1966
Untitled (Robert Ryman, 1966)
Robert Ryman (1930) made Untitled. It dates from 1966. It measures 191 × 192 cm.
- 1966
- 191 × 192 cm
Untitled: the essentials
- Title
- Untitled
- Artist
- Robert Ryman (1930)
- Artist born in
- Nashville, United States of America
- Date
- 1966
- Dimensions
- 191 × 192 cm
Untitled in high resolution
Robert Ryman, Untitled (1966).
Questions about Untitled
What underlying hue runs through "Untitled" by Robert Ryman?
A green to violet spectrum hue runs through "Untitled" by Robert Ryman.
What are the format and size of "Untitled"?
The format of "Untitled" is square, and the original measures 192 x 191 cm. Both are useful when planning a reproduction.
Is there a guide for "Untitled" by Robert Ryman?
The Guide page of "Untitled" by Robert Ryman offers a printable two-sheet factsheet: the artwork with its identity table, a decade band placing it in the artist's lifetime, other works by the artist, the measured color palette, and ready-to-copy citations in four styles.
Who made "Untitled", and when?
Robert Ryman made "Untitled" in 1966.
What orientation does "Untitled" by Robert Ryman have?
The format of "Untitled" is square. This is useful when planning where a reproduction will be placed.
How much light do the colors of "Untitled" appear to reflect?
"Untitled" by Robert Ryman has a luminous luminance. Luminance describes how much light the colors appear to reflect.
What saturation and intensity does "Untitled" by Robert Ryman show?
"Untitled" by Robert Ryman is recorded with a muted saturation and a monochromatic intensity.
Are the colors of "Untitled" by Robert Ryman saturated or muted?
"Untitled" by Robert Ryman is recorded with a muted saturation.
Can the image of "Untitled" by Robert Ryman be freely reproduced?
"Untitled" by Robert Ryman is still protected by copyright. This status governs how the image of the work may be reproduced.
About the artist, Robert Ryman
1930, United States of America
Robert Ryman
A Life Dedicated to the Essence of Painting Robert Ryman, born in Nashville, Tennessee, in 1930 and passing away in 2019, wasn’t interested in depicting the world; he was captivated by painting itself. His journey began not with a formal artistic education geared towards representation, but with studies at the Tennessee Polytechnic Institute and George Peabody College for Teachers – foundations that would later inform his disciplined approach. A stint in the United States Army from 1950 to 1952 instilled a sense of structure, perhaps subtly influencing the rigorous self-examination that characterized his artistic practice. However, it was his relocation to New York City in 1952 that proved pivotal.