Portrait of Berenice Abbott

The 75 Most Famous Berenice Abbott Paintings, Each One of a Kind

Updated November 2026 · ranked by our popularity score (searches, visits and orders for each work) · 75 works by Berenice Abbott in our catalogue

In short

El Station: Sixth Avenue Lines, Downtown Side, 72nd Street and Columbus Avenue (1976) is the Berenice Abbott painting that draws the most eyes; the original belongs to the Boca Raton Museum of Art, Boca Raton. After it, the eye goes to Fifth Avenue, Nos. 4, 6, 8, Manhattan (1936) and Soap Bubbles (1946). Among the 75 works of Berenice Abbott in our catalog, these 75 are the most famous, each a unique original presented with its year, its museum and the reason it endures.

1898 – 1991, Springfield Documentary photography Most works: Boca Raton Museum of Art

Top 10 paintings by Berenice Abbott, through the gallery's eye

1
El Station: Sixth Avenue Lines, Downtown Side, 72nd Street and Columbus Avenue (1976) by Berenice Abbott

El Station: Sixth Avenue Lines, Downtown Side, 72nd Street and Columbus Avenue

1976 · Black and White Photography · Boca Raton Museum of Art, Boca Raton

The photograph captures an interior view of the Sixth and Ninth Avenue El station at 72nd Street and Columbus Avenue. The scene is rendered in a monochromatic palette, utilizing a wide tonal range from deep blacks in the shadows to bright whites where light hits the surfaces. The composition centers on the station entrance, where several individuals wait on the platform. Vertical lines from pillars, doorways, and railings dominate the…

