Paper
Name Class Date

Wassily Wassilyevich Kandinsky, Improvisation 26 (Rowing) (1912), Lenbachhaus. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Wassily Wassilyevich Kandinsky originaluniqueart.com/en/artists/wassily-wassilyevich-kandinsky/
Artist’s dates
1866 – 1944
Painted
1912
Original size
107 x 97 cm
Movement
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.
Held at
Lenbachhaus originaluniqueart.com/en/museums/lenbachhaus-munich/
Artistic style
Color Field Painting
Influences
Russian Folk Art
Notable elements or techniques
Geometric abstraction; Circular forms
Subject or theme
Musical Inspiration

In context

Improvisation 26 (Rowing) — Wassily Wassilyevich Kandinsky

How big is it?

The original measures 107 × 97 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930
  9. 1940

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 78 at death.

Painted when the artist was 46. The artist lived to 78. 129 of the 319 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Wassily Wassilyevich Kandinsky (1866–1944) ▲ this work, 1912 every dated painting, decade by decade

First works: up to 1909 Main working years: 1909–1926 Late works: from 1926

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/wassily-wassilyevich-kandinsky-improvisation-26-rowing-D3VC86-en/

Colours

Measured from the image

    Main colour

    Celadon #b7b9b4

    Catalogued palette

    • #B7B9B4
    • #D4B55E
    • #352A34
    • #748187

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Celadon
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Wassily Wassilyevich Kandinsky over the last twelve months — 75 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 39.2%
    2. 2 United States of America 8.9%
    3. 3 Singapore 8.6%
    4. 4 Hong Kong 7.7%
    5. 5 Brazil 3.5%
    6. 6 Italy 3.5%
    7. 7 Spain 3.1%
    8. 8 Germany 2.1%
    9. 9 France 2.1%
    10. 10 Mexico 1.9%
    11. · 65 other countries 19.4%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Wassily Wassilyevich Kandinsky

    1. 1 Composition VIII, 1923 14.7%
    2. 2 Composition VII, 1913 5.4%
    3. 3 Improvisation. Gorge, 1914 4.7%
    4. 4 First Abstract Watercolor, Collection of Mad, 1910 4.0%
    5. 5 Yellow, Red, Blue, 1925 3.0%
    6. 6 On White II, 1923 2.3%
    7. 7 All Saints day I, 1911 1.4%
    8. 8 Interior (My dining room), 1909 1.3%
    9. 9 View of Murnau with train and castel, 1909 1.2%
    10. 10 Arabs I (Cemetery), 1909 1.1%
    11. 11 Study for ''Composition VII'', 1913 1.1%
    12. 12 Improvisation 28 (second version) 1.0%
    13. 13 In the Blue 1.0%
    14. 14 Circles in a Circle, 1923 0.9%
    15. 15 Several Circles, Solomon R. G, 1926 0.9%
    16. 16 Softened Construction 0.8%
    17. 17 Painting with red spot, 1914 0.8%
    18. 18 Composition X 0.8%
    19. 19 Gabriele Münter painting in Kallmunz, 1903 0.8%
    20. 72 Improvisation 26 (Rowing), 1912 this painting 0.2%

    Together these works take 47.4% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 517 works by this artist, of which 383 were looked at at least once. This painting ranks 72 of them, with 0.2% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Improvisation 26 (Rowing) — Wassily Wassilyevich Kandinsky

    A Symphony in Color: Exploring Kandinsky’s Improvisation 26

    Wassily Wassilyevich Kandinsky stands as an undeniable titan of modern art, a figure whose audacious embrace of abstraction fundamentally reshaped the artistic landscape and continues to inspire awe centuries later. His journey toward this groundbreaking vision wasn't paved with conventional academic pursuits; initially drawn to law and economics at Moscow University—a path deemed respectable by societal expectations—it was a transformative encounter with Claude Monet’s “Haystacks” that sparked his initial fascination with Impressionism, capturing the fleeting beauty of light and atmosphere. Yet, it was an even more profound experience witnessing Wagner's opera "Lohengrin" – a visceral immersion in music and drama – that truly unlocked Kandinsky’s inner artist, propelling him toward a radical departure from representational art. Around thirty years old, he abandoned his legal aspirations for the fervent pursuit of painting, embarking on a path marked by relentless experimentation and unwavering conviction.

