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Student Artwork Guide

Red Mobile

Name Class Date

Alexander Milne Calder, Red Mobile, Galleria Civica di Arte Moderna e Contemporanea Torino. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Alexander Milne Calder originaluniqueart.com/en/artists/alexander-milne-calder/
Artist’s dates
1898 – 1976
Original size
160 x 400 cm
Held at
Galleria Civica di Arte Moderna e Contemporanea Torino originaluniqueart.com/en/museums/galleria-civica-di-arte-moderna-e-contemporanea-torino-turin/

In context

Red Mobile — Alexander Milne Calder

How big is it?

The original measures 160 × 400 cm (height × width), drawn here beside an adult of average height.

When might this have been painted?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 78 at death.

Shaded: the lifetime of Alexander Milne Calder (1898–1976) every dated painting, decade by decade

First works: up to 1944 Main working years: 1944–1968 Late works: from 1968

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/alexander-milne-calder-red-mobile-D4D77Z-en/

Colours

Measured from the image

    Main colour

    Celadon #9dadb1

    Catalogued palette

    • #9DADB1
    • #8D220D
    • #C4D4D0
    • #77868E

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Celadon
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Alexander Milne Calder over the last twelve months — 6 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 64.7%1,100 visits
    2. 2 Brazil 11.8%200 visits
    3. 3 France 5.9%100 visits
    4. 4 Lithuania 5.9%100 visits
    5. 5 Saudi Arabia 5.9%100 visits
    6. 6 United States of America 5.9%100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 19 most looked-at works by Alexander Milne Calder

    1. 1 Lobster Trap and Fish Tail, 1939 14.8%400 visits
    2. 2 Mobile, 1932 14.8%400 visits
    3. 3 Crosshatch 7.4%200 visits
    4. 4 Untitled 7.4%200 visits
    5. 5 Tache Bleu 3.7%100 visits
    6. 6 Four Fish in Water, 1947 3.7%100 visits
    7. 7 Red Mobile this painting 3.7%100 visits
    8. 8 Spiral Composition, 1946 3.7%100 visits
    9. 9 Nemo 3.7%100 visits
    10. 10 Red Lily Pads (Nénuphars rouges), 1956 3.7%100 visits
    11. 11 Slanting Red Nose, 1969 3.7%100 visits
    12. 12 Black Sun, 1953 3.7%100 visits
    13. 13 Red Sun, 1968 3.7%100 visits
    14. 14 Untitled (318) 3.7%100 visits
    15. 15 Untitled (890) 3.7%100 visits
    16. 16 Untitled (4) 3.7%100 visits
    17. 17 Untitled (121) 3.7%100 visits
    18. 18 Model for Nenuphar, 1968 3.7%100 visits
    19. 19 Untitled (2) 3.7%100 visits

    Together these works take 99.9% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 92 works by this artist, of which 19 were looked at at least once. This painting ranks 7 of them, with 3.7% of that attention (100 visits). The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Red Mobile — Alexander Milne Calder

    Between the 1920s and ‘30s, Calder regularly made long study and work trips to Paris, where he began to participate in the Abstraction-Création group. Finally, in 1932, at the Galleria Vignon – owned by Marie Cuttolì, an avant-garde collector – he exhibited for the first time, presenting thirty mobile works that were to pave the way for other mobiles to come. Fifteen of these were operated artificially by motors and others were composed of naturally oscillating parts. Later constructions often had supports or were suspended in the air, and were normally composed of painted metal sheets joined by a metal skeleton of slender veins and stems. Apparently it was Marcel Duchamp, on a visit to the exhibition by his American friend, who gave their name to these graceful, floating structures, which could catch the slightest change in the breeze, in stark contrast to the basic characteristics of traditional sculpture - gravity and stability. The Parisian context and close interest of the avant-guard led to the mechanical and biomorphic nature of these works being associated with the organic motifs of the surrealist painting and sculpture of Jean Mirò and Jean Arp. The Dadaist legacy of interest in movement, better still if unpredictable and casual in its effects and forms, which Calder combined with a preference for abstract and heavily stylised language, was stimulated by attention towards primitive cultures, which for the artist essentially meant the ethnic heritage of Native Americans, encountered while wandering around the United States in his youth. These influences spawned abstract anatomies, like this large Red Mobile, always in movement with a calculated balance, aimed at creating a visual equivalent of the harmonious yet unpredictable activity of nature.