Berenice Abbott's famous paintings, numbers 11 to 75

11Lyric Theatre, 100 Third Avenue, Manhattan (1936) by Berenice AbbottLyric Theatre, 100 Third Avenue, Manhattan1936 12Wheelock House, 661 West 158th Street, Manhattan (1937) by Berenice AbbottWheelock House, 661 West 158th Street, Manhattan1937 13Greyhound Bus Terminal Manhattan (1936) by Berenice AbbottGreyhound Bus Terminal Manhattan1936 14Brooklyn Bridge, Water and Dock Streets, Brooklyn (1936) by Berenice AbbottBrooklyn Bridge, Water and Dock Streets, Brooklyn1936 15El Second and Third Avenue Lines Bowery and Division Street, Manhattan (1936) by Berenice AbbottEl Second and Third Avenue Lines Bowery and Division Street, Manhattan1936 16Badenhausen (1940) by Berenice AbbottBadenhausen1940 17Milliken's General Store, Bridgewater, Maine (1954) by Berenice AbbottMilliken's General Store, Bridgewater, Maine1954 18Portrait of Anna Wickham (1929) by Berenice AbbottPortrait of Anna Wickham1929 19Zito (1937) by Berenice AbbottZito1937 · The Jewish Museum 20Rockefeller Center, New York City (1932) by Berenice AbbottRockefeller Center, New York City1932 21New York at Night (1932) by Berenice AbbottNew York at Night1932 22Trinity Churchyard (1932) by Berenice AbbottTrinity Churchyard1932 23Barclay Street Elevated Platform (1933) by Berenice AbbottBarclay Street Elevated Platform1933 24South and DePeyster Streets, Manhattan (1935) by Berenice AbbottSouth and DePeyster Streets, Manhattan1935 25Doorway, 204 West 13th Street, Manhattan (1937) by Berenice AbbottDoorway, 204 West 13th Street, Manhattan1937 26Spring and Varick Streets, Manhattan (1935) by Berenice AbbottSpring and Varick Streets, Manhattan1935 27Jacob Heymann Butcher Shop, New York City (1938) by Berenice AbbottJacob Heymann Butcher Shop, New York City1938 28Financial District Rooftops I, Manhattan (1938) by Berenice AbbottFinancial District Rooftops I, Manhattan1938 29Father Duffy, Times Square (1937) by Berenice AbbottFather Duffy, Times Square1937 30Trucks, West and Debrosses Street, Manhattan (1936) by Berenice AbbottTrucks, West and Debrosses Street, Manhattan1936 31Charles Lane between West and Washington Streets, Manhattan (1938) by Berenice AbbottCharles Lane between West and Washington Streets, Manhattan1938 32Cropsey Avenue, no. 1736, Bath Beach, Brooklyn (1936) by Berenice AbbottCropsey Avenue, no. 1736, Bath Beach, Brooklyn1936 33Canyon Broadway and Exchange Place, Manhattan (1936) by Berenice AbbottCanyon Broadway and Exchange Place, Manhattan1936 34Gunsmith, 6 Centre Market Place, Manhattan (1937) by Berenice AbbottGunsmith, 6 Centre Market Place, Manhattan1937 35Willow Place, nos. 43 49, Brooklyn (1936) by Berenice AbbottWillow Place, nos. 43 49, Brooklyn1936 36Fourth Avenue, no. 154, Brooklyn (1936) by Berenice AbbottFourth Avenue, no. 154, Brooklyn1936 3727th Avenue, no. 1422, Astoria (1937) by Berenice Abbott27th Avenue, no. 1422, Astoria1937 38West Side of Gramercy Park West, nos. 3 4, Manhattan (1935) by Berenice AbbottWest Side of Gramercy Park West, nos. 3 4, Manhattan1935 39Poultry Shop, Lower East Side, New York City (1937) by Berenice AbbottPoultry Shop, Lower East Side, New York City1937 40Downtown Skyport, Foot of Wall Street, Manhattan (1936) by Berenice AbbottDowntown Skyport, Foot of Wall Street, Manhattan1936 41Snuff Shop, 113 Division Street, New York (1938) by Berenice AbbottSnuff Shop, 113 Division Street, New York1938 42Hardware Store, 316 318 Bowery, Manhattan (1938) by Berenice AbbottHardware Store, 316 318 Bowery, Manhattan1938 43Pike and Henry Streets, Manhattan (1936) by Berenice AbbottPike and Henry Streets, Manhattan1936 44Washington Square North, nos. 21 25, Manhattan (1936) by Berenice AbbottWashington Square North, nos. 21 25, Manhattan1936 45Starrett Lehigh Building, 601 West 26th Street, Manhattan (1936) by Berenice AbbottStarrett Lehigh Building, 601 West 26th Street, Manhattan1936 46Newsstand, East 32nd Street and Third Avenue, Manhattan (1935) by Berenice AbbottNewsstand, East 32nd Street and Third Avenue, Manhattan1935 47Warehouse, Water and Dock Streets, Brooklyn (1936) by Berenice AbbottWarehouse, Water and Dock Streets, Brooklyn1936 48Corner of East 10th Street and Avenue D, Manhattan (1937) by Berenice AbbottCorner of East 10th Street and Avenue D, Manhattan1937 49View from West Street, Manhattan (1938) by Berenice AbbottView from West Street, Manhattan1938 50Brooklyn Bridge, Water and New Dock Streets, Brooklyn (1936) by Berenice AbbottBrooklyn Bridge, Water and New Dock Streets, Brooklyn1936 51Sumner Healy Antique Shop, 942 Third Avenue (1936) by Berenice AbbottSumner Healy Antique Shop, 942 Third Avenue1936 52Daily News Building, 220 East 42nd Street, Manhattan (1935) by Berenice AbbottDaily News Building, 220 East 42nd Street, Manhattan1935 53Rockefeller Center, from 444 Madison Avenue (1937) by Berenice AbbottRockefeller Center, from 444 Madison Avenue1937 54Daily News Building (1935) by Berenice AbbottDaily News Building1935 55Manhattan Bridge (1936) by Berenice AbbottManhattan Bridge1936 56Downtown Skyport, Foot of Wall Street (1936) by Berenice AbbottDowntown Skyport, Foot of Wall Street1936 57St. Bartholomew's, Waldorf Astoria, General Electric Building (1936) by Berenice AbbottSt. Bartholomew's, Waldorf Astoria, General Electric Building1936 58My Place, Kingston, Ohio (1935) by Berenice AbbottMy Place, Kingston, Ohio1935 59Seventh Avenue Looking North from 35th Street Manhattan (1935) by Berenice AbbottSeventh Avenue Looking North from 35th Street Manhattan1935 60MacDougal Alley, between 8th Street and Washington Sq. North (1936) by Berenice AbbottMacDougal Alley, between 8th Street and Washington Sq. North1936 61St. Mark's Church, with Skywriting Spiral, East 10th Street at 2nd Avenue (1937) by Berenice AbbottSt. Mark's Church, with Skywriting Spiral, East 10th Street at 2nd Avenue1937 62Theoline , Pier 11, East River, Manhattan (1936) by Berenice AbbottTheoline , Pier 11, East River, Manhattan1936 63Central Park Plaza, from Fifth Avenue at 58th Street (1937) by Berenice AbbottCentral Park Plaza, from Fifth Avenue at 58th Street1937 64Washington Street no. 37 Manhattan (1936) by Berenice AbbottWashington Street no. 37 Manhattan1936 65George Washington Bridge, Riverside Drive and 179th Street, Manhattan (1936) by Berenice AbbottGeorge Washington Bridge, Riverside Drive and 179th Street, Manhattan1936 66Rockefeller Center, Collegiate Church of St. Nicholas in Foreground (1936) by Berenice AbbottRockefeller Center, Collegiate Church of St. Nicholas in Foreground1936 67Pine Street, U.S. Treasury in Foreground (1936) by Berenice AbbottPine Street, U.S. Treasury in Foreground1936 68Sutton Place, Anne Morgan's Townhouse on Corner, Northeast Corner of East 57th Street, Manhattan (1936) by Berenice AbbottSutton Place, Anne Morgan's Townhouse on Corner, Northeast Corner of East 57th Street, Manhattan1936 69Leaf, Supersight (1940) by Berenice AbbottLeaf, Supersight1940 70Village Presbyterian Church, 143 West 13th Street (1948) by Berenice AbbottVillage Presbyterian Church, 143 West 13th Street1948 71Commerce Street with Cherry Lane Theatre (1948) by Berenice AbbottCommerce Street with Cherry Lane Theatre1948 72Muller's Antique Shop, Greenwich Avenue and West 10th Street (1948) by Berenice AbbottMuller's Antique Shop, Greenwich Avenue and West 10th Street1948 73Old Cafe, Lafayette Hotel (1949) by Berenice AbbottOld Cafe, Lafayette Hotel1949 74Untitled by Berenice AbbottUntitled 75Sunside Stock Poultry Farm by Berenice AbbottSunside Stock Poultry Farm