    Early Influences: Russian Folk Art

    The Academy of Fine Arts in Munich

    Franz von Stuck’s Guidance

    Kandinsky's artistic evolution wasn’t simply about stylistic shifts; it represented a profound philosophical reimagining of art itself. He rejected the constraints of depicting observable reality, arguing that painting should strive to express inner spiritual states—a concept deeply rooted in Jungian psychology and reflecting his belief in the interconnectedness of consciousness and creativity. This conviction fueled his relocation to Munich, where he enrolled at the Academy of Fine Arts under Franz von Stuck, though even within the framework of formal training, Kandinsky’s spirit chafed against convention, constantly seeking new avenues for artistic exploration. He meticulously studied the works of Cézanne and Picasso, absorbing their innovative approaches to form and composition—artists who similarly challenged established aesthetic norms.

    Analyzing Improvisation 26: Style and Technique

    “Improvisation 26 (Rowing),” created in 1912, exemplifies Kandinsky’s signature style – Abstract Expressionism – characterized by its deliberate rejection of illusionistic representation. The painting abandons any attempt to mimic the visual world, instead prioritizing color and form as primary expressive elements. Kandinsky employed a technique he termed “Gesture Painting,” applying paint with energetic brushstrokes—often impulsive and spontaneous—to create textured surfaces that convey emotional intensity. He utilized a vibrant palette dominated by yellows, reds, and blues, meticulously layering colors to achieve luminous effects and conveying a sense of dynamism and movement. The concentric circles at the center – two prominent yellow discs surrounded by radiating red and blue lines – serve as focal points, drawing the viewer’s eye inward while simultaneously suggesting an outward expansion of energy.

    Symbolism Within Abstraction

    Beyond its formal qualities, “Improvisation 26” is laden with symbolic significance. The circles represent wholeness and unity—a concept central to Kandinsky's spiritual worldview—while the radiating lines symbolize aspiration and transcendence. The juxtaposition of yellow and red – traditionally associated with optimism and passion – underscores the painting’s emotional core, conveying a feeling of exhilaration and vitality. Kandinsky believed that colors possessed inherent psychological properties, capable of evoking specific moods and sensations; he meticulously selected hues to align with his intention to communicate profound spiritual truths.

    Emotional Impact and Legacy

    “Improvisation 26” transcends mere visual aesthetics, resonating deeply within the viewer’s psyche—a testament to Kandinsky's masterful ability to translate inner experience into tangible form. The painting captures a moment of spontaneous creativity—a celebration of color and gesture—that embodies the spirit of artistic liberation. Its influence extends far beyond its own time, shaping subsequent generations of artists who embraced abstraction as a means of conveying emotion and exploring spiritual dimensions. Today, “Improvisation 26” remains a cornerstone of Abstract Expressionism, serving as an enduring emblem of Kandinsky’s pioneering vision and his unwavering commitment to artistic innovation—a symphony in color that continues to captivate audiences worldwide.

    Artist and museum

    Artist

    Wassily Wassilyevich Kandinsky

    Born in Moscow, Russia

    A Life Immersed in Color and Spirit

    Wassily Wassilyevich Kandinsky, born in Moscow in 1866, was a revolutionary figure who irrevocably altered the course of modern art. His journey wasn’t one of immediate artistic calling; initially destined for a career in law and economics at the University of Moscow, it was a profound encounter with Impressionist painting – specifically Claude Monet's “Haystacks” – and a deeply moving experience witnessing Wagner’s opera "Lohengrin" that ignited within him an irrepressible desire to pursue art. This pivotal moment, occurring around age thirty, marked not merely a career change but a complete transformation of perspective, setting him on a path toward pioneering abstraction. He soon relocated to Munich, enrolling at the prestigious Academy of Fine Arts and studying under Franz von Stuck, though even within formal training, Kandinsky’s spirit yearned for exploration beyond conventional boundaries.

