In short
Of all the originals Anthonie Waldorp left, the most famous is View of Spaarnwoude in Stormy Weather (1839), in the collection of the Amsterdam Museum, Amsterdam. Close behind it come A Pier Head in Calm Weather (1839) and Mill with sight of Delft (1836). Our catalog holds 37 works by Anthonie Waldorp; the gallery has kept the 35 the world admires most, each shown with its date, its museum and its story.
Anthonie Waldorp's top 10 paintings: the gallery's choice
The Anthonie Waldorp selection continues, 11 to 35
The subjects that held Anthonie Waldorp's eye
The four subjects that come back most often in these originals, each with its finest example.
Scenes 3 works
Rivers 3 works
Coastal scene 2 works
Canals and bridges 2 works
The museums that keep Anthonie Waldorp's originals
The 6 museums that hold the most of the paintings on this page.
| Museum | City | Works by Anthonie Waldorp | Paintings from this list |
|---|---|---|---|
| Amsterdam | 7 | View of Spaarnwoude in Stormy Weather, A Pier Head in Calm Weather, Church in Delft | |
| Dordrecht | 2 | Mill with sight of Delft, Seascape with Ships | |
| Amsterdam | 2 | Riviergezicht met een waltoren geïnspireerd op de Camperveerse toren te Veere, Antonie Waldorp, 1855, View Of A Bridge Seine In Paris By Moonlight | |
| Rotterdam | 1 | The Merwede River with the Flight of Hugo Grotius | |
| Haren | 1 | The Meuse | |
| Alkmaar | 1 | Cityscape |
Anthonie Waldorp decade by decade: the original that defines each
Works per decade
Pick a decade to see the original that defines it.
Marine: Arrival of High-Ranking Figures in a 17th-Century Dutch Port
Collectors' questions about Anthonie Waldorp's paintings
Which work is Anthonie Waldorp most famous for?Reveal the answer
View of Spaarnwoude in Stormy Weather (1839), Amsterdam Museum, Amsterdam. A Pier Head in Calm Weather (1839) and Mill with sight of Delft (1836) come next.
What age was Anthonie Waldorp when View of Spaarnwoude in Stormy Weather was made?Reveal the answer
37 years old: View of Spaarnwoude in Stormy Weather dates from 1839, and Anthonie Waldorp was born in 1802.
What are the ten most famous Anthonie Waldorp paintings?Reveal the answer
View of Spaarnwoude in Stormy Weather, A Pier Head in Calm Weather, Mill with sight of Delft, Church in Delft, Seascape with Ships, The Portrait of Nuijen, Interior of a church in Alkmaar, The Merwede River with the Flight of Hugo Grotius, Marine: Arrival of High-Ranking Figures in a 17th-Century Dutch Port and A Drawbridge over a City Canal. The ranking above gives each one's year and museum.
How many paintings did Anthonie Waldorp leave?Reveal the answer
Our catalog holds 37 works by Anthonie Waldorp, dated from 1832 to 1862.
In which museums do Anthonie Waldorp's masterpieces hang?Reveal the answer
Mostly in Amsterdam Museum (Amsterdam), Dordrechts Museum (Dordrecht) and Rijksmuseum (Amsterdam). The museum table above lists them all.
In which years did Anthonie Waldorp paint the most famous works?Reveal the answer
In 1840s: 6 of the 35 works on this page were made then, Seascape with Ships among them.
What are the first and the last famous originals of Anthonie Waldorp?Reveal the answer
On this page, the earliest is Church in Delft (1832) and the latest Beurtschip Zaandam (1862).
Which subjects did Anthonie Waldorp choose most often?Reveal the answer
Scenes (3), Rivers (3) and Coastal scene (2), across the 35 works on this page.
Which Anthonie Waldorp works hang at the Amsterdam Museum?Reveal the answer
View of Spaarnwoude in Stormy Weather, A Pier Head in Calm Weather and Church in Delft: the Amsterdam Museum, Amsterdam holds 7 of the works on this page.
