Portrait of Charles Jervas

The 39 Most Famous Charles Jervas Paintings, a Gallery Selection

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 40 works by Charles Jervas in our catalogue

In short

Of all the originals Charles Jervas left, the most famous is John Campbell, 3rd Earl of Breadalbane, 1696 - 1782. (as a child in highland costume) (1708), in the collection of the Scottish National Portrait Gallery, Edinburgh. Close behind it come Jonathan Swift (1718) and William Augustus, Duke of Cumberland (1728). Our catalog holds 40 works by Charles Jervas; the gallery has kept the 39 the world admires most, each shown with its date, its museum and its story.

1675 – 1739, Dublin Baroque Most works: Royal Collection

Charles Jervas's top 10 paintings: the gallery's choice

1
John Campbell, 3rd Earl of Breadalbane, 1696 - 1782. (as a child in highland costume) (1708) by Charles Jervas

John Campbell, 3rd Earl of Breadalbane, 1696 - 1782. (as a child in highland costume)

1708 · Oil On Canvas · Scottish National Portrait Gallery, Edinburgh

In this 1708 portrait, Charles Jervas captures John Campbell, 3rd Earl of Breadalbane, 1696 - 1782. (as a child in highland costume) at a pivotal moment of his youth. The young sitter, who was born in London and later educated in Oxford, gazes out from the canvas as the heir to the Campbells of Glenorchy. There is a sense of a life already shaped by lineage and expectation. He carries…

2
Jonathan Swift (1718) by Charles Jervas

Jonathan Swift

1718 · Oil On Canvas · National Portrait Gallery, London

In this 1718 portrait, we encounter a man defined by the gravity of his station and the sharpness of his mind. Seated in a three-quarter view, the subject gazes toward the right, his expression settled into a quiet, contemplative stillness. There is a palpable sense of weight here, found in the heavy folds of his dark blue silk robe and the voluminous texture of his powdered wig. The lighting is…

4
Thomas Pelham-Holles, 1st Duke of Newcastle-under-Lyne (1720) by Charles Jervas

Thomas Pelham-Holles, 1st Duke of Newcastle-under-Lyne

1720 · Oil On Canvas · National Portrait Gallery, London

In this three-quarter length portrait from 1720, we encounter Thomas Pelham-Holles, 1st Duke of Newcastle-under-Lyne, captured at a moment of profound social weight. The sitter is presented with a quiet authority that speaks of his high standing and the immense responsibilities of his station. He is framed by a composition that balances the intimacy of a shadowed interior against the expansive, atmospheric light of a distant landscape. This duality creates…

5
Dorothy, Viscountess Townshend (1718) by Charles Jervas

Dorothy, Viscountess Townshend

1718 · Oil On Canvas · Dulwich Picture Gallery, London

In this three-quarter length portrait, a woman is positioned slightly off-center against a landscape. She wears a vermilion bodice and a deep cerulean blue mantle lined with white ermine. A turban rests upon her head, and her gaze is directed steadily toward the viewer. The composition places her within a setting that transitions from a dark, wooded area on the right to a sky filled with heavy clouds and distant…

