Paper

Student Artwork Guide

March Landscape

Paul Nash, 1944

Name Class Date
Paul Nash, March Landscape (1944). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Paul Nash originaluniqueart.com/en/artists/paul-nash/
Artist’s dates
1889 – 1946
Painted
1944
Original size
70 x 85 cm
Movement
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.

Copyright This work is in the public domain. Paul Nash died in 1946; copyright lasts 70 years after the artist’s death, so it ended in 2016.

Source: OriginalUniqueArt.com — accessed Oct. 12, 2026

March Landscape — Paul Nash Part 1 · The artwork

In context

March Landscape — Paul Nash

How big is it?

The original measures 70 × 85 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 57 at death.

Painted when the artist was 55. The artist lived to 57. 86 of the 92 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Paul Nash (1889–1946) ▲ this work, 1944 every dated painting, decade by decade

First works: up to 1924 Main working years: 1924–1938 Late works: from 1938

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/paul-nash-march-landscape-AQRJWY-en/

Colours

Measured from the image

    Main colour

    Putty #d7dcd6

    Catalogued palette

    • #D7DCD6
    • #524335
    • #ADAB9C
    • #8D8269

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Paul Nash over the last twelve months — 10 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 46.2%1,800 visits
    2. 2 United Kingdom 10.3%400 visits
    3. 3 Singapore 10.3%400 visits
    4. 4 United States of America 10.3%400 visits
    5. 5 Italy 7.7%300 visits
    6. 6 Hong Kong 5.1%200 visits
    7. 7 Belgium 2.6%100 visits
    8. 8 Germany 2.6%100 visits
    9. 9 Japan 2.6%100 visits
    10. 10 Venezuela 2.6%100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Paul Nash

    1. 1 Landscape of the Moon's Last Phase, 1944 8.0%400 visits
    2. 2 View from a Window, Nice, 1934 6.0%300 visits
    3. 3 Landscape of the Megaliths, 1934 6.0%300 visits
    4. 4 Harbour and Room, 1932 6.0%300 visits
    5. 5 Nest of the Siren, 1930 4.0%200 visits
    6. 6 Telecommunications, 1934 4.0%200 visits
    7. 7 Landscape (verso), 1939 4.0%200 visits
    8. 8 Landscape of the Malvern Distance, 1943 4.0%200 visits
    9. 9 Landscape from a Dream, 1936 4.0%200 visits
    10. 10 Landscape of the Bagley Woods, 1943 4.0%200 visits
    11. 11 Whiteleaf Cross, 1931 2.0%100 visits
    12. 12 Michaelmas Landscape, 1943 2.0%100 visits
    13. 13 A Howitzer Firing, 1918 2.0%100 visits
    14. 14 Dead Spring, 1929 2.0%100 visits
    15. 15 The Pond at Souldern, 1926 2.0%100 visits
    16. 16 Oxford During the War, 1942 2.0%100 visits
    17. 17 Event on the Downs, 1934 2.0%100 visits
    18. 18 Landscape at Iden, 1929 2.0%100 visits
    19. 19 We Are Making a New World, 1918 2.0%100 visits
    20. 21 March Landscape, 1944 this painting 2.0%100 visits

    Together these works take 70.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 99 works by this artist, of which 35 were looked at at least once. This painting ranks 21 of them, with 2.0% of that attention (100 visits). The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Source: OriginalUniqueArt.com — accessed Oct. 12, 2026

    March Landscape — Paul Nash Part 2 · In context

    Artist and museum

    Artist

    Paul Nash

    Born in Kensington, United Kingdom

    Early Life and Influences

    Born: Kensington, United Kingdom (1889)

    Died: 1946

    Paul Nash was born on May 11, 1889, in London. His father, William Harry Nash, was a barrister, and his mother, Caroline Maude, displayed signs of mental illness from an early age. The family moved to Iver Heath, Buckinghamshire, when Paul was young, a move intended to benefit his mother's health.

    Education: He attended the Parsons School of Art and later the Slade School of Fine Art. While proficient in landscape painting, he struggled with figure drawing.

    Early Influences: Nash was heavily influenced by William Blake and J.M.W. Turner, evident in his early works. He also drew inspiration from landscapes featuring ancient historical elements like burial mounds and Iron Age hill forts.

