Paper

Student Artwork Guide

The guitar - -

Name Class Date

Juan Gris, The guitar - - (1918). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Juan Gris originaluniqueart.com/en/artists/juan-gris/
Artist’s dates
1887 – 1927
Painted
1918
Medium
Oil On Canvas
Original size
81 x 60 cm
Movement
Synthetic Cubism Objects broken apart and shown from several viewpoints at once, all flattened onto one surface.
Artistic style
Synthetic Cubism
Subject or theme
Guitar and surrounding objects

In context

The guitar - - — Juan Gris

How big is it?

The original measures 81 × 60 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 40 at death.

Painted when the artist was 31. The artist lived to 40. 197 of the 310 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Juan Gris (1887–1927) ▲ this work, 1918 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/juan-gris-the-guitar-9GER3Q-en/

Colours

Measured from the image

    Main colour

    Putty #e1d5b9

    Catalogued palette

    • #E1D5B9
    • #321F14
    • #767161
    • #C99430

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Juan Gris over the last twelve months — 27 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 48.3%
    2. 2 United States of America 9.3%
    3. 3 Singapore 8.1%
    4. 4 Hong Kong 5.8%
    5. 5 Denmark 4.6%
    6. 6 Spain 3.5%
    7. 7 Brazil 2.3%
    8. 8 United Kingdom 2.3%
    9. 9 Greece 2.3%
    10. 10 Argentina 1.9%
    11. · 17 other countries 11.6%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Juan Gris

    1. 1 Portrait of Madame Josette Gris, 1916 4.9%
    2. 2 Still Life with a Guitar, 1913 4.7%
    3. 3 Still Life before an Open Window aka Place Ravignan, 1915 3.6%
    4. 4 Guitar on a Table, 1915 2.5%
    5. 5 The painters window - -, 1925 2.5%
    6. 6 Still Life with Flowers, 1912 2.2%
    7. 7 Landscape with house at Ceret, 1913 1.9%
    8. 8 breakfast, 1914 1.9%
    9. 9 Bottle, Newspaper and Fruit Bowl, 1915 1.9%
    10. 10 Pears and grapes on a table, 1913 1.6%
    11. 11 Breakfast, 1915 1.6%
    12. 12 Glass and Ace of Clubs, 1917 1.6%
    13. 13 Landscape with Houses at Ceret, 1913 1.6%
    14. 14 Woman With Basket, 1927 1.6%
    15. 15 Harlequin with guitar - -, 1919 1.4%
    16. 16 The Sunblind, 1914 1.4%
    17. 17 Landscape at Beaulieu, 1918 1.4%
    18. 18 Violin and Guitar, 1913 1.1%
    19. 19 The Checkerboard, 1915 1.1%
    20. 24 The guitar - -, 1918 this painting 1.1%

    Together these works take 41.6% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 340 works by this artist, of which 147 were looked at at least once. This painting ranks 24 of them, with 1.1% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    The guitar - - — Juan Gris

    The Geometry of Sound: Exploring Juan Gris's "The Guitar"

    To stand before Juan Gris’s The Guitar is not merely to observe an arrangement of objects; it is to step into the very architecture of modern thought. Created in 1918, this seminal work stands as a profound testament to Synthetic Cubism, a movement that dared to dismantle and reassemble reality on the canvas. Gris, whose analytical mind was perhaps initially drawn to engineering before finding its perfect outlet in art, approached the familiar—a musical instrument—with an almost scientific rigor. The guitar itself, central to the composition, becomes less a tangible object and more a collection of intersecting planes, angles, and carefully calculated facets. It invites the viewer not just to look, but to reconstruct.

    Mastery in Synthetic Cubism

    The genius of this piece lies in its adherence to Synthetic Cubist principles. Unlike earlier explorations that fractured reality into sharp shards, Gris’s approach is one of synthesis—building up a new, coherent structure from geometric components. Observe how the surrounding elements—the stacked books, the suggestion of a chair—do not exist in isolation. They overlap, they abut, and they define each other through shared planes of color and shadow. This sophisticated interplay creates an illusion of depth that is simultaneously flat and infinitely deep. The muted palette, characteristic of Gris’s mature style, lends an air of intellectual contemplation to the scene, allowing the viewer's focus to remain entirely on the structural dialogue between form and space.

    Symbolism and the Resonance of Form

    Beyond its technical brilliance, The Guitar carries a subtle symbolic weight. The guitar, historically associated with melody, emotion, and narrative song, is here rendered in an abstract language. This juxtaposition suggests that even the most visceral human experiences—joy, melancholy, passion—can be broken down into their fundamental, geometric components for intellectual examination. It asks us: what is the underlying structure of beauty? What are the constituent parts of a perfect chord? The arrangement feels both meticulously ordered and wonderfully spontaneous, mirroring the complex relationship between artistic discipline and raw creative impulse.

    Bringing Modern Depth Home

    For the collector or designer seeking to infuse a space with the intellectual vigor of early 20th-century modernism, this reproduction offers an unparalleled opportunity. Owning a piece echoing Gris’s vision is to curate a conversation between history and contemporary living. The hand-painted nature of our reproductions ensures that you receive not just an image, but a continuation of the artist's painstaking touch—a rich textural experience on canvas. It serves as a powerful focal point, demanding closer inspection and rewarding it with layers of discovery, making it a centerpiece worthy of any discerning gallery wall.

