Portrait of Chester Harding

The 88 Most Famous Chester Harding Paintings, Each One of a Kind

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 88 works by Chester Harding in our catalogue

In short

Daniel Boone is the Chester Harding painting that draws the most eyes; the original belongs to the National Portrait Gallery, Washington, D.C.. After it, the eye goes to Daniel Boone (1820) and James Madison (1829). Among the 88 works of Chester Harding in our catalog, these 88 are the most famous, each a unique original presented with its year, its museum and the reason it endures.

1792 – 1866, Conway Romanticism Most works: Museum of Fine Arts

Top 10 paintings by Chester Harding, through the gallery's eye

1
Daniel Boone by Chester Harding

Daniel Boone

Oil On Canvas · National Portrait Gallery, Washington, D.C.

In the quiet, shadowed depths of Chester Harding’s Daniel Boone, one finds more than just a mere likeness of a historical figure; one encounters the very soul of the American wilderness. This evocative oil on canvas portrait serves as a profound window into the nineteenth-century Romantic movement, where the ruggedness of the individual was celebrated against the backdrop of an expanding nation. Harding, a self-taught master whose hands were once…

2
Daniel Boone (1820) by Chester Harding

Daniel Boone

1820 · Oil On Canvas · National Portrait Gallery, Washington, D.C.

A dignified and somber portrait of an older man, likely Daniel Boone, rendered in a classical realist style. The composition is a medium close-up, focusing on the subject from the chest up, positioned slightly off-center to create a sense of presence. The color palette is dominated by earthy, muted tones including deep browns, ochre, and blacks, contrasted sharply by the bright white of the man's hair and the vibrant red…

3
James Madison (1829) by Chester Harding

James Madison

1829 · Oil On Canvas · National Portrait Gallery, Washington, D.C.

This oil on canvas painting depicts James Madison, who served as the fourth president of the United States from 1809 to 1817. The portrait was executed by the artist Chester Harding around 1829-30. The subject is presented in a bust-length composition, positioned slightly off-center while looking toward the left of the frame. The sitter's expression is stoic and contemplative.

4
Dr. Samuel A. Bemis (1842) by Chester Harding

Dr. Samuel A. Bemis

1842 · Acrylic On Canvas · Detroit Institute of Arts, Detroit

A Window Into Victorian Elegance: Chester Harding’s Portrait of Dr. Samuel Bemis Chester Harding's depiction of Dr. Samuel A. Bemis stands as a testament to the Romantic portraiture movement that flourished in mid-Victorian England—a period defined by an obsession with emotion, idealized beauty, and capturing the essence of individual character. Completed in 1842, this painting transcends mere likeness; it’s a carefully crafted visual narrative designed to convey Bemis's intellect, dignity,…

5
Hannah Davis Dudley (Mrs. David Dudley) (1792-1886) (1836) by Chester Harding

Hannah Davis Dudley (Mrs. David Dudley) (1792-1886)

1836 · Oil On Canvas · Harvard Art Museums, Cambridge

A single, bold red shawl anchors the composition, a sudden pulse of color against the dark weight of a black bodice. The subject, Hannah Davis Dudley, faces the viewer with a gaze that meets the eye directly, her presence steady and unyielding. Soft light spills from the upper left, carving the contours of her face and catching the fine, white ruffles of her collar. Her dark, voluminous hair curls around…

6
Samuel Rogers (1763-1855) (1847) by Chester Harding

Samuel Rogers (1763-1855)

1847 · Oil On Canvas · Harvard Art Museums, Cambridge

A formal 19th-century oil portrait captures an elderly man in a three-quarter view, his gaze meeting the observer with a sense of quiet authority. The composition places the subject slightly off-center, creating a dignified presence against a dark, somber background. Light enters from the upper left, casting the right side of the face into soft shadow while illuminating the forehead, cheek, and the crisp white of the cravat. This chiaroscuro…

7
Daniel Webster (1828) by Chester Harding

Daniel Webster

1828 · Oil On Canvas · National Portrait Gallery, Washington, D.C.

The room feels quiet, held in a heavy, atmospheric stillness. A man sits in a three-quarter pose, his body angled slightly away while his gaze drifts toward the left, lost in a thought that feels both private and profound. He is a figure of immense gravity, draped in a dark, matte coat that seems to absorb the very air around him. The deep blacks and somber browns of his attire…

8
Joseph Story (1827) by Chester Harding

Joseph Story

1827 · Oil On Canvas · National Portrait Gallery, Washington, D.C.

