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          • Most Popular Paintings
          the collector's folio

          Artus I Quellinus Most Popular Paintings

          The 11 paintings by Artus I Quellinus our visitors ask for most, ranked by popularity and presented plate by plate, with the specification of each hand-painted reproduction.

          Hand painted in oil Edition 2026 · 11 plates Each plate painted to order
          Linen canvas · Certificate of authenticity · Delivered worldwide Artus I Quellinus · 1653 – 1686
          The Judgment of Brutus: Justice (1651) — Artus I Quellinus
          Plate 01

          The Judgment of Brutus: Justice

          1651 · Rijksmuseum, Amsterdam · original 73 x 83 cm
          Technique
          Hand-painted oil on linen canvas
          Made
          To order, by a trained painter
          Sizes
          From 34 × 30 cm, any size up to 250 cm
          Delivery
          Worldwide, about 5 weeks
          from$200 Commission this plate
          The Judgment of Brutus: Justice (detail) (1651) — Artus I Quellinus
          Plate 02

          The Judgment of Brutus: Justice (detail)

          1651 · Rijksmuseum, Amsterdam
          Technique
          Hand-painted oil on linen canvas
          Made
          To order, by a trained painter
          Sizes
          From 29 × 35 cm, any size up to 250 cm
          Delivery
          Worldwide, about 5 weeks
          from$200 Commission this plate
          Reliefs in the Tribunal (1651) — Artus I Quellinus
          Plate 03

          Reliefs in the Tribunal

          1651 · Town Hall, Amsterdam
          Technique
          Hand-painted oil on linen canvas
          Made
          To order, by a trained painter
          Sizes
          From 38 × 26 cm, any size up to 250 cm
          Delivery
          Worldwide, about 5 weeks
          from$200 Commission this plate
          St Peter (1658) — Artus I Quellinus
          Plate 04

          St Peter

          1658 · Musées Royaux des Beaux-Arts, Brussels
          Technique
          Hand-painted oil on linen canvas
          Made
          To order, by a trained painter
          Sizes
          From 22 × 45 cm, any size up to 250 cm
          Delivery
          Worldwide, about 5 weeks
          from$200 Commission this plate
          Portrait of Johan de Witt (1665) — Artus I Quellinus
          Plate 05

          Portrait of Johan de Witt

          1665 · Dordrechts Museum, Dordrecht
          Technique
          Hand-painted oil on linen canvas
          Made
          To order, by a trained painter
          Sizes
          From 28 × 35 cm, any size up to 250 cm
          Delivery
          Worldwide, about 5 weeks
          from$200 Commission this plate
          Element Fire Eastside (1655) — Artus I Quellinus
          Plate 06

          Element Fire Eastside

          1655 · Royal Palace Amsterdam, Amsterdam
          Technique
          Hand-painted oil on linen canvas
          Made
          To order, by a trained painter
          Sizes
          From 27 × 37 cm, any size up to 250 cm
          Delivery
          Worldwide, about 5 weeks
          from$200 Commission this plate
          Mater Dolorosa (1650) — Artus I Quellinus
          Plate 07

          Mater Dolorosa

          1650 · Sint-Jacobskerk, Antwerp
          Technique
          Hand-painted oil on linen canvas
          Made
          To order, by a trained painter
          Sizes
          From 23 × 43 cm, any size up to 250 cm
          Delivery
          Worldwide, about 5 weeks
          from$200 Commission this plate
          Pietà (1660) — Artus I Quellinus
          Plate 08

          Pietà

          1660 · Onze-Lieve Vrouwekathedraal, Antwerp
          Technique
          Hand-painted oil on linen canvas
          Made
          To order, by a trained painter
          Sizes
          From 27 × 37 cm, any size up to 250 cm
          Delivery
          Worldwide, about 5 weeks
          from$250 Commission this plate
          Inaugural Stone (1648) — Artus I Quellinus
          Plate 09

          Inaugural Stone

          1648 · Royal Palace Amsterdam, Amsterdam
          Technique
          Hand-painted oil on linen canvas
          Made
          To order, by a trained painter
          Sizes
          From 27 × 37 cm, any size up to 250 cm
          Delivery
          Worldwide, about 5 weeks
          from$200 Commission this plate
          Luis de Benavides (1664) — Artus I Quellinus
          Plate 10

          Luis de Benavides

          1664 · Koninklijk Museum voor Schone Kunsten, Antwerp
          Technique
          Hand-painted oil on linen canvas
          Made
          To order, by a trained painter
          Sizes
          From 27 × 37 cm, any size up to 250 cm
          Delivery
          Worldwide, about 5 weeks
          from$200 Commission this plate
          Saturn (1654) — Artus I Quellinus
          Plate 11

          Saturn

          1654 · Royal Palace Amsterdam, Amsterdam
          Technique
          Hand-painted oil on linen canvas
          Made
          To order, by a trained painter
          Sizes
          From 28 × 36 cm, any size up to 250 cm
          Delivery
          Worldwide, about 5 weeks
          from$225 Commission this plate
          Portrait of Artus I Quellinus
          The artist

