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          the collector's folio

          Lili Reynaud-Dewar Most Popular Paintings

          The 3 artworks by Lili Reynaud-Dewar our visitors look at most, ranked by popularity and presented one by one.

          Edition 2026 · 3 artworks Each artwork painted to order
          Linen canvas · Certificate of authenticity · Delivered worldwide Lili Reynaud-Dewar · born 1975

          My Epidemic (Small Bad Blood Opera) (2015)

          2015 · la Biennale di Venezia, Venice

          Lili Reynaud-Dewar’s ‘My Epidemic’ – a sculptural opera exploring sex, responsibility & activism. A layered installation blending performance, music & provocative text.

          View the most popular artwork of Lili Reynaud-Dewar ranked #1: My Epidemic (Small Bad Blood Opera)
          Art Movement
          Contemporary Installation
          Color Palette
          Earthy
          Technique
          Hand-painted oil on linen canvas
          Made
          To order, by a trained painter
          Popularity
          No. 1 of 3 artworks by Lili Reynaud-Dewar
          Delivery
          Worldwide, about 5 weeks
          from$20039 × 26 cm Commission this artwork

          My Epidemic (Small Bad Blood Opera)

          2015 · la Biennale di Venezia, Venice

          Explore 'My Epidemic' by Lili Reynaud-Dewar – a provocative sculptural opera blending performance, music & text. A layered exploration of sex, responsibility & activism through striking visuals and sound.

          View the most popular artwork of Lili Reynaud-Dewar ranked #2: My Epidemic (Small Bad Blood Opera)
          Art Movement
          Contemporary Installation
          Color Palette
          Earthy
          Technique
          Hand-painted oil on linen canvas
          Made
          To order, by a trained painter
          Popularity
          No. 2 of 3 artworks by Lili Reynaud-Dewar
          Delivery
          Worldwide, about 5 weeks
          from$20039 × 26 cm Commission this artwork

          I am intact and I don't care (2013)

          2013
          View the most popular artwork of Lili Reynaud-Dewar ranked #3: I am intact and I don't care
          Color Palette
          Pastels
          Technique
          Hand-painted oil on linen canvas
          Made
          To order, by a trained painter
          Popularity
          No. 3 of 3 artworks by Lili Reynaud-Dewar
          Delivery
          Worldwide, about 5 weeks
          from$20039 × 26 cm Commission this artwork
          The artist

          Lili Reynaud-Dewar

          born 1975

          Portrait of Lili Reynaud-Dewar
          Quick facts
          • Color intensitymonochromatic
          • Also known asLily Reynaud, Lili Reynaud, Lili Reynaud Dewar
          • Top 3 worksMy Epidemic (Small Bad Blood Opera), I am intact and I don't care
          • Copyright statusUnder copyright
          • Born1975, La Rochelle, France
          Biography

          The Boundaries of Biography: The Multidimensional World of Lili Reynaud-Dewar

          Born in the coastal French city of La Rochelle in 1975, Lili Reynaud-Dewar has emerged as one of the most vital and provocative voices in contemporary art. Her practice does not merely exist within a single medium; rather, it breathes through a fluid intersection of performance, sculpture, film, and text. To encounter her work is to enter a space where the personal and the political collide, where the intimate details of an individual life are used to interrogate much larger societal structures. Reynaud-Dewar’s artistic journey is defined by an obsession with the boundaries of biography—the thin, often permeable line between what we know of ourselves and how history, race, and gender attempt to define us.

          Her intellectual foundation is as diverse as her artistic output. Before fully committing to the visual arts, she pursued studies in public law at the Université Paris I Panthéon Sorbonne, a discipline that likely sharpened the analytical rigor found in her conceptual explorations. This legal precision is balanced by a deep-seated connection to movement, rooted in her early training in classical ballet at the La Rochelle Conservatory. It was during her time at the Glasgow School of Art, where she earned her Master in Fine Arts, that her practice truly began to coalesce. In the vibrant, artist-led scene of Glasgow, she found the freedom to merge art criticism with sculptural installation and performance, developing a voice that is as much about the act of witnessing as it is about the creation of objects.

          A Tapestry of Performance and Resistance

          Reynaud-Dewar’s work often functions as a theatrical stage for exploring the complexities of identity. She does not view history as a static collection of facts, but as a living, breathing entity that can be reconfigured through performance. Her installations frequently serve as elaborate sets for choreographed actions, where the body becomes a site of resistance and reclamation. By drawing on autobiographical material and weaving it together with the lives of transgressive historical figures—such as Josephine Baker or Guillaume Dustan—she creates a dialogue between the self and the collective memory.

          This method of "politicized vaudevillian theatre" allows her to tackle sensitive and often uncomfortable subjects, including racial politics, sexual emancipation, and feminist struggle. Her filmic works and dance video series push the limits of movement, using the camera to capture the tension between physical presence and historical absence. In projects like Black Mariah and Cleda’s Chairs, she confronts the weight of social legacies, utilizing a layered approach that blends music, provocative text, and striking visuals to provoke deep, often unsettling, dialogue within the viewer.

          Legacy and Global Impact

          The significance of Lili Reynaud-Dewar’s contribution to contemporary art lies in her ability to make the ephemeral feel monumental. Her work has resonated across the most prestigious institutions in the world, marking her as a central figure in the global art discourse. Her career is punctuated by landmark exhibitions that have challenged the boundaries of what installation art can achieve:

          • The Venice Biennale: Her participation in the 56th Venice Biennale solidified her international standing.
          • New Museum, New York: A major solo exhibition that brought her complex explorations of biography to a global audience.
          • Centre Pompidou and Palais de Tokyo: Frequent presence in these premier French institutions highlights her role in shaping the contemporary French art landscape.
          • International Biennales: Significant contributions to the Berlin, Lyon, Marrakech, and Gwangju Biennales demonstrate the universal reach of her thematic inquiries.

          Today, living and working between Grenoble and Geneva, Reynaud-Dewar continues to evolve, refusing to be pinned down by any single definition. Whether she is producing sculptural operas like My Epidemic or engaging in academic roles as a professor, her mission remains unchanged: to use the tools of art to navigate the shifting figures of identity in an increasingly globalized and complex world. Her work stands as a testament to the power of the artist to transform history into a forward-looking, speculative, and deeply human narrative.

          Questions & Answers

          What are the birthplace and birth year of Lili Reynaud-Dewar?

          Lili Reynaud-Dewar was born in La Rochelle in 1975.

          How do I find all works by Lili Reynaud-Dewar in a given medium?

          Lili Reynaud-Dewar's works can be browsed by medium on the artist's All Medium page.

          What colors did Lili Reynaud-Dewar use most often?

          Lili Reynaud-Dewar's use of color across the works listed on this website can be studied on the artist's Palette Genome page.

          By the OriginalUniqueArt.com Editorial Team Updated July 13, 2026
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