Untitled (936) (Alexandre de Riquer)

Alexandre de Riquer (1856–1920) made Untitled (936).

Untitled (936) by Alexandre de Riquer
Untitled (936) by Alexandre de Riquer. Public domain.

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Untitled (936), in brief

Title
Untitled (936)
Artist
Alexandre de Riquer (1856–1920)
Artist born in
Catalonia, Spain

High-resolution images of Untitled (936)

Untitled (936) by Alexandre de Riquer
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Public domain: the artist died in 1920.

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Credit line

Alexandre de Riquer, Untitled (936). Public domain.

Questions on Untitled (936), answered

Is "Untitled (936)" by Alexandre de Riquer in the public domain?

"Untitled (936)" by Alexandre de Riquer is in the public domain - its copyright has expired. This status governs how the image of the work may be reproduced.

Who is the artist behind "Untitled (936)"?

The artist behind "Untitled (936)" is Alexandre de Riquer. The work is catalogued under Alexandre de Riquer's name.

What explains the copyright situation of "Untitled (936)" by Alexandre de Riquer?

The copyright status of "Untitled (936)" - in the public domain - its copyright has expired - follows from the artist's death in 1920.

About the artist, Alexandre de Riquer

Alexandre de Riquer

1856–1920, Spain

Alexandre de Riquer

A Life Woven in Art and Intellect Alexandre de Riquer i Ynglada, 7th Count of Casa Dávalos, was more than just an artist; he embodied a confluence of aristocratic lineage, intellectual curiosity, and artistic innovation that defined the Catalan Modernisme movement. Born in Calaf, Catalonia, in 1856, his life unfolded against a backdrop of political tension – his father, Martí de Riquer, being a prominent Carlist leader – yet was simultaneously nurtured by a mother, Elisea Ynglada, who fostered a deep appreciation for art and literature within the family. This duality shaped Riquer’s path, imbuing him with both a sense of tradition and a restless desire to forge new artistic expressions. His early education in France, first in Béziers and later at the School of Fine Arts in Toulouse, provided a foundational grounding in French artistic traditions, but it was his return to Barcelona and studies at La Llotja that truly ignited his creative spirit under the mentorship of figures like Tomas Padro, Claudi Lorenzale, and particularly Antoni Caba.

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