    Artistic Style and Development

    Style: Paul Nash's style blended modernism with traditional techniques. He utilized bold colors, geometric shapes, and abstract forms, distinguishing him from contemporaries.

    Surrealist Leanings: While not strictly a Surrealist, Nash was influenced by the movement, particularly after seeing a Giorgio de Chirico exhibition in 1928. His work incorporated symbolic landscapes with everyday objects.

    War Art: During World War I and II, Nash served as an official war artist. His depictions of battlefields were notable for their haunting beauty and exploration of the impact of conflict on the landscape. Notable works include "The Menin Road."

    "Aerial Creatures": A series produced during WWII featuring anthropomorphic depictions of aircraft crashed in landscapes, demonstrating his evolving style and symbolism.

    Major Achievements and Recognition

    Pioneer of British Modernism: Nash played a crucial role in shaping British modern art, bridging traditional landscape painting with modernist aesthetics.

    War Art Legacy: His wartime paintings are considered iconic representations of the conflict's impact on both soldiers and the environment.

    Unit One Group: He co-founded Unit One in 1933 alongside Ben Nicholson and Barbara Hepworth, a significant group within the British art scene.

    Writer and Designer: Beyond painting, Nash was also a respected writer on art and designed applied arts such as stage scenery, fabrics, and posters.

    Influences and Legacy

    Influence on Subsequent Artists: Nash's unique style and use of color influenced generations of artists who followed.

    Connection to Romanticism: His work is often linked to the English Romantic tradition, particularly through his connection to William Blake and J.M.W. Turner.

    Exploration of Man vs. Nature: A recurring theme in Nash's later works was the relationship between humanity and nature, explored through symbolic imagery.

    Continued Relevance: His paintings continue to be celebrated for their beauty, symbolism, and historical significance, remaining relevant to contemporary audiences.

    Exhibitions and Collections

    Ruskin Gallery: Nash's work has been exhibited at the Ruskin Gallery in the United Kingdom.

    Tate Britain: His pieces can be found within the Tate Britain’s collection.

    Imperial War Museum: Several of his war art pieces are housed in the Imperial War Museum.

    York Art Gallery: His work is also part of the York Art Gallery's collection.

    Government Art Collection: A selection of Nash’s artworks are displayed within the Government Art Collection.

    Where to read more

    Find this online

    QR code linking to the download page for March Landscape

    originaluniqueart.com/en/art/download/paul-nash-march-landscape-AQRJWY-en/

    Cite this artwork

    MLA
    Nash, Paul. March Landscape. 1944, https://originaluniqueart.com/en/art/paul-nash-march-landscape-AQRJWY-en/
    APA
    Nash, Paul (1944). March Landscape [Painting]. https://originaluniqueart.com/en/art/paul-nash-march-landscape-AQRJWY-en/
    Chicago
    Paul Nash. March Landscape. 1944. https://originaluniqueart.com/en/art/paul-nash-march-landscape-AQRJWY-en/
    Harvard
    Nash, Paul (1944) March Landscape. Available at: https://originaluniqueart.com/en/art/paul-nash-march-landscape-AQRJWY-en/

    Source: OriginalUniqueArt.com — accessed Oct. 12, 2026

    March Landscape — Paul Nash Part 3 · Artist and museum

    Look closely

    March Landscape — Paul Nash

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: rural landscape, somber mood, tree silhouette. Do you agree? What would you add, or take away?
    4. Look back at Eclipse of the Sunflower (1945), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Source: OriginalUniqueArt.com — accessed Oct. 12, 2026

    March Landscape — Paul Nash Part 4 · Look closely

    Questions & Answers

    Are there works similar to "March Landscape"?

    Works similar to "March Landscape" are listed on the artwork's Similars page.

    Can I use augmented reality to see "March Landscape" by Paul Nash in my room?

    "March Landscape" has an augmented reality preview: the artwork's AR Preview page shows it in your own space on a compatible device.

    Is "March Landscape" by Paul Nash in the public domain, and why?

    "March Landscape" by Paul Nash is in the public domain - its copyright has expired. Copyright duration runs from the artist's death, which occurred in 1946.