Neo Dada · 1970

Study for Currents #26 (Robert Rauschenberg, 1970)

Robert Rauschenberg (1925–2008) made Study for Currents #26. It dates from 1970. It belongs to the Neo Dada movement.

  • 1970
Study for Currents #26 by Robert Rauschenberg, 1970
Study for Currents #26 by Robert Rauschenberg, 1970.

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Study for Currents #26, in brief

Title
Study for Currents #26
Artist
Robert Rauschenberg (1925–2008)
Artist born in
Port Arthur, United States
Date
1970
Movement
Neo Dada

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Robert Rauschenberg, Study for Currents #26 (1970).

Questions on Study for Currents #26, answered

When was "Study for Currents #26" made?

"Study for Currents #26" dates from 1970. The date places the work within Robert Rauschenberg's career and its era.

Can the image of "Study for Currents #26" by Robert Rauschenberg be freely reproduced?

Regarding copyright, "Study for Currents #26" is still protected by copyright.

Who is the artist behind "Study for Currents #26"?

Which artistic current is "Study for Currents #26" by Robert Rauschenberg part of?

The movement associated with "Study for Currents #26" by Robert Rauschenberg is Neo Dada. This classification situates the work among related artists and artworks.

At what age did Robert Rauschenberg make "Study for Currents #26"?

Robert Rauschenberg made "Study for Currents #26" at the age of 45. The artist was born in 1925 and the work is dated 1970.

Why is the copyright status of "Study for Currents #26" what it is?

"Study for Currents #26" by Robert Rauschenberg is still protected by copyright. Copyright terms are measured from the artist's death, and Robert Rauschenberg died in 2008.

About the artist, Robert Rauschenberg

Robert Rauschenberg

1925–2008, United States

Robert Rauschenberg

A Life Forged in Transition Robert Rauschenberg, born Milton Ernest Rauschenberg in 1925 amidst the oil-rich landscapes of Port Arthur, Texas, was an artist whose very existence seemed to echo the dynamic energy and transformative spirit he brought to the art world. His childhood wasn’t defined by a single location; his father's profession necessitated a nomadic lifestyle, traversing diverse terrains that subtly instilled within him a receptiveness to varied visual stimuli and a willingness to embrace change. This early exposure fostered a sensibility attuned to the textures and rhythms of American life—an undercurrent profoundly shaping his artistic explorations. Though initially drawn towards pharmacology at the University of Texas, Rauschenberg’s path swiftly diverged, leading him into art – first through necessity during wartime service in the Navy, then with focused study at the Kansas City Art Institute and crucially, at Black Mountain College in North Carolina.

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