Formát papíru

Průvodce studentskou tvorbou

John Bright

Jméno Ročník Datum

Lowes Cato Dickinson, John Bright (1873), Touchstones Rochdale Arts And Heritage Centre. Právo veřejné domény Podívejte se na toto plátno v pohyblivém světle: kresbu, skutečnou barvu pod lakem i čistý pigment

Zásadní informace

Autor
Lowes Cato Dickinson originaluniqueart.com/cs/artists/lowes-cato-dickinson_cs/
Datum vzniku díla
1819 – 1908
Malováno
1873
Původní rozměry
237 x 147 cm
Místo konání
Touchstones Rochdale Arts And Heritage Centre originaluniqueart.com/cs/museums/touchstones-rochdale-arts-and-heritage-centre-rochdale/

V kontextu

John Bright — Lowes Cato Dickinson

Rozměry

Původní rozměry jsou 237 × 147 cm (výška × šířka), zde zobrazeno vedle dospělé osoby průměrné výšky. Je příliš velký na to, aby mohl být na této stránce zobrazen v měřítku.

Kdy bylo toto dílo vytvořeno?

  1. 1810
  2. 1820
  3. 1830
  4. 1840
  5. 1850
  6. 1860
  7. 1870
  8. 1880
  9. 1890
  10. 1900

Horní řada: roky. Dolní řada: věk umělce na začátku a na konci každého období — 0 při narození, 89 při smrti.

Vymalováno v době, kdy bylo umělci 54 let. Umělec dožil se 89 let. 17 z celkových 60 děl tohoto umělce v našem katalogu je datováno dříve.

Shaded: životopis Lowes Cato Dickinson (1819–1908) ▲ toto dílo, 1873 každý obraz s datem vzniku, dekáda po dekádě

První díla: až do 1869 Hlavní období tvůrčí činnosti: 1869–1890 Pozdní díla: od 1890

Tyto tři pásma rozdělují díla v tomto katalogu, která mají uvedené datum, na první čtvrtinu, prostřední polovinu a poslední čtvrtinu. Nejedná se o kompletní tvorbu daného umělce: úzká pásma mohou představovat spíše mezery v záznamech než období nečinnosti. Ty samé roky, v nichž se odehrává život umělce

Podobná díla

Vyberte si jedno z výše uvedených děl: uveďte dvě věci, které má společné s tímto dílem, a jednu věc, ve které se liší.

Další díla, která se k tomuto hodí: originaluniqueart.com/cs/art/similar/lowes-cato-dickinson-john-bright-AQRNKX-en/

Paleta barev

Určeno podle obrazu

    Hlavní barva

    Phthalo Green #342508

    Uložená paleta

    • #342508
    • #784E3D
    • #3F3028
    • #E6A075

    Tyto barvy v rámci celé umělecké palety Najděte další obrazy podle barvy

    Paleta
    Earthy Dominantní barevná rodina na obrázku.
    Název hlavní barvy
    Phthalo Green
    Sytost
    Monochromatic Jak nasycené a rozmanité barvy jsou, od jediného tlumeného odstínu až po mnoho jasných tónů.
    Kontrast
    Serene Jak moc se barvy v rámci obrazu liší v jasnosti a sytosti.
    Harmonie
    Strong Color Unity Jak dobře barvy spoluladí, od kontrastních až po plně harmonické.
    Jasnost
    Deep_shadow Jak moc je obraz celkově světlý nebo tmavý, od hlubokého stínu až po jasný světelný vrchol.
    Nasycení
    Subtle Color Jak čisté a syté jsou tyto barvy, od téměř šedých až po plně živé.

    Kde na světě se na tento obraz dívají lidé?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% a více
    Tento obraz sám o sobě nemá pro zmapování dostatek zaznamenaných návštěvníků, proto tato deska obsahuje všechna díla autora Lowes Cato Dickinson za posledních dvanáct měsíců — celkem 6 zemí. Odkud tyto údaje pocházejí

    Deset předních zemí

    1. 1 Čína 68,1%
    2. 2 Řecko 22,2%
    3. 3 Spojené státy americké 4,2%
    4. 4 Spojené království 2,8%
    5. 5 Hongkong 1,4%
    6. 6 Singapur 1,4%

    Najděte na mapě tři nejtmavší země. Nachází se muzeum, které toto malířské dílo uchovává, v některé z nich? Napište jeden důvod, proč by se na něj mohli dívat lidé z dalekých krajin.