          Artus I Quellinus

          The Silent Master of the Baroque: The Life and Legacy of Artus Quellinus III

          In the grand, sweeping tapestry of the seventeenth-century Baroque movement, certain names shine with a blinding brilliance, while others linger in the shadows, their contributions felt through the profound impact they left on the masters who followed. Artus Quellinus III, often known in the English-speaking world as Arnold Quellin, belongs to that evocative category of artists whose presence is etched into the very stone and wood of history, even if his personal biography remains partially veiled by time. Born in 1653 into a prestigious Flemish lineage, Quellinus was far more than a mere craftsman; he was a vital conduit of the Antwerp sculptural tradition, bringing the dramatic intensity of the Southern Netherlands to the burgeoning artistic landscape of London.

          His early years were steeped in the rich, tactile atmosphere of his father’s workshop. As the son of Art/us Quellinus II, a sculptor of significant renown, and Anna Maria Gabron, he was raised amidst the scent of damp clay and the rhythmic sound of chisels meeting marble. This formative period in Antwerp provided him with an unparalleled education, rooted in the meticulous realism and emotional dynamism that defined the High Baroque. Through his father’s mentorship, Quellinus mastered the ability to breathe life into inanimate matter, learning how to manipulate light and shadow across a surface to evoke movement and profound human sentiment.

          A Transatlantic Artistic Journey

          The trajectory of Quellinus’s life took a transformative turn around 1680, as he followed the currents of the Flemish diaspora toward England. This migration was not merely a change in geography but a pivotal moment in the evolution of English sculpture. Upon arriving in London, Quellinus found himself part of a vibrant community of continental artists eager to redefine the aesthetic standards of the English court. It was during this period that his name became inextricably linked with one of the most celebrated figures in English art history: Grinling Gibbons.

          The collaboration between Quellinus and Gibbons remains one of the most fascinating enigmas of the Baroque era. Working in partnership on various prestigious commissions, their styles merged to create works of such exquisite detail and complexity that modern scholars often struggle to distinguish where one hand ends and the other begins. This period of intense creativity saw the production of altarpieces and portrait busts that embodied the grandeur of the age. There is a poignant scholarly theory suggesting that Quellinus’s heavy lifting in producing large-scale figurative works was so essential that his untimely death in 1686 led to a noticeable decline in the sheer sculptural scale of Gibbons's later workshop output.

          Artistic Significance and Enduring Influence

          Though his career was tragically cut short by his death in December 1686, the impact of Artus Quellinus III resonates through the halls of historical monuments. His work represents a bridge between the robust, fleshy traditions of the Flemish masters and the more refined, delicate sensibilities that would come to define English decorative arts. To examine his surviving works is to witness a masterclass in:

          • Dramatic Realism: The ability to capture the subtle textures of skin, fabric, and hair with startling accuracy.
          • Baroque Dynamism: A profound understanding of composition that utilizes swirling forms and theatrical lighting to command the viewer's attention.
          • Collaborative Excellence: The capacity to integrate his distinct Flemish training into a broader, international style that elevated the prestige of London’s artistic scene.

          Ultimately, Artus Quellinus III stands as a testament to the power of artistic lineage and the enduring strength of shared vision. While he may be remembered by some as a silent collaborator, his true legacy is found in the permanence of his art—in the silent, powerful grace of the statues and busts that continue to tell the story of an era defined by splendor, devotion, and the pursuit of perfection.

          Questions & Answers

          In which historical period did Artus I Quellinus work?

          Artus I Quellinus worked in the Early-Modern period. The period situates the artist's activity in history.

          Can I browse Artus I Quellinus's works by movement?

          The All Movements page groups Artus I Quellinus's artworks by art movement.

          Is there a complete list of Artus I Quellinus's artworks?

          Every work by Artus I Quellinus on this website can be browsed from the artist's All Artworks page.

          By the OriginalUniqueArt.com Editorial Team Updated Sept. 22, 2026
          Artus I Quellinus
          Quick facts
          • Lifespan33 years
          • Born1653
          • Copyright statusPublic domain
          • Top-ranked workThe Judgment of Brutus: Justice
          • Top 3 worksThe Judgment of Brutus: Justice, The Judgment of Brutus: Justice (detail), Reliefs in the Tribunal
          • Died1686
          Collector's quiz
          1. Where was Artus Quellinus III born?

          2. Who was Artus Quellinus III's father?

          3. With whom did Artus Quellinus III collaborate on the Whitehall Palace altarpiece?

          4. What was Artus Quellinus III's wife's name?

          5. In which London institution did Artus Quellinus III work as a sculptor?

          one You choose the size

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          two We paint and send a preview

          A photo of the finished canvas for your approval before it is shipped.

          three Delivered, certified

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          Commission your Artus I Quellinus

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          All artworks by Artus I Quellinus
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