In short
Kitchen Scene (1622) is the Floris Van Schooten painting that draws the most eyes; the original belongs to the Statens Museum For Kunst, Copenhagen. After it, the eye goes to Christ and the woman of Samaria at the well (1620) and A woman and a boy in a kitchen (1620). Among the 67 works of Floris Van Schooten in our catalog, these 67 are the most famous, each a unique original presented with its year, its museum and the reason it endures.
Top 10 paintings by Floris Van Schooten, through the gallery's eye
Floris Van Schooten's famous paintings, numbers 11 to 67
The subjects that held Floris Van Schooten's eye
The four subjects that come back most often in these originals, each with its finest example.
The museums that keep Floris Van Schooten's originals
The 8 museums that hold the most of the paintings on this page.
| Museum | City | Works by Floris Van Schooten | Paintings from this list |
|---|---|---|---|
| Copenhagen | 4 | Kitchen Scene, Women and Children by a Fruit Seller, Stall with Fruit and Vegetables | |
| Haren | 2 | Kitchen scene, Still Life with smoked herring, oysters and smoker's gear | |
| Otterlo | 2 | Breakfast, Fruit still life | |
| Delft | 2 | Still life with Jan Steen pitcher, salt cellar, and cheese on a laid table, Still life with grilled rib, cheese, apples and bread | |
| Koetser Gallery | 2 | Still-life with Bread, Cheese and a cut Pie, Still life with copper pans, utensils and plums on a stone ledge | |
| Warsaw | 1 | Kitchen interior with a female cook. | |
| Atlanta | 1 | Kitchen still life with two children | |
| Dresden | 1 | Young woman peeling a pear at a table with various fruits, an old man with a money bag adressing her |
Floris Van Schooten across the decades: one unique original for each
Works per decade
Pick a decade to see the original that defines it.
Young woman peeling a pear at a table with various fruits, an old man with a money bag adressing her
Floris Van Schooten's paintings: questions for the gallery
What is the single most famous work of Floris Van Schooten?Reveal the answer
Kitchen Scene (1622), Statens Museum For Kunst, Copenhagen. Christ and the woman of Samaria at the well (1620) and A woman and a boy in a kitchen (1620) come next.
At what age did Floris Van Schooten create Kitchen Scene?Reveal the answer
42 years old: Kitchen Scene dates from 1622, and Floris Van Schooten was born in 1580.
Which ten paintings by Floris Van Schooten are the most famous?Reveal the answer
Kitchen Scene, Christ and the woman of Samaria at the well, A woman and a boy in a kitchen, Larder Still Life with Cheese, Kitchen interior with a female cook., Women and Children by a Fruit Seller, Stall with Fruit and Vegetables, Kitchen scene, Kitchen still life with two children and Young woman peeling a pear at a table with various fruits, an old man with a money bag adressing her. The ranking above gives each one's year and museum.
How many works by Floris Van Schooten are known?Reveal the answer
Our catalog holds 67 works by Floris Van Schooten, dated from 1610 to 1656.
Where can the most famous Floris Van Schooten originals be seen?Reveal the answer
Mostly in Statens Museum For Kunst (Copenhagen), Frans Hals Museum (Haren) and Kröller-Müller Museum (Otterlo). The museum table above lists them all.
During which period did Floris Van Schooten create the best-known paintings?Reveal the answer
In 1650s: 23 of the 67 works on this page were made then, A kitchen interior with fish and utensils on a table among them.
Which famous Floris Van Schooten painting is the earliest, and which the latest?Reveal the answer
On this page, the earliest is Kitchen Utensils, Meat and Vegetables (1610) and the latest Still life with bread, cheese, prawns and crabs (1656).
What subjects did Floris Van Schooten favour?Reveal the answer
Fruits (2) and Life (2), across the 67 works on this page.
What Floris Van Schooten originals can I see at the Statens Museum For Kunst?Reveal the answer
Kitchen Scene, Women and Children by a Fruit Seller and Stall with Fruit and Vegetables: the Statens Museum For Kunst, Copenhagen holds 4 of the works on this page.