This oil on canvas portrait by Chester Harding depicts Joseph Story. Painted in 1827, the work captures the subject in a formal manner. Story was a prominent legal figure, serving as an Associate Justice of the Supreme Court of the United States. His tenure on the Court lasted from February 3, 1812, until September 10, 1845.

9
Benjamin Franklin Butler (1833) by Chester Harding

Benjamin Franklin Butler

1833 · Oil On Canvas · Dallas Museum of Art, Dallas

This oil on canvas portrait by Chester Harding depicts Benjamin Franklin Butler. Created circa 1833, the work captures the likeness of a man who held significant legal and political positions during the early nineteenth century. Butler was a lawyer who maintained a close professional relationship with President Martin Van Buren, with whom he shared a law practice. His career in public service included an appointment as the Attorney General of…

10
James Monroe (1829) by Chester Harding

James Monroe

1829 · Oil On Canvas · National Portrait Gallery, Washington, D.C.

Chester Harding rendered this oil on canvas portrait in 1829. The work presents James Monroe in a formal, bust-length composition, capturing the subject with a sense of historical weight. The artist utilizes a somber palette of deep blacks and earthy tones, which creates a sharp contrast against the white of the subject's cravat and the pale tones of the skin. Directional lighting from the upper left defines the facial features…

Chester Harding's famous paintings, numbers 11 to 88

11Henry Clay (1845) by Chester HardingHenry Clay1845 · National Portrait Gallery 12Harrison Gray Otis (1833) by Chester HardingHarrison Gray Otis1833 · National Portrait Gallery 13Loammi Baldwin (1823) by Chester HardingLoammi Baldwin1823 · National Portrait Gallery 14Thurlow Weed (1843) by Chester HardingThurlow Weed1843 · National Portrait Gallery 15Ebenezer Bliss (1822) by Chester HardingEbenezer Bliss1822 · Museum of Fine Arts 16Eben Rollins (1822) by Chester HardingEben Rollins1822 · Museum of Fine Arts 17Lewis Ashmun (1822) by Chester HardingLewis Ashmun1822 · Harvard Art Museums 18Major Benjamin O'Fallon (1821) by Chester HardingMajor Benjamin O'Fallon1821 19Thomas William Anson, 1st Earl of Lichfield (1795–1854) (1824) by Chester HardingThomas William Anson, 1st Earl of Lichfield (1795–1854)1824 · Shugborough Hall 20Portrait of Dr. Joseph Henshaw Flint (1829) by Chester HardingPortrait of Dr. Joseph Henshaw Flint1829 · Worcester Art Museum 21Portrait of Mrs. Mary Martin Kinsley (ne Bellows) (1825) by Chester HardingPortrait of Mrs. Mary Martin Kinsley (ne Bellows)1825 · Minneapolis Institute of Art 22Annie Bigelow Lawrence (1831) by Chester HardingAnnie Bigelow Lawrence1831 · Museum of Fine Arts 23Mrs. Edward Hutchinson Robbins (Elizabeth Murray) (1827) by Chester HardingMrs. Edward Hutchinson Robbins (Elizabeth Murray)1827 · Museum of Fine Arts 24Judge Edward Hutchinson Robbins (1827) by Chester HardingJudge Edward Hutchinson Robbins1827 · Museum of Fine Arts 25Mrs. John Ball Brown (Rebecca Warren) (1826) by Chester HardingMrs. John Ball Brown (Rebecca Warren)1826 · Museum of Fine Arts 26Dr. John Ball Brown (1826) by Chester HardingDr. John Ball Brown1826 · Museum of Fine Arts 27Stephen Van Rensselaer (1764-1839) (1827) by Chester HardingStephen Van Rensselaer (1764-1839)1827 · New York Historical Society 28Tyler Bigelow (1778-1865) (1830) by Chester HardingTyler Bigelow (1778-1865)1830 · Harvard Art Museums 29Margaret Morton Quincy Greene (Mrs. Benjamin Daniel Greene) (1806-1882) (1826) by Chester HardingMargaret Morton Quincy Greene (Mrs. Benjamin Daniel Greene) (1806-1882)1826 · Harvard Art Museums 30Josiah Parsons Cooke (1787-1880) (1823) by Chester HardingJosiah Parsons Cooke (1787-1880)1823 · Harvard Art Museums 31Israel Munson (1767-1844) (1839) by Chester HardingIsrael Munson (1767-1844)1839 · Harvard Art Museums 32David Dudley (1787-1841) (1836) by Chester HardingDavid Dudley (1787-1841)1836 · Harvard Art Museums 33Portrait of Chester Harding Krum (1845) by Chester HardingPortrait of Chester Harding Krum1845 · Indianapolis Museum of Art 34Alvan Clark (1842) by Chester HardingAlvan Clark1842 · Museum of Fine Arts 35Mrs. Ward Nicholas Boylston (Alicia Darrow) (1840) by Chester HardingMrs. Ward Nicholas Boylston (Alicia Darrow)1840 · Museum of Fine Arts 36Abbott Lawrence (1842) by Chester HardingAbbott Lawrence1842 · Museum of Fine Arts 37Alderman Jabez Ellis (1840) by Chester HardingAlderman