongst his notable works are “The Landlord,” a vibrant depiction of a Yorkshire pub scene, and "The Wedding Dress," a poignant portrayal of grief and loss that showcases Elwell’s ability to convey complex emotions through subtle details and evocative color palettes. His self-portrait, “Self Portrait”, offers a glimpse into the artist's own personality and artistic process. Frederick William Elwell passed away in Beverley on January 3rd, 1958, leaving behind a rich legacy of paintings that continue to resonate with viewers today. His work is now housed in various collections across the UK, including the Ferens Art Gallery in Hull, where it remains a beloved and celebrated part of the local art heritage. Elwell’s enduring appeal lies not only in his technical skill but also in his ability to capture the spirit of Yorkshire – its beauty, its people, and its timeless charm—making him one of the most important regional artists of the early 20th century.

Key Works & Notable Achievements

  • The Landlord (1935): A quintessential depiction of Yorkshire pub life, capturing the warmth and conviviality of a local watering hole. The painting’s meticulous detail and vibrant colors are characteristic of Elwell's style.
  • The Wedding Dress (1911): A deeply moving portrayal of grief and loss, showcasing Elwell’s ability to evoke powerful emotions through subtle details and evocative color palettes. The model was Violet Prest, a costumier in Beverley who tragically lost her husband during the First World War.
  • The Big Top (1928): A lively scene depicting a traveling circus, capturing the energy and excitement of this itinerant spectacle.
  • The First Born (1913): An intimate portrait of a young mother and child, demonstrating Elwell’s skill in capturing human emotion and portraying domestic scenes with warmth and tenderness.
  • Self Portrait (1911): A revealing self-portrait that offers insight into the artist's personality and artistic process.

Legacy & Influence

Elwell’s work is considered a significant contribution to British landscape painting, particularly within the context of the Aesthetic movement. His paintings are characterized by their realism, emotional depth, and skillful use of light and color. He was a respected member of the Royal Academy, and his works continue to be exhibited and admired today. His influence can be seen in the work of later Yorkshire artists who followed in his footsteps, establishing him as a key figure in the region’s artistic history. The Ferens Art Gallery in Hull plays a vital role in preserving and promoting Elwell's legacy through its extensive collection of his paintings.