1998

Echo Lake (Peter Doig, 1998)

Peter Doig (1959) made Echo Lake. It dates from 1998. It measures 231 × 361 cm.

  • 1998
  • 231 × 361 cm
Echo Lake by Peter Doig, 1998
Echo Lake by Peter Doig, 1998.

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Echo Lake, in brief

Title
Echo Lake
Artist
Peter Doig (1959)
Artist born in
Edinburgh, United Kingdom
Date
1998
Dimensions
231 × 361 cm
Subject
lakes

High-resolution images of Echo Lake

Echo Lake by Peter Doig, 1998
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Credit line

Peter Doig, Echo Lake (1998).

Questions on Echo Lake, answered

When was "Echo Lake" made?

"Echo Lake" by Peter Doig was created in 1998.

What are the dimensions of the original "Echo Lake" by Peter Doig?

The recorded dimensions of "Echo Lake" by Peter Doig are 231 x 361 cm. Reproductions can be ordered in other sizes while keeping the same proportions.

What subjects appear in "Echo Lake" by Peter Doig?

The subjects of "Echo Lake" are lakes.

Is "Echo Lake" free of copyright?

"Echo Lake" by Peter Doig is still protected by copyright. This status governs how the image of the work may be reproduced.

Who is the artist behind "Echo Lake"?

"Echo Lake" was created by Peter Doig. The information on this page describes Peter Doig's original work.

What was Peter Doig's age when "Echo Lake" was created?

Peter Doig was 39 years old when creating "Echo Lake" in 1998. The age is computed from the artist's birth year, 1959.

About the artist, Peter Doig

Peter Doig

1959, United Kingdom

Peter Doig

A Life Painted in Memory: The World of Peter Doig Peter Doig, born in Edinburgh in 1959, is a painter whose work resonates with a quiet power—a haunting beauty that stems from the delicate balance between memory, landscape, and the evocative potential of paint itself. His life has been one of constant relocation, a nomadic existence that profoundly shaped his artistic vision. Early moves took him from Scotland to Trinidad in 1962, followed by Canada in 1966, each shift imprinting upon his developing sensibility a sense of displacement and a fascination with the way places linger within us long after we’ve left them. These weren't fleeting visits; they were immersive experiences that instilled a deep connection to diverse cultural landscapes—the lush tropicality of Trinidad, the stark, snowy vistas of Canada—both becoming recurring motifs in his art.

Also by Peter Doig

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