Jabez Ellis1840 · Museum of Fine Arts 38Benjamin Pickman (1843) by Chester HardingBenjamin Pickman1843 · Museum of Fine Arts 39Self Portrait (1843) by Chester HardingSelf Portrait1843 · Museum of Fine Arts 40George Hamilton Gordon, 4th Earl of Aberdeen (1784-1860) (1847) by Chester HardingGeorge Hamilton Gordon, 4th Earl of Aberdeen (1784-1860)1847 · Harvard Art Museums 41Mrs. Francis Stanton Blake (1840) by Chester HardingMrs. Francis Stanton Blake1840 · Metropolitan Museum of Art 42Portrait of Daniel Webster (1849) by Chester HardingPortrait of Daniel Webster1849 · Rhode Island School of Design Museum of Art 43Portrait of Eleanor Varnum Mitchell (1850) by Chester HardingPortrait of Eleanor Varnum Mitchell1850 44Self-Portrait (1859) by Chester HardingSelf-Portrait1859 · Indianapolis Museum of Art 45John Lord King (1860) by Chester HardingJohn Lord King1860 · New Britain Museum of American Art 46DAVY CROCKETT by Chester HardingDAVY CROCKETT 47Mrs. Abbott Lawrence (Katherine Bigelow) (1855) by Chester HardingMrs. Abbott Lawrence (Katherine Bigelow)1855 · Wadsworth Atheneum Museum of Art 48Self-Portrait (1825) by Chester HardingSelf-Portrait1825 · National Gallery of Art 49The Honorable James Lanman (1769-1841), B.A. 1788, M.A. 1791 by Chester HardingThe Honorable James Lanman (1769-1841), B.A. 1788, M.A. 1791Yale University Art Gallery 50Chester Harding Self-Portrait by Chester HardingChester Harding Self-PortraitNational Portrait Gallery 51Frank S. Harding (1843) by Chester HardingFrank S. Harding1843 · Detroit Institute of Arts 52Daniel Boone (1820) by Chester HardingDaniel Boone1820 53John Speed Smith Family (1819) by Chester HardingJohn Speed Smith Family1819 54Ship in Storm (1823) by Chester HardingShip in Storm1823 · Detroit Institute of Arts 55Charles Carroll of Carrollton (1828) by Chester HardingCharles Carroll of Carrollton1828 · National Gallery of Art 56Hannah Parker Willis (1831) by Chester HardingHannah Parker Willis1831 57Amos Lawrence (1845) by Chester HardingAmos Lawrence1845 · National Gallery of Art 58Frances Bibb Burnley (1842) by Chester HardingFrances Bibb Burnley1842 59Mrs. Samuel Appleton (Julia Webster) (1840) by Chester HardingMrs. Samuel Appleton (Julia Webster)1840 · New Britain Museum of American Art 60John Lemist by Chester HardingJohn LemistMuseum of Fine Arts 61Stephen Van Rensselaer 1 by Chester HardingStephen Van Rensselaer 1Metropolitan Museum of Art 62The Honorable Russell Freeman by Chester HardingThe Honorable Russell Freeman 63Eunice Harriet Brigham 1 by Chester HardingEunice Harriet Brigham 1Metropolitan Museum of Art 64Mrs. Francis Stanton Blake 1 by Chester HardingMrs. Francis Stanton Blake 1 65Charles Carroll by Chester HardingCharles Carroll 66James Garrard by Chester HardingJames GarrardMuseum Catharijneconvent 67Self-Portrait by Chester HardingSelf-Portrait 68Charles Carroll of Carrollton 1 by Chester HardingCharles Carroll of Carrollton 1 69Bushrod Washington by Chester HardingBushrod Washington 70Joshua Blake by Chester HardingJoshua BlakeWorcester Art Museum 71John Eager Howard by Chester HardingJohn Eager Howard 72Stephen Salisbury II by Chester HardingStephen Salisbury IIWorcester Art Museum 73Mrs. Thomas Brewster Coolidge 1 by Chester HardingMrs. Thomas Brewster Coolidge 1Metropolitan Museum of Art 74Mrs. William Lorman by Chester HardingMrs. William Lorman 75Elizabeth Tuckerman Salisbury by Chester HardingElizabeth Tuckerman SalisburyWorcester Art Museum 76Harriet Gardner Denny by Chester HardingHarriet Gardner Denny 77Portrait of Mrs Kennedy by Chester HardingPortrait of Mrs Kennedy 78Sarah Stanton Blake (Mrs. Joshua Blake) by Chester HardingSarah Stanton Blake (Mrs. Joshua Blake)Worcester Art Museum 79Colonel James Madison Thompson by Chester HardingColonel James Madison Thompson 80John Childe by Chester HardingJohn ChildeCleveland Museum of Art 81Portrait of John M. Krum by Chester HardingPortrait of John M. Krum 82Thomas Abthorpe Cooper by Chester HardingThomas Abthorpe CooperArt Institute of Chicago 83John Randolph by Chester HardingJohn RandolphNational Gallery of Art 84Portrait of Mrs. Quincy by Chester HardingPortrait of Mrs. Quincy 85Charles Carroll of Carrollton by Chester HardingCharles Carroll of Carrollton 86Portrait of Young Man by Chester HardingPortrait of Young Man 87James Madison by Chester HardingJames MadisonYale University Art Gallery 88Unfinished portrait of Daniel Boone by Chester HardingUnfinished portrait of Daniel Boone