    Early influences included Russian folk art, gleaned from an ethnographic expedition to the Vologda region in 1889, which instilled a fascination with vibrant color palettes and symbolic imagery. This foundation would prove crucial as he began to develop his unique artistic language. These early explorations weren’t simply about aesthetic preference; they were rooted in a deep cultural connection and a burgeoning understanding of how art could communicate beyond the literal.

    The Dawn of Abstraction: From Expressionism to Inner Necessity

    Kandinsky’s early works reveal a strong expressionistic bent, characterized by bold colors and emotional intensity – pieces like “Papeln (Poplars)” from 1902 exemplify this period. However, he wasn't content with merely representing the external world; he sought to express inner realities, spiritual truths that transcended mere visual depiction. This quest led him gradually away from representational art and toward a revolutionary exploration of color, form, and their emotional resonance.

    He began to believe that colors possessed inherent psychological effects, capable of evoking specific feelings and sensations in the viewer. This conviction was deeply intertwined with his burgeoning interest in Theosophy, a spiritual movement emphasizing esoteric knowledge and universal brotherhood. As he delved deeper into these ideas, Kandinsky’s paintings became increasingly non-objective, shedding recognizable forms in favor of abstract compositions driven by an “inner necessity.” This wasn't simply about abandoning representation; it was about discovering a new visual language capable of expressing the intangible realms of emotion and spirituality. He sought to create a visual equivalent of music, where color and form harmonized to evoke profound emotional responses.

    Geometric Harmony and Spiritual Resonance

    The period following his involvement with the influential artist group Der Blaue Reiter (The Blue Rider), which he co-founded in Munich in 1911, saw a further evolution in Kandinsky’s style. While earlier works often featured fluid, organic shapes, he began to explore geometric abstraction, focusing on the interplay of circles, triangles, and squares. “Several Circles” (140 x 140 cm) stands as a prime example of this phase – a dynamic composition where color and form interact in a harmonious yet energetic dance.

    This wasn't cold or sterile geometry; rather, it was imbued with spiritual significance. Kandinsky believed that geometric shapes possessed inherent symbolic meaning, and their arrangement within the canvas could evoke specific emotional responses. His theoretical writings, most notably “Concerning the Spiritual in Art” (1911), articulated these beliefs, laying the groundwork for a new understanding of abstract art as a vehicle for expressing profound spiritual truths. He argued that art should not aim to imitate nature but rather to reveal the artist’s inner world and connect with the viewer on a deeper, more intuitive level.

    Bauhaus Influence and Lasting Legacy

    The outbreak of World War I forced Kandinsky's return to Russia in 1914, but following the Russian Revolution, he found himself increasingly at odds with the prevailing artistic climate. In 1920, he accepted a teaching position at the Bauhaus school in Germany, where he profoundly influenced generations of artists with his theories on color, form, and abstraction. The Bauhaus provided an ideal environment for Kandinsky to further develop his ideas and explore new creative avenues.

    He continued to experiment with geometric forms and vibrant colors, often incorporating layered impasto techniques to create textured surfaces that added depth and complexity to his compositions – as seen in later works like “An Intimate Party” (1942). After the closure of the Bauhaus by the Nazi regime in 1933, Kandinsky moved to France, where he remained for the rest of his life. His impact on modern art is immeasurable; he is widely recognized as a pioneer of abstract expressionism and a key figure in the development of non-representational painting. His works are held in major museums worldwide, including the Tretyakov Gallery in Moscow, which houses his monumental “Composition VII,” a testament to his artistic vision and enduring legacy.

    Kandinsky’s exploration of color, form, and spirituality continues to inspire artists today, solidifying his place as one of the most important figures in 20th-century art history. He didn't just paint pictures; he painted emotions, ideas, and the very essence of the human spirit.