    Artist and museum

    Artist

    Juan Gris

    Born in Madrid, Spain

    A Spanish Visionary of Cubism: The Life and Art of Juan Gris

    Born José Victoriano González-Pérez in Madrid in 1887, the artist who would become known as Juan Gris embarked on a journey that would place him among the most significant figures of early 20th-century art. His initial path wasn’t one immediately leading to canvas and brush; he pursued engineering at the School of Arts and Sciences, demonstrating an analytical mind that would later profoundly influence his artistic approach. Even during these formative years, a creative spark flickered – contributing drawings to local periodicals hinted at a burgeoning visual talent. It was in 1905 that he adopted the pseudonym Juan Gris, a name resonating with a newfound sense of identity and purpose as he began formal painting studies under José Moreno Carbonero. This marked a pivotal shift, setting him on a course toward artistic innovation.

    Parisian Awakening and the Embrace of Cubism

    The year 1906 witnessed a transformative relocation to Paris, a city then pulsating with artistic energy. Gris immersed himself in this vibrant milieu, forging friendships with luminaries like Henri Matisse, Georges Braque, and Fernand Léger. He initially engaged in satirical illustration for publications such as L'Assiette au Beurre, honing his observational skills and developing a keen sense of visual wit. However, the magnetic pull of Pablo Picasso proved particularly influential. Around 1910, Gris began to seriously dedicate himself to painting, moving away from caricature towards the burgeoning language of Cubism. This wasn’t mere imitation; he embarked on a quest to distill the essence of form and space, seeking a new visual order. His early explorations were marked by a deliberate departure from traditional representation, embracing abstraction as a means of capturing reality's underlying structure.

    The Geometry of Perception: Style and Key Works

    Juan Gris’s artistic output is characterized by an exceptional clarity and intellectual rigor. He didn’t simply deconstruct objects; he reconstructed them with deliberate precision, emphasizing geometric forms and a carefully considered palette. This approach led to what became known as his “crystal period,” exemplified in masterpieces like Still Life Before an Open Window and Place Ravignan (1915). These works showcase a remarkable interplay of planes and angles, creating a sense of depth and solidity while simultaneously challenging conventional notions of perspective. After 1913, Gris wholeheartedly embraced Synthetic Cubism, pioneering the use of papier collé – collage – incorporating real-world materials like newspaper clippings and textured papers into his compositions. This technique added another layer of complexity and tactility to his work, blurring the boundaries between painting and sculpture. Notable examples include Guitar in front of the sea (1925), a testament to his simplified forms and adherence to cubist principles, and Homage à Pablo Picasso (1912), which signaled his growing recognition within the avant-garde art world.

    Legacy and Lasting Influence

    Juan Gris’s contribution to Cubism extends beyond mere stylistic innovation; he brought a unique intellectual depth and structural clarity to the movement. He moved past the analytical phase, towards a more organized and synthetic approach, emphasizing order and precision. His work profoundly influenced the Purist style championed by Amédée Ozenfant and Charles Edouard Jeanneret (Le Corbusier), advocating for a return to classical principles of form and composition. Gris’s emphasis on geometric forms, harmonious color palettes, and the integration of everyday objects into his art established him as a pivotal figure in 20th-century art. His legacy continues to inspire artists today, demonstrating the enduring power of Cubism and the visionary genius of Juan Gris – a Spanish master who reshaped our understanding of perception and representation.

    Where to read more

    Find this online

    QR code linking to the download page for The guitar - -

    originaluniqueart.com/en/art/download/juan-gris-the-guitar-9GER3Q-en/

    Cite this artwork

    MLA
    Gris, Juan. The guitar - -. 1918, https://originaluniqueart.com/en/art/juan-gris-the-guitar-9GER3Q-en/
    APA
    Gris, Juan (1918). The guitar - - [Painting]. https://originaluniqueart.com/en/art/juan-gris-the-guitar-9GER3Q-en/
    Chicago
    Juan Gris. The guitar - -. 1918. https://originaluniqueart.com/en/art/juan-gris-the-guitar-9GER3Q-en/
    Harvard
    Gris, Juan (1918) The guitar - -. Available at: https://originaluniqueart.com/en/art/juan-gris-the-guitar-9GER3Q-en/

    Look closely

    The guitar - - — Juan Gris

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: cubism, still life, guitar. Do you agree? What would you add, or take away?
    4. Look back at Portrait of Madame Josette Gris (1916), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Synthetic Cubism: Objects broken apart and shown from several viewpoints at once, all flattened onto one surface. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    The guitar - - — Juan Gris

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What art movement is Juan Gris most associated with for the painting 'The Guitar'?

      • A Surrealism
      • B Cubism
      • C Impressionism
    2. 2. In what year was Juan Gris's painting 'The Guitar' created?

      • A 1906
      • B 1918
      • C 1927
    3. 3. Which element is described as being central to the composition of 'The Guitar'?

      • A A chair
      • B Books
      • C A guitar
    4. 4. What characteristic defines Synthetic Cubism, as seen in the artwork?

      • A Use of soft, blended colors
      • B Emphasis on geometric shapes and overlapping planes
      • C Depiction of purely emotional states
    5. 5. Juan Gris was born in which city?

      • A Paris
      • B Madrid
      • C Barcelona

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1A · 2A · 3B · 4A · 5A

    Check any answer against the catalogue record for this painting

    Questions & Answers

    Is "The guitar - -" by Juan Gris in the public domain?

    The copyright answer for "The guitar - -" by Juan Gris: the work is in the public domain - its copyright has expired. This determines whether reproductions of the image may be freely made.

    Who sells hand-painted copies of "The guitar - -" by Juan Gris?

    You can order a hand-painted reproduction of "The guitar - -" by Juan Gris directly on its Hand-Painted Reproduction page: a hand-painted oil reproduction on linen canvas, made to order.

    What use is suggested for "The guitar - -" by Juan Gris?

    The suggested use for "The guitar - -" by Juan Gris is focal. It can serve other purposes as well.