Calvary (William Shackleton)

William Shackleton (1872–1933) made Calvary. It measures 45 × 46 cm.

  • 45 × 46 cm
Calvary by William Shackleton
Calvary by William Shackleton. Public domain.

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Calvary, in brief

Title
Calvary
Artist
William Shackleton (1872–1933)
Artist born in
Bradford, United Kingdom
Dimensions
45 × 46 cm

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Calvary by William Shackleton
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Public domain: the artist died in 1933.

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Credit line

William Shackleton, Calvary. Public domain.

Questions on Calvary, answered

How big is the original "Calvary"?

"Calvary" measures 45 x 46 cm in its original form. Original dimensions are a useful reference when choosing a reproduction size.

Is "Calvary" by William Shackleton in the public domain?

The copyright answer for "Calvary" by William Shackleton: the work is in the public domain - its copyright has expired. This determines whether reproductions of the image may be freely made.

Who created "Calvary"?

"Calvary" was created by William Shackleton. The information on this page describes William Shackleton's original work.

Why is the copyright status of "Calvary" what it is?

"Calvary" by William Shackleton is in the public domain - its copyright has expired. Copyright duration runs from the artist's death, which occurred in 1933.

About the artist, William Shackleton

1872–1933, United Kingdom

William Shackleton

The Soul of the British Landscape: The Life and Art of William Shackleton In the tapestry of early 20th-century British art, few threads are as delicately woven as those left by William Shackleton. Born in 1872 in the industrial heart of Wednesfield, Staffordshire, Shackleton emerged from a period of profound transition in the art world. His journey was one of constant refinement, moving between the rigorous academic traditions of his training and a deeply personal, atmospheric approach to the natural world. As a painter who mastered both the expansive grandeur of the Yorkshire Moors and the quiet, intimate beauty of a single bloom, Shackleton captured a sense of time and place that remains profoundly moving to the modern observer.

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