Other · 1930

Rolling Eye Clock (Oswald Moser, 1930)

Oswald Moser made Rolling Eye Clock. It dates from 1930. It belongs to the Other movement. It is kept at National Watch - Clock Museum in Colombia, United States of America.

Rolling Eye Clock by Oswald Moser, 1930, National Watch - Clock Museum
Rolling Eye Clock by Oswald Moser, 1930, National Watch - Clock Museum.

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Rolling Eye Clock, in brief

Title
Rolling Eye Clock
Date
1930
Where to see it
National Watch - Clock Museum, Colombia, United States of America
Movement
Other
Subject
skull art, marble eyes, dark aesthetic, surreal skull, vintage horror, memento mori

Which museum holds Rolling Eye Clock?

National Watch - Clock Museum

Colombia, United States of America

A Journey Through Time: Discovering the National Watch & Clock Museum Step into a world where time stands still – and yet is constantly moving forward – at the National Watch & Clock Museum in Columbia, Pennsylvania. This unique institution offers an unparalleled exploration of horology, the art and science of timekeeping. Located just outside Philadelphia, this museum isn’t merely a repository of clocks; it's a living testament to human ingenuity and a celebration of craftsmanship spanning centuries.

High-resolution images of Rolling Eye Clock

Rolling Eye Clock by Oswald Moser, 1930, National Watch - Clock Museum
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Oswald Moser, Rolling Eye Clock (1930), National Watch - Clock Museum.

Questions on Rolling Eye Clock, answered

Where can I see the original "Rolling Eye Clock" by Oswald Moser?

"Rolling Eye Clock" by Oswald Moser is on display at the National Watch - Clock Museum, Colombia, United States of America. The museum listing refers to the original work, not to reproductions.

When was "Rolling Eye Clock" made?

The creation of "Rolling Eye Clock" by Oswald Moser is dated 1930.

What is "Rolling Eye Clock" about?

"Rolling Eye Clock" by Oswald Moser depicts: skull art, marble eyes, dark aesthetic, surreal skull, vintage horror, memento mori, macabre decor.

Can the image of "Rolling Eye Clock" by Oswald Moser be freely reproduced?

"Rolling Eye Clock" by Oswald Moser is still protected by copyright. This status governs how the image of the work may be reproduced.

Which artist is "Rolling Eye Clock" attributed to?

The artist behind "Rolling Eye Clock" is Oswald Moser. The work is catalogued under Oswald Moser's name.

Which artistic current is "Rolling Eye Clock" by Oswald Moser part of?

"Rolling Eye Clock" by Oswald Moser belongs to the Other movement. This movement provides the stylistic context of the work.

Where does "Rolling Eye Clock" fall in Oswald Moser's career?

"Rolling Eye Clock" belongs to the Other of Oswald Moser's career. This classification relates the work to the artist's development.

How does "Rolling Eye Clock" fit into Oswald Moser's themes and style?

Within Oswald Moser's output, "Rolling Eye Clock" sits in the Other style, alongside the themes of memento mori influence, surrealist undertones, dark romanticism, oswald's macabre vision, moser's obsession with death", exploring mortality, symbolic skull imagery, british gothic tradition.

Where does "Rolling Eye Clock" stand among Oswald Moser's recurring subjects?

"Rolling Eye Clock" depicts skull art, marble eyes, dark aesthetic, surreal skull, vintage horror, memento mori, macabre decor, while Oswald Moser's recorded themes are memento mori influence, surrealist undertones, dark romanticism, oswald's macabre vision, moser's obsession with death", exploring mortality, symbolic skull imagery, british gothic tradition. Comparing the two shows how the work relates to the artist's usual subjects.

About the artist, Oswald Moser

Oswald Moser

Oswald Moser: Weaver of Macabre Beauty Oswald Moser (1874-1953) wasn’t merely an artist; he was a chronicler of the unsettling, a painter who wrestled with mortality and decay, translating their spectral presence onto canvas and into haunting sculptures. Born in London amidst personal tragedy – the early deaths of his brothers casting a long shadow over his childhood – Moser’s artistic journey became inextricably linked to themes of loss, memory, and the inevitable decline of Western civilization. His work, often described as surrealist before the term fully coalesced, possesses an arresting power that continues to resonate with viewers drawn to its melancholic beauty and unsettling realism. Moser’s early life was marked by a rigorous classical education, culminating in studies at St John's Wood Art School.

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