1895
Fields (Maximilien Luce, 1895)
Maximilien Luce (1858–1941) made Fields. It dates from 1895. It measures 24 × 35 cm.
- 1895
- 24 × 35 cm
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Hand Made Oil Painting
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StatsFields, in brief
- Title
- Fields
- Artist
- Maximilien Luce (1858–1941)
- Artist born in
- Paris, France
- Date
- 1895
- Dimensions
- 24 × 35 cm
High-resolution images of Fields
Maximilien Luce, Fields (1895). Public domain.
Questions on Fields, answered
In what year was "Fields" by Maximilien Luce created?
"Fields" dates from 1895. The date places the work within Maximilien Luce's career and its era.
What are the dimensions of the original "Fields" by Maximilien Luce?
The original "Fields" by Maximilien Luce measures 24 x 35 cm.
Can the image of "Fields" by Maximilien Luce be freely reproduced?
Regarding copyright, "Fields" is in the public domain - its copyright has expired.
Who created "Fields"?
"Fields" was created by Maximilien Luce. The information on this page describes Maximilien Luce's original work.
At what age did Maximilien Luce make "Fields"?
Maximilien Luce made "Fields" at the age of 37. The artist was born in 1858 and the work is dated 1895.
Is "Fields" by Maximilien Luce in the public domain, and why?
"Fields" by Maximilien Luce is in the public domain - its copyright has expired. Copyright duration runs from the artist's death, which occurred in 1941.
About the artist, Maximilien Luce
1858–1941, France
Maximilien Luce
A Parisian Soul: The Life and Art of Maximilien Luce Maximilien Luce, born in Paris in 1858, was a painter deeply entwined with the social and artistic currents of his time. His early life, spent amidst the working-class neighborhoods of Montparnasse, instilled within him a sensitivity to the realities of urban existence—a theme that would resonate throughout his prolific career. Initially apprenticed to a wood engraver in 1872, Luce honed a meticulous attention to detail and an appreciation for line and form, skills that would later inform his explorations with color and light. This foundational training wasn’t merely technical; it connected him to a tradition of graphic arts deeply engaged with social commentary, setting the stage for his own politically charged artistic journey.
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