    20 nejvíce prohlížených děl umělce Lowes Cato Dickinson

    1. 1 Gladstone's Cabinet of 1868, 1874 18,1%
    2. 2 James Clerk Maxwell, Fellow, Physicist, 1891 4,2%
    3. 3 Henry Sidgwick, Fellow, Philosopher and Knightsbridge Professor, 1902 4,2%
    4. 4 Sir Henry James Sumner Maine (1822–1888), 1890 4,2%
    5. 5 Henry Wilkinson Cookson, Master (1847–1876), 1876 4,2%
    6. 6 Výborně, tady je překlad názvu díla do češtiny: **The Right Honourable Hugh McCalmont Cairns (1819–1885) , 1st Earl Cairns, PC, QC, DCL** – Vznešený Hugh McCalmont Cairns (1819–1885), 1. vévodství Cairns, PC, QC, DCL, 1876 4,2%
    7. 7 Edmund Law Lushington, 1876 4,2%
    8. 8 John Bright (1811–1889), 1873 4,2%
    9. 9 Charles Barry Junior (1823–1900), PRIBA, 1880 4,2%
    10. 10 George Sclater Booth, Lord Basing 4,2%
    11. 11 General the Right Honourable Robert Cornellis (1810–1890), Baron the Lord Napier of Magdala, GCB, GCSI, Governor of Gibraltar (1876–1883), 1889 2,8%
    12. 12 The Constable of the Tower (General the Right Honourable Robert Cornellis, 1810–1890, Baron the Lord Napier of Magdala, GCB, GCSI, Governor of Gibraltar, 1876–1883), 1890 2,8%
    13. 13 Thomas Hare, 1867 2,8%
    14. 14 John Richardson Selwyn, DD, Bishop, Master, 1898 2,8%
    15. 15 Henry Wilkinson Cookson, 1875 2,8%
    16. 16 The Reverend Joseph Waite (1824–1908), DD, 1874 2,8%
    17. 17 The Lawn at Goodwood, 1886 2,8%
    18. 18 Arthur Penrhyn Stanley, 1850 1,4%
    19. 19 Charles Kingsley, 1862 1,4%
    20. 22 John Bright, 1873 tento obraz 1,4%

    Tyto práce společně tvoří 79,7% veškeré pozornosti, kterou obrazy tohoto umělce obdržely za posledních dvanáct měsíců. Katalog obsahuje 74 děl tohoto umělce, z nichž 35 byla prohlédnuta alespoň jednou. Tento obraz se v tomto žebříčku nachází na 22 místě, přičemž si připravuje 1,4% této pozornosti. Stále stejné, měsíc po měsíci

    Sloupce měří pozornost, nikoliv kvalitu. Vyberte dílo na vrcholu a toto: uveďte jednu věc, která by mohla způsobit, že si obraz získá slávu mimo to, jak je vymalovaný.

    O tomto uměleckém díle

    John Bright — Lowes Cato Dickinson

    The painting John Bright by Lowes Cato Dickinson is a masterpiece that showcases the artist's exceptional skill in capturing the essence of his subjects. Created in 1873, this oil on canvas portrait measures 237 x 147 cm and is currently housed at the Touchstones Rochdale Arts And Heritage Centre in Rochdale, United Kingdom.

    A Glimpse into the Life of John Bright

    John Bright was a prominent figure in British politics, known for his advocacy of free trade and social reform. The painting depicts him sitting in a chair with his hands clasped together, exuding an air of calmness and thoughtfulness. The background features a bookshelf filled with books, which adds an intellectual touch to the scene.

    The Artistic Style of Lowes Cato Dickinson

    Lowes Cato Dickinson was a renowned English portrait painter and Christian socialist. His artistic style is characterized by attention to detail and a deep understanding of his subjects. The painting John Bright is a testament to his skill in capturing the likeness and personality of his sitters.

    The use of oil on canvas allows for a level of depth and texture that brings the subject to life.

    The composition of the painting, with the subject seated and surrounded by books, creates a sense of intimacy and intellectualism.

    The artist's attention to detail is evident in the intricate folds of the subject's clothing and the subtle expression on his face.

    Handmade oil paintings reproductions of John Bright are available at https://AllPaintingsStore.com, allowing art lovers to own a piece of history. For more information on Lowes Cato Dickinson and his works, visit https://AllPaintingsStore.com or Wikipedia: https://en.wikipedia.org/wiki/Lowes_Cato_Dickinson.

    The painting John Bright is a significant work by Lowes Cato Dickinson, showcasing his artistic skill and attention to detail. As a masterpiece of British art, it continues to inspire and educate audiences today.

    Umělec a muzeum

    Umělec

    Lowes Cato Dickinson

    Narozen(a) v Kilburn, Spojené království

    A Life Etched in Portraits: The Lowes Cato Dickinson

    Lowes Cato Dickinson, born in Kilburn, London, in 1819, was a figure deeply embedded within the artistic and social currents of Victorian England. Coming from a family intimately connected to the art world—his father, Joseph Dickinson, being a respected lithographer and publisher on Bond Street—Dickinson’s path seemed preordained. Yet, his journey wasn't merely one of inheritance but of active engagement with the evolving aesthetic sensibilities and progressive social movements of his time. One of eleven siblings, he received his early education at Topsham School and Dr Lord's School in Tooting, grounding him in a solid foundation before fully immersing himself within the family business following his father’s death in 1849. He then joined forces with his brothers, Gilbert Bell Dickinson and William Robert Dickinson, to continue the legacy of Dickinson Brothers on Bond Street, a firm that quickly became synonymous with quality art publishing and photography. This early exposure wasn't simply about commerce; it was an apprenticeship in visual culture, shaping his eye for detail and composition—qualities that would define his later work as a portraitist.

