1949
Vase And Table (Joseph Solman, 1949)
Joseph Solman (1909–2008) made Vase And Table. It dates from 1949. It measures 61 × 41 cm.
- 1949
- 61 × 41 cm
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Hand Made Oil Painting
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StatsVase And Table, in brief
- Title
- Vase And Table
- Artist
- Joseph Solman (1909–2008)
- Artist born in
- Vitebsk, Belarus
- Date
- 1949
- Dimensions
- 61 × 41 cm
High-resolution images of Vase And Table
Protected by copyright: these files are for personal reference, not a licence to republish.
Joseph Solman, Vase And Table (1949).
Questions on Vase And Table, answered
What is the creation date of "Vase And Table" by Joseph Solman?
The creation of "Vase And Table" by Joseph Solman is dated 1949.
What are the dimensions of the original "Vase And Table" by Joseph Solman?
The original "Vase And Table" by Joseph Solman measures 61 x 41 cm.
Can the image of "Vase And Table" by Joseph Solman be freely reproduced?
The copyright answer for "Vase And Table" by Joseph Solman: the work is still protected by copyright. This determines whether reproductions of the image may be freely made.
Who created "Vase And Table"?
"Vase And Table" was created by Joseph Solman. The information on this page describes Joseph Solman's original work.
At what age did Joseph Solman make "Vase And Table"?
When "Vase And Table" was created in 1949, Joseph Solman - born in 1909 - was 40 years old.
Why is the copyright status of "Vase And Table" what it is?
"Vase And Table" by Joseph Solman is still protected by copyright. Copyright terms are measured from the artist's death, and Joseph Solman died in 2008.
About the artist, Joseph Solman
1909–2008, Belarus
Joseph Solman
The Soul of the Urban Canvas: The Life and Legacy of Joseph Solman Born amidst the shifting tides of the Russian Empire in Vitebsk on January 25, 1909, Joseph Solman’s journey to becoming a cornerstone of American Expressionism was one defined by movement and profound observation. His early years were marked by the upheaval of fleeing the Cossacks, a transition that eventually brought his family to the shores of America. This sense of displacement and the subsequent immersion into the vibrant, chaotic energy of New York City would later become the lifeblood of his art. Even as a young adolescent, Solman possessed an unwavering clarity regarding his vocation, recognizing that his true purpose lay in the meticulous study of the human condition through the tip of a brush.
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