1925

Bed Time (William Shackleton, 1925)

William Shackleton (1872–1933) made Bed Time. It dates from 1925. It measures 45 × 49 cm.

  • 1925
  • 45 × 49 cm
Bed Time by William Shackleton, 1925
Bed Time by William Shackleton, 1925. Public domain.

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Bed Time, in brief

Title
Bed Time
Artist
William Shackleton (1872–1933)
Artist born in
Bradford, United Kingdom
Date
1925
Dimensions
45 × 49 cm

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Bed Time by William Shackleton, 1925
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Public domain: the artist died in 1933.

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Credit line

William Shackleton, Bed Time (1925). Public domain.

Questions on Bed Time, answered

In what year was "Bed Time" by William Shackleton created?

"Bed Time" by William Shackleton was created in 1925.

What are the dimensions of the original "Bed Time" by William Shackleton?

"Bed Time" measures 45 x 49 cm in its original form. Original dimensions are a useful reference when choosing a reproduction size.

Is "Bed Time" by William Shackleton in the public domain?

The copyright answer for "Bed Time" by William Shackleton: the work is in the public domain - its copyright has expired. This determines whether reproductions of the image may be freely made.

Who is the artist behind "Bed Time"?

"Bed Time" was created by William Shackleton. The information on this page describes William Shackleton's original work.

At what age did William Shackleton make "Bed Time"?

William Shackleton was 53 years old when creating "Bed Time" in 1925. The age is computed from the artist's birth year, 1872.

Is "Bed Time" by William Shackleton in the public domain, and why?

The copyright status of "Bed Time" - in the public domain - its copyright has expired - follows from the artist's death in 1933.

About the artist, William Shackleton

1872–1933, United Kingdom

William Shackleton

The Soul of the British Landscape: The Life and Art of William Shackleton In the tapestry of early 20th-century British art, few threads are as delicately woven as those left by William Shackleton. Born in 1872 in the industrial heart of Wednesfield, Staffordshire, Shackleton emerged from a period of profound transition in the art world. His journey was one of constant refinement, moving between the rigorous academic traditions of his training and a deeply personal, atmospheric approach to the natural world. As a painter who mastered both the expansive grandeur of the Yorkshire Moors and the quiet, intimate beauty of a single bloom, Shackleton captured a sense of time and place that remains profoundly moving to the modern observer.

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