1989
Untitled (George Condo, 1989)
George Condo (1957) made Untitled. It dates from 1989. It measures 232 × 118 cm.
- 1989
- 232 × 118 cm
Untitled: the essentials
- Title
- Untitled
- Artist
- George Condo (1957)
- Artist born in
- Concord, United States
- Date
- 1989
- Dimensions
- 232 × 118 cm
Untitled in high resolution
George Condo, Untitled (1989).
Questions about Untitled
What is the format of "Untitled"?
"Untitled" by George Condo is a portrait composition. The proportions are worth checking before choosing a print size.
What are the author and date of "Untitled"?
George Condo made "Untitled" in 1989.
What color intensity does "Untitled" by George Condo have?
The color intensity of "Untitled" is balanced. Intensity describes how strong the colors appear.
Which palette and lead color define "Untitled"?
The color identity of "Untitled" by George Condo: a neutrals palette, dominated by espresso (#48443d).
How do I preview a reproduction of "Untitled" by George Condo?
To preview a reproduction of "Untitled" by George Condo, open the artwork's Preview page.
Which color stands out most in "Untitled"?
The dominant color of "Untitled" by George Condo is espresso (#48443d).
What size is "Untitled" by George Condo in real life?
"Untitled" measures 232 x 118 cm in its original form. Original dimensions are a useful reference when choosing a reproduction size.
How saturated is the palette of "Untitled"?
The colors of "Untitled" by George Condo have a muted saturation. Saturation describes how vivid or muted the colors are.
What is the dominant hue of "Untitled" by George Condo?
"Untitled" leans toward an ochre to sepia tone.
About the artist, George Condo
1957, United States
George Condo
A Synthesis of Past and Present: The World of George Condo Born in Concord, New Hampshire, in 1957, George Condo emerged as a pivotal figure in contemporary art by forging an entirely unique visual language—one he himself termed “Artificial Realism.” This wasn’t merely a stylistic choice; it was a philosophical stance, a deliberate fusion of the revered techniques of Old Master painting with the vibrant, often chaotic energy of American pop culture. Condo's early life laid the groundwork for this synthesis. His academic pursuits at the University of Massachusetts Lowell encompassed both art history and music theory, fostering an appreciation for formal structure alongside a sensitivity to rhythm and composition. This musical inclination manifested in his involvement with the Boston punk scene as a bassist for The Girls, a band whose experimental sound foreshadowed the boundary-pushing spirit that would define his artistic career.