Palais De Glace - Champs Elysees (Jules Chéret)
Jules Chéret (1836–1932) made Palais De Glace - Champs Elysees.
Palais De Glace - Champs Elysees, in brief
- Title
- Palais De Glace - Champs Elysees
- Artist
- Jules Chéret (1836–1932)
- Artist born in
- former 11th arrondissement of Paris, France
- Subject
- palaces
High-resolution images of Palais De Glace - Champs Elysees
Jules Chéret, Palais De Glace - Champs Elysees. Public domain.
Questions on Palais De Glace - Champs Elysees, answered
What is "Palais De Glace - Champs Elysees" about?
The themes present in "Palais De Glace - Champs Elysees" by Jules Chéret include palaces. Together they summarize the artwork's subject matter.
Can the image of "Palais De Glace - Champs Elysees" by Jules Chéret be freely reproduced?
"Palais De Glace - Champs Elysees" by Jules Chéret is in the public domain - its copyright has expired. This status governs how the image of the work may be reproduced.
Who created "Palais De Glace - Champs Elysees"?
"Palais De Glace - Champs Elysees" was created by Jules Chéret. The information on this page describes Jules Chéret's original work.
Is "Palais De Glace - Champs Elysees" by Jules Chéret in the public domain, and why?
The copyright status of "Palais De Glace - Champs Elysees" - in the public domain - its copyright has expired - follows from the artist's death in 1932.
About the artist, Jules Chéret
1836–1932, France
Jules Chéret
The Dawn of the Belle Époque: Jules Chéret and the Art of the Modern Poster Jules Chéret, a name synonymous with the vibrant spirit of Paris during the *Belle Époque*, wasn’t merely an artist; he was a revolutionary. Born in 1836 to a family of artisans, his journey from humble beginnings to becoming “the father of the modern poster” is a testament to his innovative spirit and artistic vision. Unlike many artists constrained by formal academic training, Chéret's early education was practical – an apprenticeship with a lithographer at the age of thirteen ignited a passion that would redefine commercial art. This initial exposure wasn’t simply about learning a trade; it was an immersion into the possibilities of mass communication and visual persuasion.