1984
Titania (Peter Blake, 1984)
Peter Blake (1932) made Titania. It dates from 1984. It measures 25 × 20 cm.
- 1984
- 25 × 20 cm
Titania, in brief
- Title
- Titania
- Artist
- Peter Blake (1932)
- Artist born in
- Dartford, United Kingdom
- Date
- 1984
- Dimensions
- 25 × 20 cm
High-resolution images of Titania
Protected by copyright: these files are for personal reference, not a licence to republish.
Peter Blake, Titania (1984).
Questions on Titania, answered
When was "Titania" made?
"Titania" dates from 1984. The date places the work within Peter Blake's career and its era.
How big is the original "Titania"?
"Titania" measures 25 x 20 cm in its original form. Original dimensions are a useful reference when choosing a reproduction size.
Is "Titania" free of copyright?
"Titania" by Peter Blake is still protected by copyright. This status governs how the image of the work may be reproduced.
Who created "Titania"?
The artist behind "Titania" is Peter Blake. The work is catalogued under Peter Blake's name.
What was Peter Blake's age when "Titania" was created?
Peter Blake made "Titania" at the age of 52. The artist was born in 1932 and the work is dated 1984.
About the artist, Peter Blake
1932, United Kingdom
Peter Blake
A Pioneer of British Pop Art: The World of Peter Blake Born in Dartford, Kent, in 1932, Sir Peter Thomas Blake has indelibly shaped the landscape of British art, emerging as a pivotal figure within the Pop Art movement and beyond. His journey began with formal training at Gravesend Technical College School of Art and culminated in studies at the prestigious Royal College of Art, laying the foundation for a career defined by innovative collage techniques and a profound engagement with popular culture. Blake’s early artistic explorations weren't confined to traditional fine art boundaries; instead, he fearlessly incorporated imagery drawn from the vibrant world around him – advertisements, wrestling matches, music hall entertainment – often blending these elements through dynamic collaged compositions. This willingness to embrace the everyday, to elevate the commonplace to the realm of high art, became a hallmark of his style and a defining characteristic of British Pop Art’s unique identity.