The Charles Jervas selection continues, 11 to 39

11Sophia Ward, Mrs Arthur Upton (1700) by Charles JervasSophia Ward, Mrs Arthur Upton1700 12Anne Hamilton, Mrs Michael Ward (m.1709) (1709) by Charles JervasAnne Hamilton, Mrs Michael Ward (m.1709)1709 · Castle Ward 13Portrait of Elizabeth, Countess of Bridgewater (1689-1714) (1712) by Charles JervasPortrait of Elizabeth, Countess of Bridgewater (1689-1714)1712 · National Gallery of Ireland 14Portrait of Lady Mary Wortley Montagu (1689-1762) (1719) by Charles JervasPortrait of Lady Mary Wortley Montagu (1689-1762)1719 · National Gallery of Ireland 15Lady Rachel Russell, Duchess of Bridgwater (d. 1777) (1722) by Charles JervasLady Rachel Russell, Duchess of Bridgwater (d. 1777)1722 · Lanhydrock House 16An Unknown Man (1715) by Charles JervasAn Unknown Man1715 · Lanhydrock House 17Joseph Addison (1672-1719) (1714) by Charles JervasJoseph Addison (1672-1719)1714 · Knole House 18William Cavendish, 2nd Duke of Devonshire (1672-1729) (1714) by Charles JervasWilliam Cavendish, 2nd Duke of Devonshire (1672-1729)1714 · Hardwick Hall 19Judge Michael Ward (1683 - 1759) (1715) by Charles JervasJudge Michael Ward (1683 - 1759)1715 · Castle Ward 20The Hon. Catherine Crewe, Lady, Harpur (1682-1745) with a Young Child, probably her Eldest Son, later Sir Henry Harpur, 5th Bt (1708–1748) (1713) by Charles JervasThe Hon. Catherine Crewe, Lady, Harpur (1682-1745) with a Young Child, probably her Eldest Son, later Sir Henry Harpur, 5th Bt (1708–1748)1713 · Calke Abbey 21Eleanor Brownlow, Viscountess Tyrconnel (1691-1730) (1717) by Charles JervasEleanor Brownlow, Viscountess Tyrconnel (1691-1730)1717 · Belton House 22Lady Rachel Cavendish, Lady Morgan (1697 - 1780), as a Shepherdess (1727) by Charles JervasLady Rachel Cavendish, Lady Morgan (1697 - 1780), as a Shepherdess1727 23William Earle Benson (1710 - 1762) (1730) by Charles JervasWilliam Earle Benson (1710 - 1762)1730 24Lady Catherine Hyde, Duchess of Queensberry (1700-1777) as a Milkmaid (1727) by Charles JervasLady Catherine Hyde, Duchess of Queensberry (1700-1777) as a Milkmaid1727 · Petworth House 25An Unknown Young Man (1725) by Charles JervasAn Unknown Young Man1725 · Lanhydrock House 26Jonathan Swift (1667-1745), Dean of St Patricks' Cathedral, Dublin (1726) by Charles JervasJonathan Swift (1667-1745), Dean of St Patricks' Cathedral, Dublin1726 · Knole House 27Lady Louisa Caroline Isabella Hervey, Lady Smyth (1715-1770) (1733) by Charles JervasLady Louisa Caroline Isabella Hervey, Lady Smyth (1715-1770)1733 · Ickworth 28William Wollaston (1660-1724) (1732) by Charles JervasWilliam Wollaston (1660-1724)1732 · Royal Collection 29Samuel Clarke (1675-1729) (1729) by Charles JervasSamuel Clarke (1675-1729)1729 · Royal Collection 30Queen Caroline (1683-1737) with her Son Prince William Augustus, Duke of Cumberland (1721-1765) (1728) by Charles JervasQueen Caroline (1683-1737) with her Son Prince William Augustus, Duke of Cumberland (1721-1765)1728 · Royal Collection 31Portrait of the Honourable Jane Seymour Conway (c.1711-1749) (1735) by Charles JervasPortrait of the Honourable Jane Seymour Conway (c.1711-1749)1735 · National Gallery of Ireland 32Captain, the Hon. William Egerton, MP (1684-1739) (1734) by Charles JervasCaptain, the Hon. William Egerton, MP (1684-1739)1734 · Belton House 33Sir John Brownlow, 1st Viscount Tyrconnel (1690-1754) (1734) by Charles JervasSir John Brownlow, 1st Viscount Tyrconnel (1690-1754)1734 · Belton House 34Queen Anne (1665-1714) after Kneller (1736) by Charles JervasQueen Anne (1665-1714) after Kneller1736 · Royal Collection 35Deer, Dog and Cat (1730) by Charles JervasDeer, Dog and Cat1730 · Hermitage Museum 36King George II of England (Coronation Portrait) by Charles JervasKing George II of England (Coronation Portrait)Bavarian State Painting Collections 37Portrait of Jonathan Swift (1667-1745), Satirist by Charles JervasPortrait of Jonathan Swift (1667-1745), SatiristNational Gallery of Ireland 38Martha and Theresa Blount by Charles JervasMartha and Theresa BlountFitzwilliam Museum 39Portrait of Sir Robert Walpole, 1st Earl of Orford by Charles JervasPortrait of Sir Robert Walpole, 1st Earl of Orford

The subjects that held Charles Jervas's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Charles Jervas's originals

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Charles Jervas Paintings from this list
Royal Collection, LondonRoyal Collection London 5 (After Kneller) Sir Isaac Newton (1642-1727), William Wollaston (1660-1724), Samuel Clarke (1675-1729)
National Gallery of Ireland, Dublin CityNational Gallery of Ireland Dublin City 5 Portrait of General William Cosby (c.1690-1736), Portrait of Elizabeth, Countess of Bridgewater (1689-1714), Portrait of Lady Mary Wortley Montagu (1689-1762)
National Portrait Gallery, LondonNational Portrait Gallery London 3 Jonathan Swift, William Augustus, Duke of Cumberland, Thomas Pelham-Holles, 1st Duke of Newcastle-under-Lyne
Lanhydrock House, BodminLanhydrock House Bodmin 3 Lady Rachel Russell, Duchess of Bridgwater (d. 1777), An Unknown Man, An Unknown Young Man
Belton House, GranthamBelton House Grantham 3 Eleanor Brownlow, Viscountess Tyrconnel (1691-1730), Captain, the Hon. William Egerton, MP (1684-1739), Sir John Brownlow, 1st Viscount Tyrconnel (1690-1754)
Castle WardCastle Ward 2 Anne Hamilton, Mrs Michael Ward (m.1709), Judge Michael Ward (1683 - 1759)
Knole House, SevenoaksKnole House Sevenoaks 2 Joseph Addison (1672-1719), Jonathan Swift (1667-1745), Dean of St Patricks' Cathedral, Dublin
Scottish National Portrait Gallery, EdinburghScottish National Portrait Gallery Edinburgh 1 John Campbell, 3rd Earl of Breadalbane, 1696 - 1782. (as a child in highland costume)

Charles Jervas decade by decade: the original that defines each

Works per decade

Pick a decade to see the original that defines it.