    Museum

    Lenbachhaus

    On show in Munich, Germany

    A Sanctuary of German Modernism: Exploring the Lenbachhaus

    Nestled in the heart of Munich, Germany, the Städtische Galerie im Lenbachhaus is more than just a museum; it’s an immersion into the vibrant soul of early 20th-century art. Housed within a stunning villa originally designed by the prominent portrait painter Franz von Lenbach himself, the museum offers visitors a uniquely intimate encounter with masterpieces of German Expressionism and beyond. The building's very walls seem to whisper stories of artistic innovation and intellectual ferment, creating an atmosphere that is both historically resonant and profoundly inspiring. From its origins as a private residence to its evolution into a leading public art institution, the Lenbachhaus embodies Munich’s rich cultural heritage and enduring commitment to artistic expression. It’s a place where history isn't merely displayed but felt, woven into the fabric of the building itself.

    The Blue Rider and Beyond: A Collection of Revolutionary Vision

    The renown of the Lenbachhaus rests largely on its unparalleled collection of works from

    Der Blaue Reiter

    (The Blue Rider), a pivotal movement that irrevocably altered the course of modern art. Here, one can lose oneself in the pioneering abstract compositions of Wassily Kandinsky, where color and form dance in harmonious chaos, expressing an inner spiritual reality. These aren’t simply paintings; they are visual poems, explorations of synesthesia, and attempts to capture the essence of emotion through pure abstraction. Alongside Kandinsky’s groundbreaking work, the museum showcases the deeply symbolic animal paintings of Franz Marc, imbued with a sense of longing and connection to nature – images that resonate with a primal understanding of our place within the natural world. The expressive landscapes and portraits of Gabriele Münter offer further insight into the group's shared aesthetic vision, while works by other key figures like August Macke and Alexej von Jawlensky complete this extraordinary assemblage. But the Lenbachhaus doesn’t stop at

    The Blue Rider

    . It also boasts an extensive collection dedicated to the influential artist Joseph Beuys, whose thought-provoking sculptures and installations challenge conventional notions of art and its role in society – a legacy that continues to inspire artists today. A significant selection of 19th-century paintings provides essential historical context, demonstrating the artistic lineage that informed the radical innovations of the modern era.

    A Villa Transformed: Architecture as an Artistic Experience

    The Lenbachhaus itself is a work of art. Originally conceived as a Florentine Renaissance-style villa for Franz von Lenbach in 1887, the building exudes elegance and charm. Designed by Gabriel von Seidl, it reflects the tastes of a successful portrait painter—grand yet inviting, refined yet comfortable. Subsequent expansions and renovations, most notably those completed in 2013 under the direction of Norman Foster, have seamlessly integrated modern gallery spaces with the villa’s historical character. The new addition, clad in metal tubes that subtly shift color over time, creates a striking contrast while remaining respectful of the original architecture. This careful balance between old and new enhances the visitor experience, allowing for a dynamic interplay between the art on display and the building that houses it. Walking through its rooms is akin to stepping back in time while simultaneously embracing the present—a testament to thoughtful preservation and innovative design. The architectural narrative itself becomes part of the artistic journey, mirroring the evolution of artistic thought within the collection.

    A Living Legacy: Exhibitions and Engagement

    The Lenbachhaus isn’t simply a repository of past masterpieces; it's a dynamic cultural hub that actively engages with contemporary artistic practices. In addition to its permanent collection, the museum hosts a rotating program of temporary exhibitions exploring diverse themes and showcasing emerging talent. These exhibitions often delve into pressing social and political issues, fostering dialogue and critical thinking among visitors. The museum also offers a wide range of educational programs designed to appeal to audiences of all ages, including guided tours led by expert art historians, hands-on workshops for children, and insightful lectures that illuminate the complexities of modern art. This commitment to education ensures that the Lenbachhaus remains a vital resource for both scholars and casual art enthusiasts alike. It’s a space where art isn't just observed but experienced, discussed, and understood on multiple levels.

