1949

Composition (William Gear, 1949)

William Gear (1915–1997) made Composition. It dates from 1949. It measures 116 × 89 cm.

  • 1949
  • 116 × 89 cm
Composition by William Gear, 1949
Composition by William Gear, 1949.

Preview AR preview Hand Made Oil Painting Send
Fact sheet Add to favorites Download Similars X-Ray Diaporama Q&A Presentation Stats

Composition, in brief

Title
Composition
Artist
William Gear (1915–1997)
Artist born in
Methil, United Kingdom
Date
1949
Dimensions
116 × 89 cm

High-resolution images of Composition

Composition by William Gear, 1949
Download

Protected by copyright: these files are for personal reference, not a licence to republish.

Other sizes, crops and citation →
Credit line

William Gear, Composition (1949).

Questions on Composition, answered

What is the creation date of "Composition" by William Gear?

"Composition" by William Gear was created in 1949.

How big is the original "Composition"?

The original "Composition" by William Gear measures 116 x 89 cm.

Is "Composition" free of copyright?

Regarding copyright, "Composition" is still protected by copyright.

Who created "Composition"?

"Composition" is attributed to William Gear.

At what age did William Gear make "Composition"?

When "Composition" was created in 1949, William Gear - born in 1915 - was 34 years old.

Why is the copyright status of "Composition" what it is?

The copyright status of "Composition" - still protected by copyright - follows from the artist's death in 1997.

About the artist, William Gear

William Gear

1915–1997, United Kingdom

William Gear

A Life Immersed in Abstraction: The Journey of William Gear William Gear, born in Methil, Fife, Scotland in 1915, emerged as a pivotal figure in British abstract art, a painter whose career spanned decades and reflected the seismic shifts in artistic expression throughout the 20th century. His early life hinted at the creative path he would forge; winning the Dux Arts Medal at Buckhaven High School in 1932 signaled a burgeoning talent nurtured through formal study at Edinburgh College of Art from 1932 to 1936. There, amongst his peers – Wilhelmina Barns-Graham and Margaret Mellis – Gear began to lay the foundations for a style that would ultimately blend nature’s vibrancy with the dynamism of modernism. His postgraduate scholarship in 1936–37 at the University of Edinburgh, under the tutelage of Professor David Talbot Rice, further solidified his understanding of art history, providing a crucial intellectual framework for his artistic explorations.

Also by William Gear

Essays around Composition