Portrait of Gerrit Rietveld

The 3 Most Famous Gerrit Rietveld Paintings, a Gallery Selection

Updated October 2026 · ranked by our popularity score (searches, visits and orders for each work) · 3 works by Gerrit Rietveld in our catalogue

In short

Of all the originals Gerrit Rietveld left, the most famous is O Haupt voll Blut und Wunden (1911), in the collection of the Centraal Museum, Utrecht. Close behind it come Portrait of Anthonie Begeer (1856-1910) (1910) and Red/Blue Chair (Rood Blauwe Stoel). Our catalog holds 3 works by Gerrit Rietveld; the gallery has kept the 3 the world admires most, each shown with its date, its museum and its story.

1888 – 1964, Utrecht Most works: Centraal Museum

Gerrit Rietveld's top 10 paintings: the gallery's choice

3
Red/Blue Chair (Rood Blauwe Stoel) by Gerrit Rietveld

Red/Blue Chair (Rood Blauwe Stoel)

· High Museum of Art, Atlanta

The Red/Blue Chair is perhaps the most influential and recognizable furniture design of the twentieth century because it redefined traditional notions of form and space within the confines of a practical household object. This design blurred the boundaries between painting, sculpture, and architecture. By reducing form to a series of planes and boundaries delineating space but not containing it, Rietveld erased the isolation of the object in space and gave…

The museums that keep Gerrit Rietveld's originals

The 2 museums that hold the most of the paintings on this page.

Museum City Works by Gerrit Rietveld Paintings from this list
Centraal Museum, UtrechtCentraal Museum Utrecht 2 O Haupt voll Blut und Wunden, Portrait of Anthonie Begeer (1856-1910)
High Museum of Art, AtlantaHigh Museum of Art Atlanta 1 Red/Blue Chair (Rood Blauwe Stoel)

Gerrit Rietveld year by year: the originals that define each

From 1910 to 1911, just 2 years, come all the dated Gerrit Rietveld works in this selection: here is each year at its finest.

Works per year

Pick a year to see its originals.

Collectors' questions about Gerrit Rietveld's paintings

Which work is Gerrit Rietveld most famous for?Reveal the answer

O Haupt voll Blut und Wunden (1911), Centraal Museum, Utrecht. Portrait of Anthonie Begeer (1856-1910) (1910) and Red/Blue Chair (Rood Blauwe Stoel) come next.

What age was Gerrit Rietveld when O Haupt voll Blut und Wunden was made?Reveal the answer

23 years old: O Haupt voll Blut und Wunden dates from 1911, and Gerrit Rietveld was born in 1888.

How many paintings did Gerrit Rietveld leave?Reveal the answer

Our catalog holds 3 works by Gerrit Rietveld, dated from 1910 to 1911.

In which museums do Gerrit Rietveld's masterpieces hang?Reveal the answer

Mostly in Centraal Museum (Utrecht) and High Museum of Art (Atlanta). The museum table above lists them all.

What are the first and the last famous originals of Gerrit Rietveld?Reveal the answer

On this page, the earliest is Portrait of Anthonie Begeer (1856-1910) (1910) and the latest O Haupt voll Blut und Wunden (1911).

Which Gerrit Rietveld works hang at the Centraal Museum?Reveal the answer

O Haupt voll Blut und Wunden and Portrait of Anthonie Begeer (1856-1910): the Centraal Museum, Utrecht holds 2 of the works on this page.

Gerrit Rietveld: life and work

The Artisan's Lineage and the Birth of Modernity

In the heart of Utrecht, where the scent of fresh sawdust and the rhythmic strike of a mallet once defined the daily rhythm, Gerrit Thomas Rietveld began his journey. Born in 1888 to a master joiner, his early years were steeped in the tactile language of wood and the disciplined precision of craftsmanship. This foundational intimacy with material was not merely a childhood memory but the very bedrock upon which he would later build a revolution. Before he ever sought to deconstruct form into abstract planes, Rietveld mastered the physical reality of the joint and the grain, honing his technical skills through night school and professional draughtsmanship. This marriage of manual dexterity and academic rigor allowed him to translate the most complex, abstract concepts into tangible, structural realities.

The Geometry of Spirit: De Stijl and the Red/Blue Chair

As the twentieth century unfolded, a radical new vision began to coalesce, one that sought to strip away the ornamental excesses of the past in favor of a pure, elemental truth. Rietveld emerged as a vital protagonist in the De Stijl movement, a group of visionaries who believed that art could be reduced to its most fundamental components: horizontal and vertical lines, and the primary triad of red, blue, and yellow. His 1917 creation, the Red/Blue Chair, stands as a profound manifesto in three dimensions. It is not merely furniture; it is a sculptural intersection of planes that defies the traditional weight of an object. By utilizing cantilevered elements and bold, primary colors, Rietveld transformed a functional household item into a dynamic exploration of space, where the boundaries between painting, sculpture, and architecture began to dissolve.

Architectural Fluidity and a Lasting Legacy

Rietveld’s ambitions eventually transcended the confines of the workshop, spilling into the very structures that house human life. His architectural masterpiece, the Rietveld Schröder House, remains one of the most radical expressions of modern living ever conceived. In this Utrecht landmark, he abandoned the static, enclosed room in favor of a fluid, metamorphic environment. Through the ingenious use of sliding walls and open planes, he created a space that could breathe and change, mirroring the dynamism of the modern age. This vision of functionalism—where beauty is found in clarity, structure, and the honest expression of form—has left an indelible mark on the history of design. From his interactions with the Bauhaus to his enduring influence on geometric abstraction, Rietveld’s legacy continues to resonate, reminding us that true innovation lies in the courage to see the world through its most essential, unadorned lines.