Anthonie Waldorp: life and work
Early Life and Artistic Beginnings
Anthonie Waldorp, born Antoine de Saaijer Waldorp on March 28th, 1803, in The Hague, Netherlands, emerged from a family deeply intertwined with the burgeoning Dutch art world. His father, Abel de Saaijer Waldorp, served as keeper of the National Art Gallery—a position that placed young Anthonie directly within a sphere of artistic inspiration during a period when the nation was actively reorganizing its collections after the Napoleonic era. This early exposure to masterpieces undoubtedly sparked his initial fascination with visual expression. Though details regarding his immediate family’s direct involvement in art remain scarce, the household's connection to gallery operations provided invaluable access to both decorative and curatorial practices common within 19th-century artistic circles.
The Hague itself was a vibrant cultural hub during Waldorp’s formative years—the political seat of the Dutch monarchy and government attracted artists, collectors, and institutions that solidified its status as a center for Dutch creativity. Initially, Waldorp embarked on an apprenticeship with Joannes Breckenheimer Jr., a well-known stage scenery painter in The Hague. This foundational training instilled in him a keen understanding of composition, perspective, and the dramatic use of light—skills he would later translate into his fine art endeavors.
Transition to Landscape Painting & Early Influences
Shortly after reaching his twenty-third year, Waldorp committed himself fully to a career as a painter. He quickly distinguished himself as one of the precursors to the celebrated Hague School, a movement known for its realistic depictions of Dutch landscapes and seascapes. His early work reflected this transition, initially focusing on stage sceneries reminiscent of his grandfather’s profession before evolving towards domestic interiors and portraits—often depicting figures in 17th-century attire. However, it was his eventual specialization in landscapes, river scenes, and marine paintings that truly defined his artistic trajectory.
A pivotal moment in Waldorp's development came with a journey through France, Belgium, and Germany in 1833 alongside fellow artist Wijnand Nuyen. This expedition exposed him to diverse artistic styles and broadened his perspective on landscape painting. He began to blend romantic idealism with meticulous observational detail, creating compositions that resonated with contemporary audiences. During this period, Waldorp also took on the role of tutor, sharing his knowledge with aspiring artists such as C.P. 't Hoen, J.C. Hofman, C. Rochussen, and Jan Hendrik Weissenbruch—contributing to the growth of landscape painting within the Netherlands.
Mature Style & International Recognition
Waldorp’s mature style was characterized by serene seascapes and river views that captured the subtle nuances of light and atmosphere. His paintings often featured calm waters, billowing clouds, and meticulously rendered ships—evoking a sense of tranquility and harmony. He wasn't afraid to experiment with lithography as well, expanding his artistic reach beyond traditional oil painting.
His dedication to his craft yielded significant international recognition. Waldorp’s works found favor among the royal courts of Germany, the Netherlands, and France—a testament to their aesthetic appeal and technical skill. This acclaim solidified his position as a leading figure in Dutch landscape painting and paved the way for further artistic exploration.
Legacy & Historical Significance
In 1857, Waldorp relocated to Amsterdam, joining the prestigious Royal Academy and continuing to refine his technique. He received numerous accolades throughout his career, including appointments as a Knight of the Order of Leopold by the Belgian king in 1845, a Knight in the Order of the Dutch Lion in 1847, and a Knight in the Order of the Oak Crown in 1849. His contributions to the art world were further acknowledged through streets named in his honor within both The Hague and Amsterdam.
Anthonie Waldorp’s significance lies not only in the beauty of his paintings but also in his role as a bridge between neoclassical traditions and the emerging realism of the Hague School. He paved the way for future generations of Dutch landscape painters, inspiring them to embrace observational detail while maintaining a sense of romantic idealism. His serene seascapes and river views continue to captivate audiences today, offering a glimpse into the tranquil beauty of 19th-century Netherlands.