    Artist and museum

    Artist

    Alexander Milne Calder

    Born in Aberdeen, United Kingdom

    introduction to alexander milne calder

    alexander milne calder was a scottish american sculptor, born in aberdeen, scotland in 1846. he is best known for his architectural sculpture of philadelphia city hall, and both his son, alexander stirling calder, and grandson, alexander 'sandy' calder, became significant sculptors in the 20th century.

    early life and career

    alexander milne calder began his career in scotland, working for sculptor john rhind, while attending the royal academy in edinburgh. he moved to london and worked on the albert memorial. calder immigrated to the united states in 1868 and settled in philadelphia, where he studied with joseph a. bailly and took classes with thomas eakins at the pennsylvania academy of fine arts.

    notable works

    some of alexander milne calder's notable works include:

    philadelphia city hall: a commission that involved more than 250 pieces in marble and bronze, taking calder 20 years to complete.

    william penn: a colossal bronze statue that was to crown the city hall's tower.

    indian figure: a sculpture prior to its installation on city hall.

    south portal and west portal: illuminated with colored lights, showcasing calder's attention to detail.

    legacy

    alexander milne calder's legacy extends beyond his own work, as both his son and grandson became prominent sculptors. his contributions to the world of art can be seen in various museums, including the smithsonian american art museum and the galleria civica di arte moderna e contemporanea torino. to learn more about alexander milne calder and his work, visit https://AllPaintingsStore.com/@/alexander-milne-calder or explore the wahoo art timeline for a detailed overview of art history. important to note that alexander milne calder's work has been recognized and appreciated by art enthusiasts and scholars alike, making him a significant figure in the world of art. his contributions will continue to be celebrated and studied for generations to come.

    Museum

    Galleria Civica di Arte Moderna e Contemporanea Torino

    On show in Turin, Italy

    A Beacon of Italian Modernity: The Soul of Turin’s Artistic Heart

    In the heart of Turin, a city where regal history meets a burgeoning contemporary energy, stands the Galleria Civica d'Arte Moderna e Contemporanea (GAM). This is not merely a repository for canvases and sculptures; it is a living dialogue between the echoes of the past and the vibrant pulse of the present. Established in 1949, though its ancestral roots stretch back to the late 19th century, GAM holds the distinction of being Italy’s oldest museum dedicated exclusively to the evolution of artistic expression from the 1800s to the modern era. To walk through its doors is to embark on an immersive journey through the cultural landscape of Italy and beyond, where every gallery invites a moment of profound contemplation and discovery.

    The very architecture of the museum serves as a visual metaphor for Turin’s own transformation. Originally constructed for the 1863 Universal Exhibition, the building has been thoughtfully adapted over decades to house an ever-expanding collection. The current structure, a masterpiece designed by the legendary architect Ernesto Nervi, showcases his daring structural innovations. Its soaring concrete frame provides a striking, modern contrast to the ornate Baroque facades that surround it in the city, embodying the tension between tradition and progress. This architectural brilliance sets the stage for a collection that is equally much about breaking boundaries as it is about honoring heritage.

    From Futurist Dynamism to the Poetics of Materiality

    The essence of GAM’s collection is inextricably linked to the explosive energy of Futurism, a movement that redefined the Italian aesthetic at the dawn of the 20th century. Within these walls, the works of Giacomo Balla and Umberto Boccioni come alive, their canvases ablaze with fragmented forms and kinetic colors that capture the frantic speed and industrial fervor of a new age. These paintings do more than decorate a space; they demand attention, reflecting the era's profound belief in technological advancement and the rejection of stagnant artistic conventions. For the collector or the art enthusiast, these works offer a window into the cultural anxieties and triumphs of a nation embracing modernity.