Chester Harding's famous paintings, period by period

The subjects that held Chester Harding's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Chester Harding's originals

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Chester Harding Paintings from this list
Museum of Fine Arts, BostonMuseum of Fine Arts Boston 14 Ebenezer Bliss, Eben Rollins, Annie Bigelow Lawrence
National Portrait Gallery, Washington, D.C.National Portrait Gallery Washington, D.C. 11 Daniel Boone, Daniel Boone, James Madison
Harvard Art Museums, CambridgeHarvard Art Museums Cambridge 9 Hannah Davis Dudley (Mrs. David Dudley) (1792-1886), Samuel Rogers (1763-1855), Lewis Ashmun
Worcester Art Museum, WorcesterWorcester Art Museum Worcester 5 Portrait of Dr. Joseph Henshaw Flint, Joshua Blake, Stephen Salisbury II
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 4 Mrs. Francis Stanton Blake, Stephen Van Rensselaer 1, Eunice Harriet Brigham 1
National Gallery of Art, WashingtonNational Gallery of Art Washington 4 Self-Portrait, Charles Carroll of Carrollton, Amos Lawrence
Detroit Institute of Arts, DetroitDetroit Institute of Arts Detroit 3 Dr. Samuel A. Bemis, Frank S. Harding, Ship in Storm
Indianapolis Museum of Art, IndianapolisIndianapolis Museum of Art Indianapolis 2 Portrait of Chester Harding Krum, Self-Portrait

Chester Harding across the decades: one unique original for each

Works per decade

Pick a decade to see the original that defines it.

Chester Harding's paintings: questions for the gallery

What is the single most famous work of Chester Harding?Reveal the answer

Daniel Boone, National Portrait Gallery, Washington, D.C.. Daniel Boone (1820) and James Madison (1829) come next.

Which ten paintings by Chester Harding are the most famous?Reveal the answer

Daniel Boone, Daniel Boone, James Madison, Dr. Samuel A. Bemis, Hannah Davis Dudley (Mrs. David Dudley) (1792-1886), Samuel Rogers (1763-1855), Daniel Webster, Joseph Story, Benjamin Franklin Butler and James Monroe. The ranking above gives each one's year and museum.