    A Unique Munich Experience

    What truly sets the Lenbachhaus apart is its ability to create an immersive experience—a journey into the heart of artistic creation. It’s a place where history, architecture, and art converge to inspire wonder and provoke thought. Whether you are a seasoned collector seeking rare examples of Expressionist painting, an interior designer searching for inspiration in bold color palettes and dynamic compositions, or simply an art lover eager to discover new perspectives, the Lenbachhaus offers something truly special. It’s a Munich treasure that deserves to be explored, savored, and revisited time and again – a testament to the enduring power of artistic vision.

    Where to read more

    Find this online

    QR code linking to the download page for Improvisation 26 (Rowing)

    originaluniqueart.com/en/art/download/wassily-wassilyevich-kandinsky-improvisation-26-rowing-D3VC86-en/

    Cite this artwork

    MLA
    Kandinsky, Wassily Wassilyevich. Improvisation 26 (Rowing). 1912, Lenbachhaus. https://originaluniqueart.com/en/art/wassily-wassilyevich-kandinsky-improvisation-26-rowing-D3VC86-en/
    APA
    Kandinsky, Wassily Wassilyevich (1912). Improvisation 26 (Rowing) [Painting]. Lenbachhaus. https://originaluniqueart.com/en/art/wassily-wassilyevich-kandinsky-improvisation-26-rowing-D3VC86-en/
    Chicago
    Wassily Wassilyevich Kandinsky. Improvisation 26 (Rowing). 1912. Lenbachhaus. https://originaluniqueart.com/en/art/wassily-wassilyevich-kandinsky-improvisation-26-rowing-D3VC86-en/
    Harvard
    Kandinsky, Wassily Wassilyevich (1912) Improvisation 26 (Rowing). Lenbachhaus. Available at: https://originaluniqueart.com/en/art/wassily-wassilyevich-kandinsky-improvisation-26-rowing-D3VC86-en/

    Look closely

    Improvisation 26 (Rowing) — Wassily Wassilyevich Kandinsky

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: geometric shapes, color harmony, circular forms. Do you agree? What would you add, or take away?
    4. Look back at Composition VIII (1923), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Improvisation 26 (Rowing) — Wassily Wassilyevich Kandinsky

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What artistic movement is Wassily Kandinsky's “Improvisation 26 (Rowing)” considered to be?

      • A Cubism
      • B Renaissance
      • C Abstract Art
    2. 2. In what year was “Improvisation 26 (Rowing)” painted?

      • A 1890
      • B 1912
      • C 1944
    3. 3. The painting prominently features geometric shapes, primarily circles and lines. What is the dominant color scheme employed by Kandinsky?

      • A Monochromatic (primarily black)
      • B Warm colors (reds, yellows, oranges)
      • C Cool colors (blues, greens, purples)
    4. 4. What influential musical composer inspired Kandinsky's artistic vision?

      • A Johann Sebastian Bach
      • B Ludwig van Beethoven
      • C Richard Wagner
    5. 5. “Improvisation 26 (Rowing)” exemplifies Kandinsky’s belief in the expressive power of color and form. How does he utilize these elements to convey emotion?

      • A Through realistic depictions of landscapes
      • B By adhering strictly to traditional artistic conventions
      • C By prioritizing spontaneous gestures and intuitive associations

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1C · 2B · 3C · 4C · 5C

    Check any answer against the catalogue record for this painting

    Questions & Answers

    What color intensity does "Improvisation 26 (Rowing)" by Wassily Wassilyevich Kandinsky have?

    "Improvisation 26 (Rowing)" by Wassily Wassilyevich Kandinsky shows a balanced color intensity.

    How does "Improvisation 26 (Rowing)" fit into Wassily Wassilyevich Kandinsky's themes and style?

    "Improvisation 26 (Rowing)" shares with Wassily Wassilyevich Kandinsky's other works its Abstract Expressionism style and the recorded themes: monet’s haystacks, wagnerian opera, russian folk art traditions, exploring spiritual dimension, pioneer of abstract expressionism, symbolic color, geometric forms.

    Who created "Improvisation 26 (Rowing)"?

    The artist behind "Improvisation 26 (Rowing)" is Wassily Wassilyevich Kandinsky. The work is catalogued under Wassily Wassilyevich Kandinsky's name.