    Yet, the museum’s narrative is not solely one of movement and machine. It offers a beautiful counterpoint through its significant holdings of Arte Povera. Here, artists such as Michelangelo Antonioni and Piero Gilardi utilize humble, elemental materials—wood, stone, and fabric—to explore deep philosophical inquiries into human existence and our relationship with the natural world. This juxtaposition of the high-octane energy of Futurism with the quiet, tactile intimacy of Arte Povera creates a unique tension that makes GAM an unparalleled destination for those seeking to understand the full spectrum of modern thought.

    A Global Dialogue: International Masterpieces and Living Legacies

    While deeply rooted in the Italian experience, GAM Torino possesses a vision that transcends national borders, enriching its halls with masterpieces from across Europe and America. The museum’s curation skillfully weaves international influences into the local narrative, creating a global tapestry of art history. Visitors may find themselves captivated by the hauntingly elegant portraits of Amedeo Modigliani, which evoke the melancholic beauty of the Belle Époque, or encounter the bold, iconic imagery of Andy Warhol, which cements Turin’s historical role as a vital hub for Pop Art culture. This intersection of local and global art fosters a universal discussion on identity, beauty, and social commentary.

    Today, GAM continues to thrive as a dynamic cultural institution, hosting stimulating exhibitions that bridge the gap between historical significance and contemporary trends. For interior designers and lovers of fine art, the museum serves as an endless source of inspiration, offering a profound look at how art shapes our perception of space and time. Through its commitment to accessibility—including comprehensive virtual tours that bring these treasures to a worldwide audience—GAM ensures that its 47,000-strong collection remains a living legacy, continuing to inspire creativity and critical thinking in the hearts of all who encounter it.

    Where to read more

    Find this online

    QR code linking to the download page for Red Mobile

    originaluniqueart.com/en/art/download/alexander-milne-calder-red-mobile-D4D77Z-en/

    Cite this artwork

    MLA
    Calder, Alexander Milne. Red Mobile. n.d., Galleria Civica di Arte Moderna e Contemporanea Torino. https://originaluniqueart.com/en/art/alexander-milne-calder-red-mobile-D4D77Z-en/
    APA
    Calder, Alexander Milne (n.d.). Red Mobile [Painting]. Galleria Civica di Arte Moderna e Contemporanea Torino. https://originaluniqueart.com/en/art/alexander-milne-calder-red-mobile-D4D77Z-en/
    Chicago
    Alexander Milne Calder. Red Mobile. n.d. Galleria Civica di Arte Moderna e Contemporanea Torino. https://originaluniqueart.com/en/art/alexander-milne-calder-red-mobile-D4D77Z-en/
    Harvard
    Calder, Alexander Milne (n.d.) Red Mobile. Galleria Civica di Arte Moderna e Contemporanea Torino. Available at: https://originaluniqueart.com/en/art/alexander-milne-calder-red-mobile-D4D77Z-en/

    Look closely

    Red Mobile — Alexander Milne Calder

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: kinetic sculpture, abstract forms, geometric design. Do you agree? What would you add, or take away?
    4. Look back at Calder's Circus (1931), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Themes that come back through the work of Alexander Milne Calder: kinetic abstraction, calder's mobiles", chance & movement. Which of them do you see here?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Is "Red Mobile" by Alexander Milne Calder kept in the artist's home country?

    No - the artwork is kept abroad. Alexander Milne Calder was born in United Kingdom, and the original "Red Mobile" is held in a museum in Italy.

    Who created "Red Mobile"?

    "Red Mobile" is attributed to Alexander Milne Calder.

    How big is the original "Red Mobile"?

    The original "Red Mobile" by Alexander Milne Calder measures 160 x 400 cm.