How many works by Chester Harding are known?Reveal the answer

Our catalog holds 88 works by Chester Harding, dated from 1819 to 1860.

Where can the most famous Chester Harding originals be seen?Reveal the answer

Mostly in Museum of Fine Arts (Boston), National Portrait Gallery (Washington, D.C.) and Harvard Art Museums (Cambridge). The museum table above lists them all.

During which period did Chester Harding create the best-known paintings?Reveal the answer

In 1820s: 24 of the 88 works on this page were made then, Daniel Boone among them.

Which famous Chester Harding painting is the earliest, and which the latest?Reveal the answer

On this page, the earliest is John Speed Smith Family (1819) and the latest John Lord King (1860).

What subjects did Chester Harding favour?Reveal the answer

Man (36), Portrait (34) and Portraits (20), across the 88 works on this page.

What materials did Chester Harding paint with most?Reveal the answer

Oil On Canvas, for 36 of the 88 works on this page.

Which movement does the work of Chester Harding belong to?Reveal the answer

Romanticism, judging by the originals on this page.

What Chester Harding originals can I see at the Museum of Fine Arts?Reveal the answer

Ebenezer Bliss, Eben Rollins and Annie Bigelow Lawrence: the Museum of Fine Arts, Boston holds 14 of the works on this page.

Chester Harding: a portrait of the artist

The Self-Taught Visionary of the American Frontier

In the annals of nineteenth-century American art, few stories are as compelling or as rugged as that of Chester Harding. A man whose physical presence was as imposing as his artistic legacy, Harding stood well over six feet three inches tall, a towering figure who embodied the very spirit of the expanding American frontier. Born in 1792 in Conway, Massachusetts, his journey to becoming a master of portraiture was not paved with formal academy prestige, but rather with the grit and determination of a self-made man. Before he ever held a fine sable brush for professional use, Harding’s hands were seasoned by diverse and demanding trades; he worked as a turner, a chairmaker, a peddler, and even an innkeeper. It was through the humble practice of sign painting in Pittsburgh that his eye for composition and color began to coalesce, laying the foundation for a career that would eventually capture the faces of a nation in transition.

The evolution of Harding’s talent is a testament to the transformative power of inspiration. His path toward fine art was ignited by an encounter with a traveling artist, an event that turned his focus from utilitarian crafts to the profound psychological depth of portraiture. While his early attempts were rudimentary—notably a simple depiction of his wife—his hunger for refinement drove him across continents. His travels took him through the landscapes of Kentucky and eventually to the artistic heart of Paris, where he immersed himself in the classical traditions of Europe. This period of intense study and prolific output, which included completing an astonishing one hundred portraits in just six-month spans, allowed him to blend American frontier realism with a sophisticated, Romantic sensibility.

A Legacy Captured in Gaze and Grace

Harding’s work is characterized by an uncanny ability to capture the essence of his subjects, moving beyond mere likeness to reveal the character and historical weight of the individuals he painted. As a pioneer of Romantic portraiture, he excelled at imbuing his sitters with a sense of dignity and narrative depth. His repertoire included some of the most significant figures of the era, ranging from scientific pioneers to legendary frontiersmen. To look upon a Harding portrait is to witness the American identity being forged in real-time.

Some of his most enduring contributions to the American canon include:

  • The Spirit of the West: His works involving figures like Daniel Boone serve as vital historical windows, capturing the ruggedness and gravity of the era's most iconic explorers.
  • Scientific and Intellectual Portraits: In pieces such as Dr. Samuel A. Bemis, Harding demonstrated his capacity for poignant detail, documenting the faces of those driving the scientific progress of the mid-1800s.
  • Technical Mastery: His ability to balance light and shadow, honed through his studies at the Philadelphia Academy of Design, allowed him to create works that felt both lifelike and emotionally resonant.

Ultimately, Chester Harding’s significance lies in his role as a visual chronicler of a burgeoning nation. By establishing himself in St. Louis and traveling extensively through Southern cities, he acted as a bridge between the raw energy of the American wilderness and the refined artistic standards of the established East Coast and Europe. His election as an honorary academician of the National Academy of Design in 1828 stands as a formal recognition of a life spent translating the rugged soul of America into the timeless language of oil and canvas.