The subjects that held Berenice Abbott's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Berenice Abbott's originals

The 2 museums that hold the most of the paintings on this page.

Museum City Works by Berenice Abbott Paintings from this list
Boca Raton Museum of Art, Boca RatonBoca Raton Museum of Art Boca Raton 1 El Station: Sixth Avenue Lines, Downtown Side, 72nd Street and Columbus Avenue
The Jewish Museum, New York CityThe Jewish Museum New York City 1 Zito

Berenice Abbott across the decades: one unique original for each

Works per decade

Pick a decade to see the original that defines it.

Berenice Abbott's paintings: questions for the gallery

What is the single most famous work of Berenice Abbott?Reveal the answer

El Station: Sixth Avenue Lines, Downtown Side, 72nd Street and Columbus Avenue (1976), Boca Raton Museum of Art, Boca Raton. Fifth Avenue, Nos. 4, 6, 8, Manhattan (1936) and Soap Bubbles (1946) come next.

At what age did Berenice Abbott create El Station: Sixth Avenue Lines, Downtown Side, 72nd Street and Columbus Avenue?Reveal the answer

78 years old: El Station: Sixth Avenue Lines, Downtown Side, 72nd Street and Columbus Avenue dates from 1976, and Berenice Abbott was born in 1898.

Which ten paintings by Berenice Abbott are the most famous?Reveal the answer

El Station: Sixth Avenue Lines, Downtown Side, 72nd Street and Columbus Avenue, Fifth Avenue, Nos. 4, 6, 8, Manhattan, Soap Bubbles, Mrs. Joyce, Barclay Street, Hoboken Ferry, Department of Docks Building, Pier A, Manhattan, Blossom Restaurant, 103 Bowery, Manhattan, Normandie, North River, Manhattan, from Pier 88, Fulton Street Dock, Manhattan Skyline and Waterfront from Pier 19, East River, Manhattan. The ranking above gives each one's year and museum.

How many works by Berenice Abbott are known?Reveal the answer

Our catalog holds 75 works by Berenice Abbott, dated from 1928 to 1976.

Where can the most famous Berenice Abbott originals be seen?Reveal the answer

Mostly in Boca Raton Museum of Art (Boca Raton) and The Jewish Museum (New York City). The museum table above lists them all.

During which period did Berenice Abbott create the best-known paintings?Reveal the answer

In 1930s: 62 of the 75 works on this page were made then, Fifth Avenue, Nos. 4, 6, 8, Manhattan among them.

Which famous Berenice Abbott painting is the earliest, and which the latest?Reveal the answer

On this page, the earliest is Mrs. Joyce (1928) and the latest El Station: Sixth Avenue Lines, Downtown Side, 72nd Street and Columbus Avenue (1976).

