1913

The Hill (Man Ray, 1913)

Man Ray (1890–1976) made The Hill. It dates from 1913. It measures 51 × 61 cm.

  • 1913
  • 51 × 61 cm
The Hill by Man Ray, 1913
The Hill by Man Ray, 1913.

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The Hill: the essentials

Title
The Hill
Artist
Man Ray (1890–1976)
Artist born in
Philadelphia, United States of America
Date
1913
Dimensions
51 × 61 cm

The Hill in high resolution

The Hill by Man Ray, 1913
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Credit line

Man Ray, The Hill (1913).

Questions about The Hill

Are there works similar to "The Hill"?

The Similars page of "The Hill" by Man Ray presents related artworks.

What color intensity does "The Hill" by Man Ray have?

The color intensity of "The Hill" is balanced. Intensity describes how strong the colors appear.

What saturation and intensity does "The Hill" by Man Ray show?

The colors of "The Hill" by Man Ray show a balanced soft saturation with a balanced intensity.

How do contrast and harmony combine in "The Hill"?

The color composition of "The Hill" by Man Ray combines a gentle contrast with a unified palette harmony.

How do I preview a reproduction of "The Hill" by Man Ray?

To preview a reproduction of "The Hill" by Man Ray, open the artwork's Preview page.

Which palette and lead color define "The Hill"?

The color identity of "The Hill" by Man Ray: an earthy palette, dominated by clay (#8c6b4b).

When was "The Hill" made?

"The Hill" by Man Ray was created in 1913.

How many people view "The Hill"?

A Stats page exists for "The Hill". It charts the monthly visits of the artwork and of the artist's other works, with country and language breakdowns.

Is "The Hill" free of copyright?

Regarding copyright, "The Hill" is still protected by copyright.

About the artist, Man Ray

Man Ray

1890–1976, United States of America

Man Ray

A Life Illuminated by Shadows Emmanuel Radnitzky, known to the world as Man Ray, was a restless spirit who defied easy categorization. Born in 1890 in Philadelphia to Russian Jewish immigrant parents, his journey from aspiring painter to pioneering photographer and filmmaker embodies the radical artistic ferment of the early 20th century. The shift from “Manny” Radnitzky to the enigmatic “Man Ray” itself speaks volumes about an artist determined to forge a new identity, one unbound by convention. His family’s move to New York City proved pivotal, exposing him to the burgeoning modernist scene and instilling in him a lifelong fascination with experimentation.

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