Paper

Student Artwork Guide

The thieves and snakes

Name Class Date

William Blake, The thieves and snakes. Public domain.

The facts

Artist
William Blake originaluniqueart.com/en/artists/william-blake/
Artist’s dates
1757 – 1827
Medium
Acrylic On Canvas
Movement
Romanticism Art that puts feeling, wildness and the power of nature above calm order and rules.
Artistic style
Illustrative; Gothic horror
Influences
Dante Alighieri
Notable elements or techniques
Detailed depiction of Dante's Inferno; Symbolic representation of sin.
Subject or theme
Inferno; Punishment; Serpents

In context

The thieves and snakes — William Blake

When might this have been painted?

  1. 1750
  2. 1760
  3. 1770
  4. 1780
  5. 1790
  6. 1800
  7. 1810
  8. 1820

Shaded: the lifetime of William Blake (1757–1827)

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

  • Newton originaluniqueart.com/en/art/william-blake-newton-7Z4Q6G-en/
  • The Ancient of Days, 1794 originaluniqueart.com/en/art/william-blake-the-ancient-of-days-7Z4Q6J-en/
  • Isaac Newton, 1795 originaluniqueart.com/en/art/william-blake-isaac-newton-8Y3TN8-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/william-blake-the-thieves-and-snakes-8EWSE9-en/

Colours

Measured from the image

    Main colour

    Khaki #ebb880

    Catalogued palette

    • #EBB880
    • #C88D69
    • #82624F
    • #F3D1B4
    Palette
    Pastels The dominant colour family in the image.
    Main colour name
    Khaki
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    The thieves and snakes — William Blake

    A Descent into Inferno’s Embrace – William Blake's Dramatic Illustration

    William Blake’s “The Thieves & Serpents,” created around 1824-27, isn’t merely a depiction of biblical imagery; it’s an immersive experience—a plunge into the turbulent depths of Dante Alighieri’s Inferno. This watercolor masterpiece captures a pivotal moment from Canto XXV of Dante's epic poem, portraying the harrowing confrontation between Buoso Donati and Lucifer as he is attacked by serpents.

    Subject Matter: The artwork centers on two nude male figures locked in mortal combat with serpentine creatures. These figures represent sinners tormented by divine retribution—a visceral portrayal of suffering and damnation that aligns perfectly with Blake’s Romantic sensibilities.

    Style & Composition: Blake's signature style is immediately recognizable through loose, expressive lines and a dynamic compositional arrangement. The flattened perspective amplifies the feeling of claustrophobia, mirroring the oppressive atmosphere of Hell itself. Lines swirl energetically, conveying instability and urgency—a deliberate choice to heighten emotional impact over precise realism.

    Technique: Blake employed watercolor on paper with visible brushstrokes, achieving a textured surface that embodies the raw emotion of the scene. The dominant use of yellows, oranges, and reds establishes an intense heat and danger, reflecting Lucifer’s fiery presence and the torment endured by the tormented figures.

    Romantic Horror & Gothic Influence

    Blake's artistic vision firmly rooted in Romanticism—a movement characterized by passion, imagination, and a fascination with the sublime—is further underscored by elements of Gothic horror. The grotesque depiction of serpents attacking Buoso Donati taps into anxieties surrounding mortality and spiritual corruption – themes prevalent throughout Blake’s oeuvre.

    Symbolism: Serpents symbolize temptation and evil, representing Lucifer's relentless assault on the soul. The nude figures embody vulnerability and exposure to divine judgment—a powerful visual metaphor for humanity’s struggle against sin and despair.

    Historical Context: Created during Blake’s prolific period, “The Thieves & Serpents” reflects the broader intellectual currents of its time – a reaction against Enlightenment rationalism and an embrace of mystical spirituality. It stands as testament to Blake's unwavering belief in the transformative power of art.

    Blake’s Watercolor Mastery: A Legacy of Emotion

    The meticulous execution of this watercolor demonstrates Blake’s unparalleled skill in capturing emotion and conveying atmosphere. The artist’s deliberate use of brushstrokes contributes to a palpable sense of movement and dynamism, mirroring the chaotic struggle unfolding before the viewer's eyes.

    Material & Technique: Blake skillfully utilized watercolor on paper, layering washes of color to build depth and texture—a technique that perfectly captures the intensity of Hell’s torment.

    Influence: Blake’s work profoundly impacted subsequent generations of artists, establishing him as a cornerstone of Romantic art and inspiring countless reproductions that continue to resonate with audiences today.

    “The Thieves & Serpents” transcends mere illustration; it's an invitation into Blake’s visionary world—a reminder that art can illuminate the darkest recesses of human experience and provoke contemplation on profound spiritual questions. Its enduring power lies in its ability to convey both terror and beauty, cementing Blake’s place as one of history’s most unforgettable artistic voices.