What subjects did Berenice Abbott favour?Reveal the answer

Roads (23), Usa (7) and New york city (4), across the 75 works on this page.

Which movement does the work of Berenice Abbott belong to?Reveal the answer

Documentary photography, judging by the originals on this page.

Berenice Abbott: a portrait of the artist

Early Life and Artistic Foundations

Berenice Abbott, born Berenice Alice Abbott on July 17, 1898, in Springfield, Ohio, embarked on a journey that would establish her as a pioneering figure in American photography. Her early life was marked by a restless spirit and a burgeoning artistic sensibility. After briefly attending The Ohio State University in 1918, she gravitated towards the vibrant energy of New York City, seeking to hone her skills in sculpture and painting. This period laid the groundwork for her future endeavors, introducing her to the avant-garde circles that would profoundly shape her aesthetic vision. Connections forged with influential figures like Marcel Duchamp and Man Ray proved pivotal, opening doors to a world of artistic experimentation and challenging conventional norms. It was an environment ripe with possibility, fostering a spirit of innovation that would come to define Abbott’s own unique approach to visual expression.

Parisian Awakening and Photographic Development

A transformative chapter in Abbott's life began in 1921 when she journeyed to Paris. This move proved instrumental in her artistic evolution, leading to an apprenticeship with the renowned photographer Man Ray. Working alongside him, she immersed herself in the intricacies of darkroom techniques and photographic processes, gaining invaluable experience that would become the cornerstone of her practice. It was during this period that Abbott’s distinctive style began to emerge, characterized by a keen eye for detail and a commitment to capturing the essence of her subjects. Her work quickly gained recognition, culminating in an exhibition at Le Sacre du Printemps gallery in 1926, where she showcased portraits of prominent artists and literary figures, including James Joyce and Eugène Atget. Further studies in Berlin refined her skills before returning to Paris and establishing a second studio on the rue Servandoni, solidifying her position within the European artistic landscape.

Documenting a Changing City: New York Transformed

In 1929, Abbott returned to New York City with a dual purpose: to champion the work of Eugène Atget and to document the rapidly changing urban environment that captivated her imagination. Recognizing the city’s photographic potential, she embarked on an ambitious project to capture its architecture and evolving character. Supported by the Works Progress Administration (WPA), this undertaking resulted in “Changing New York,” a comprehensive collection that stands as a landmark achievement in documentary photography. Abbott meticulously documented the city's transformation, contrasting old and new structures, capturing bustling street scenes, and revealing the dynamic energy of a metropolis in constant flux. Her photographs weren’t merely records; they were insightful observations about urban life, progress, and the passage of time. This project cemented her reputation as a visionary artist with a unique ability to capture the spirit of a place.

Legacy and Enduring Influence

Berenice Abbott's legacy extends far beyond her stunning photographs. She is celebrated for pioneering documentary photography, demonstrating an unparalleled ability to convey the essence of urban life through her lens. Her portraits offer intimate glimpses into the lives of influential cultural figures, while her New York City photographs serve as a valuable historical record of the city’s evolution. Crucially, Abbott played a vital role in preserving and promoting the work of Eugène Atget, bringing his artistry to wider recognition and ensuring his place in photographic history. Beyond her artistic practice, she contributed significantly to the field through her writings and illustrations on photographic techniques, furthering its development as an art form. Her photographs are now held in prestigious collections worldwide, including the Smithsonian American Art Museum and the Philadelphia Museum of Art, a testament to their enduring power and significance. Abbott’s influence continues to inspire photographers today, reminding us of the profound ability of the camera to document, interpret, and celebrate the world around us.

Key Influences and Artistic Style

Several key influences shaped Berenice Abbott's artistic vision. Her apprenticeship with Man Ray was foundational, exposing her to avant-garde techniques and introducing her to a network of influential artists. The rediscovery and promotion of Eugène Atget’s work profoundly impacted her approach to documentary photography, inspiring her meticulous documentation of urban environments. Abbott's photographs often reflect the aesthetic sensibilities of the Art Deco Movement, characterized by geometric forms and a sense of modernity. Her style aligned with the principles of “straight photography,” emphasizing sharp focus and unmanipulated images to present a realistic depiction of her subjects, devoid of artificiality or romanticism. This commitment to clarity and authenticity became a hallmark of her work, allowing viewers to connect directly with the scenes she captured and appreciate the beauty inherent in everyday life.