Collectors' questions about Charles Jervas's paintings

Which work is Charles Jervas most famous for?Reveal the answer

John Campbell, 3rd Earl of Breadalbane, 1696 - 1782. (as a child in highland costume) (1708), Scottish National Portrait Gallery, Edinburgh. Jonathan Swift (1718) and William Augustus, Duke of Cumberland (1728) come next.

What age was Charles Jervas when John Campbell, 3rd Earl of Breadalbane, 1696 - 1782. (as a child in highland costume) was made?Reveal the answer

33 years old: John Campbell, 3rd Earl of Breadalbane, 1696 - 1782. (as a child in highland costume) dates from 1708, and Charles Jervas was born in 1675.

What are the ten most famous Charles Jervas paintings?Reveal the answer

John Campbell, 3rd Earl of Breadalbane, 1696 - 1782. (as a child in highland costume), Jonathan Swift, William Augustus, Duke of Cumberland, Thomas Pelham-Holles, 1st Duke of Newcastle-under-Lyne, Dorothy, Viscountess Townshend, (After Kneller) Sir Isaac Newton (1642-1727), Portrait of General William Cosby (c.1690-1736), Miss Wynne of Leeswood, The Hon. Frances Thynne, Lady Worsley (1673-1750) and An Unknown Gentleman with a Sword. The ranking above gives each one's year and museum.

How many paintings did Charles Jervas leave?Reveal the answer

Our catalog holds 40 works by Charles Jervas, dated from 1689 to 1736.

In which museums do Charles Jervas's masterpieces hang?Reveal the answer

Mostly in Royal Collection (London), National Gallery of Ireland (Dublin City) and National Portrait Gallery (London). The museum table above lists them all.

In which years did Charles Jervas paint the most famous works?Reveal the answer

In 1710s: 11 of the 39 works on this page were made then, Jonathan Swift among them.

What are the first and the last famous originals of Charles Jervas?Reveal the answer

On this page, the earliest is (After Kneller) Sir Isaac Newton (1642-1727) (1689) and the latest Queen Anne (1665-1714) after Kneller (1736).

Which subjects did Charles Jervas choose most often?Reveal the answer

Gold embroidery (3), Man (2) and Ermine fur (2), across the 39 works on this page.

Which technique did Charles Jervas use most?Reveal the answer

Oil On Canvas, for 6 of the 39 works on this page.

To which art movement does Charles Jervas belong?Reveal the answer

Baroque, judging by the originals on this page.

Which Charles Jervas works hang at the Royal Collection?Reveal the answer

(After Kneller) Sir Isaac Newton (1642-1727), William Wollaston (1660-1724) and Samuel Clarke (1675-1729): the Royal Collection, London holds 5 of the works on this page.

Charles Jervas: life and work

early life and training

charles jervas, an irish portrait painter, translator, and art collector, was born in clonlisk, county offaly, ireland around 1675. he was the son of john jervas and elizabeth, daughter of captain john baldwin of shinrone castle & corolanty, high sheriff of county offaly. jervas studied in london, england as an assistant under sir godfrey kneller between 1694 and 1695.

rise to prominence

after selling a series of small copies of the raphael cartoons circa 1698 to dr. george clarke of all souls college, oxford, jervas travelled to paris and rome (financially supported by clarke and others) remaining there for most of the decade before returning to london in 1709. there, he found success as a portrait painter, capturing the likenesses of the city's intellectuals, including personal friends jonathan swift and alexander pope (now in the national portrait gallery, london).

notable works and legacy

* portrait of jonathan swift (1710s) - a testament to jervas' skill in capturing the essence of his subjects. * portrait of alexander pope (1710s) - a notable example of jervas' ability to convey the character of his sitters. * translation of don quixote (published posthumously in 1742) - jervas' translation, known as "the jarvis translation," was praised for its accuracy but criticized for being stiff and humourless. key dates:
  • 1675: born in clonlisk, county offaly, ireland
  • 1694-1695: studied under sir godfrey kneller in london
  • 1709: returned to london after time in paris and rome
  • 1723: succeeded sir godfrey kneller as principal portrait painter to king george i
  • 1739: died in london
for more on charles jervas' artworks, visit charles jervas | OriginalUniqueArt.com. explore the national portrait gallery, london, which features many of jervas' notable works, including his portraits of jonathan swift and alexander pope.