Floris Van Schooten: a portrait of the artist
Floris van Schooten: A Master of Dutch Still Life
Floris Gerritsz van Schooten (c. 1585 – November 14, 1656) stands as a pivotal figure in the development of still life painting within the Dutch Golden Age. Often operating behind the scenes of more flamboyant contemporaries, he quietly yet profoundly shaped the genre, reflecting its evolution and absorbing the innovations of Haarlem’s vibrant artistic community. His legacy lies not in revolutionary techniques but in his meticulous observation, skillful rendering, and a deep understanding of how to capture the essence of everyday objects – from humble breakfast spreads to elaborate kitchen scenes – imbued with a subtle sense of vanitas.
Born into a prosperous Catholic family who had migrated from Amsterdam to Haarlem seeking greater religious tolerance in 1612, Floris’s early life was steeped in the traditions of his lineage. His father, Gerrit Jacobsz van Schooten, was a member of this influential family, and his marriage to Rycklant Bol van Zanen, daughter of a prominent beer brewer, provided him with both social standing and a connection to Haarlem's economic heart. This background subtly influenced his subject matter – frequently depicting the bounty of the table, reflecting the wealth and prosperity of the era.
Van Schooten’s artistic journey began within the walls of the St. Luke’s Guild in Haarlem, a crucial institution for training and regulating artists. He quickly ascended through its ranks, eventually becoming Dean in 1639, demonstrating his respect and expertise within the local art world. His career spanned several decades, during which he produced an impressive oeuvre estimated to be around 120 works – a testament to his consistent output and dedication. Remarkably, only one fully signed painting is known: a breakfast still life now housed in the Von der Heydt Museum of Wuppertal, Germany, offering a rare glimpse into the artist’s own intentions.
The Haarlem Influence and Artistic Connections
Van Schooten's artistic development was inextricably linked to the thriving still-life scene of Haarlem. He absorbed the techniques and sensibilities of his contemporaries, particularly the masterful works of Floris van Dyck, Pieter Claesz., and Roelof Koets – all prominent figures within the guild. These artists served as significant influences, shaping his approach to composition, color palettes, and the depiction of textures. Notably, he mirrored the innovations occurring in Haarlem’s still life community, demonstrating a keen awareness of contemporary trends.
His work also reveals an appreciation for earlier masters like Pieter Aertsen and Joachim Beuckelaer, whose large-scale market scenes had established conventions that Van Schooten skillfully adapted. He simplified the complex arrangements of these predecessors, creating a greater sense of order and stability within his compositions. This careful assimilation of influences is a hallmark of his style – he wasn’t an innovator himself, but rather a diligent recorder and interpreter of artistic developments.
Subject Matter and Recurring Motifs
Van Schooten's oeuvre is characterized by its diverse range of still life subjects. He excelled in depicting breakfast pieces, showcasing the sumptuousness of morning meals with carefully arranged ham, cheese, bread, and fruit. Equally adept was he at capturing kitchen scenes – elaborate displays of culinary provisions, reflecting the domestic rhythms of 17th-century Dutch households. Market scenes also featured prominently, offering glimpses into the bustling commerce of Haarlem’s streets.
Recurring motifs punctuated his work, most notably the pairing of ham and cheese. These seemingly simple combinations became a signature element, imbued with symbolic weight – representing abundance, prosperity, and perhaps even mortality (a common theme in vanitas paintings). His meticulous attention to detail—the sheen of polished silver, the texture of ripe fruit, the folds of linen—elevated these everyday objects into captivating works of art.
Legacy and Historical Significance
Despite his relatively modest profile, Floris van Schooten played a crucial role in documenting the evolution of still life painting during the Dutch Golden Age. His works provide invaluable insights into the artistic practices and aesthetic sensibilities of Haarlem’s guild system. Abraham Bredius, a prominent Dutch art historian, recognized the significance of the monogram “F.v.S” or “FVS” as identifying the artist, solidifying his place within the historical record.
His oeuvre serves as a testament to the dynamic artistic landscape of 17th-century Netherlands – a reflection of both established traditions and emerging trends. Through his skillful rendering of everyday objects, Van Schooten offered viewers a poignant meditation on wealth, mortality, and the beauty found in the ordinary.