    Artist and museum

    Artist

    William Blake

    Born in London, United Kingdom

    A Visionary’s Journey: The Life and Art of William Blake

    William Blake, born in London on November 28, 1757, was a figure perpetually out of step with his time, yet destined to become one of the most celebrated artists and poets of the Romantic Age. His life unfolded against the backdrop of a rapidly changing England—a world grappling with industrialization, political upheaval, and shifting spiritual beliefs. From humble beginnings as the son of a hosier, Blake’s early years were marked by an intensely vivid imagination and a propensity for visionary experiences that would profoundly shape his artistic trajectory. Though largely self-taught in formal academics, he received drawing instruction at a young age, quickly revealing a talent that hinted at the extraordinary path ahead. His apprenticeship with engraver James Basire proved pivotal, providing him not only with technical mastery but also an understanding of printmaking techniques he would later revolutionize. These early influences—the Gothic grandeur of Westminster Abbey, the classical forms of Raphael and Michelangelo—served as foundational elements in his developing aesthetic, though Blake was never one to remain bound by convention.

    The Illuminated World: Technique and Innovation

    Blake’s artistic innovation wasn't merely about subject matter; it resided fundamentally in how he created. Dissatisfied with conventional engraving methods, he developed a unique process known as “illuminated printing.” This involved etching both text and illustrations onto copper plates, then hand-coloring the resulting prints—a laborious but deeply personal approach that allowed for complete artistic control. This wasn’t simply illustration accompanying poetry; it was an integrated art form where image and verse were inextricably linked, each enhancing the meaning of the other. His relief etching technique, born from a claimed visionary experience following his brother's death, further distinguished his work, granting it a distinctive textural quality and allowing for greater artistic freedom than traditional methods. Beyond printmaking, Blake also worked with watercolors and tempera paints, often depicting biblical scenes or fantastical subjects imbued with symbolic weight. A key characteristic of his style was a deliberate rejection of linear perspective in favor of a more emotive, symbolic representation—a flattening of space that drew the viewer into the heart of his visionary world.

    Themes of Innocence, Experience, and Rebellion

    The core of Blake’s artistic output lies in its exploration of profound themes: the duality of innocence and experience, the constraints of reason versus the liberating power of imagination, and a fierce critique of societal norms.

    Songs of Innocence and of Experience (1794), perhaps his most accessible work, presents a contrasting vision of childhood—one idyllic and untainted, the other marked by hardship and corruption.

    The Marriage of Heaven and Hell (1793) is a provocative prose poem that challenges conventional morality, celebrating energy, desire, and rebellion against restrictive doctrines.

    His illustrations for Dante’s Divine Comedy showcase his dramatic vision and ability to translate complex narratives into powerful visual imagery.

    Blake's symbolism is intensely personal yet universally resonant. The tiger, in his famous poem, embodies both the awe-inspiring beauty and terrifying power of creation. Jerusalem, a sprawling epic poem that occupied him for years, reflects his spiritual and political beliefs—a vision of a renewed Albion (ancient name for Britain) free from oppression. He wasn’t merely depicting stories; he was constructing an entire mythology, populated with archetypal figures representing states of mind, forces of nature, and the eternal struggle between good and evil.

    A Legacy Rediscovered: Blake's Enduring Influence

    During his lifetime, William Blake remained largely marginalized, misunderstood by many of his contemporaries. His work was often dismissed as eccentric or even mad. He struggled financially throughout much of his life, relying on commissions and the support of a small circle of patrons like Thomas Butts. However, in the decades following his death on August 12, 1827, Blake’s reputation began to grow steadily. The Pre-Raphaelite Brotherhood, captivated by his visionary style and symbolic imagery, embraced him as a kindred spirit. Later movements—Symbolism and Modernism—found resonance in his emphasis on imagination, subjective experience, and spiritual themes. Today, William Blake is recognized as a pivotal figure in the Romantic movement, an artist whose work continues to inspire poets, painters, and thinkers across disciplines. His exploration of complex philosophical and religious ideas through art remains profoundly relevant, challenging us to question conventional wisdom and embrace the power of individual vision. Blake’s legacy isn't simply about his artistic achievements; it is about his unwavering commitment to creative freedom—a testament to the enduring power of imagination in a world often dominated by reason and constraint.

    Where to read more

    Find this online

    QR code linking to the download page for The thieves and snakes

    originaluniqueart.com/en/art/download/william-blake-the-thieves-and-snakes-8EWSE9-en/

    Cite this artwork

    MLA
    Blake, William. The thieves and snakes. n.d., https://originaluniqueart.com/en/art/william-blake-the-thieves-and-snakes-8EWSE9-en/
    APA
    Blake, William (n.d.). The thieves and snakes [Painting]. https://originaluniqueart.com/en/art/william-blake-the-thieves-and-snakes-8EWSE9-en/
    Chicago
    William Blake. The thieves and snakes. n.d. https://originaluniqueart.com/en/art/william-blake-the-thieves-and-snakes-8EWSE9-en/
    Harvard
    Blake, William (n.d.) The thieves and snakes. Available at: https://originaluniqueart.com/en/art/william-blake-the-thieves-and-snakes-8EWSE9-en/

    Look closely

    The thieves and snakes — William Blake

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 2 — do you agree?)
    4. Our catalogue files this work under: infernal torment, fiery vortex, nude figures. Do you agree? What would you add, or take away?
    5. Look back at Newton, earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.