    The Pre-Raphaelite Circle and the Call of Social Reform

    Dickinson’s artistic development took a significant turn with a three-year sojourn in Italy around 1850. This period proved formative, exposing him to the masterpieces of the Renaissance and influencing his evolving style. He absorbed the stylistic principles championed by Dante Gabriel Rossetti and John Ruskin—a fervent devotion to nature alongside an insistence on emotional intensity—principles that would become central to his artistic vision. Upon his return to England, he found himself drawn into the orbit of the Pre-Raphaelite Brotherhood, though not formally affiliated with it. Nevertheless, Dickinson cultivated correspondence with key members of this influential group, solidifying his position within its intellectual landscape. This engagement extended beyond mere aesthetic admiration; it encompassed a profound sympathy for humanity and a conviction that art could serve as a catalyst for social betterment. He actively participated in the establishment of the Working Men's College alongside figures like Maurice and Kingsley—a testament to his unwavering belief in the transformative potential of education and his desire to uplift marginalized communities. The college’s walls bear witness to Dickinson’s artistic legacy, adorned with portraits commissioned by him that capture the essence of its founders.

    A Portraitist of Victorian Society

    Dickinson honed his craft as a portrait painter during this period, developing a distinctive technique characterized by meticulous attention to facial expression and subtle shading—a method he often employed in collaboration with fellow artists like Frederic Denison Maurice. He skillfully recreated likenesses from photographs or descriptions, ensuring that memory endured beyond physical presence. His subjects spanned the spectrum of Victorian society: monarchs, statesmen, scientists, writers, and philanthropists—each portrait imbued with Dickinson’s profound understanding of human psychology and his ability to convey character through visual representation. Among his most celebrated commissions were portraits of Queen Victoria herself, Lord Kelvin, Sir Henry Norman, and numerous members of Parliament—works that remain invaluable documents of Victorian culture and intellectual life. His meticulous rendering of faces—a hallmark of his style—demonstrates a remarkable sensitivity to nuance and emotion.

    Notable Works and Legacy

    Dickinson’s oeuvre comprises over fifty portraits, many of which hang prominently in institutions such as the National Portrait Gallery in London and Cambridge University—a testament to his enduring influence on British art history. His magnum opus is arguably the portrait of General Gordon at Khartoum, a monumental canvas that captures the heroic spirit of Victorian exploration and resilience. The meticulous detail with which he rendered Gordon’s visage exemplifies Dickinson's mastery of technique and his ability to convey profound psychological depth. Furthermore, Dickinson’s contribution extends beyond individual artworks; he established the Lowes Dickinson Award—a prestigious prize recognizing excellence in student art—affirming his commitment to fostering artistic talent and promoting creative endeavors. His papers, meticulously archived at Princeton, Oxford, and Cambridge Universities, continue to inspire scholars studying Victorian art, social history, and the intersection of faith and reform. Lowes Cato Dickinson’s life embodies a harmonious blend of artistic brilliance and humanist compassion—a legacy that resonates powerfully through his enduring images and his unwavering dedication to advancing knowledge and fostering social progress.

    Muzeum

    Touchstones Rochdale Arts And Heritage Centre

    Vystaveno v Rochdale, United Kingdom

    A Tapestry of Time: The Soul of Rochdale

    In the heart of Lancashire, where the industrial echoes of the past meet the vibrant pulse of contemporary creativity, stands

    Touchstones Rochdale

    . More than a mere repository for artifacts, this cultural sanctuary serves as a living bridge between eras, weaving together the threads of local heritage and global artistry. The building itself, a magnificent Grade II listed structure, whispers stories of its Victorian origins. Conceived in 1884 as a beacon of learning through its original library, the space has undergone a profound metamorphosis. Over the decades, it blossomed into a museum and art gallery, eventually evolving into the dynamic arts and heritage centre we encounter today. To walk through its doors is to step into a spatial narrative where architectural grandeur meets modern functionality, inviting visitors to lose themselves in a curated journey of discovery.

    The collections held within these walls are as diverse as the people of Rochdale themselves, offering a profound window into both the ancient and the intimate. One cannot help but be captivated by the

    Egyptology collection

    , an evocative assemblage that transports the observer back millennia. Here, the heavy silence of history is broken by the visual splendor of intricately carved statues depicting phoretas and gods, alongside delicate papyrus scrolls that carry the rhythmic dance of hieroglyphic inscriptions. These are not merely relics; they are powerful, humanizing narratives that illuminate the sophisticated artistry of a bygone civilization. In stark, poignant contrast, the centre honors its local roots through exhibits dedicated to the

    Lancashire Cotton Famine

    . Through a moving curation of photographs and personal testimonies, the collection captures the visceral resilience of a community enduring industrial hardship, ensuring that the spirit of Rochdale’s determination remains eternally present.

    A Dialogue Between Tradition and Innovation

    For the discerning eye of the art lover and the interior designer alike, Touchstones offers a masterclass in the dialogue between tradition and innovation. The gallery spaces serve as a prestigious platform for contemporary talent, where the local landscape is reimagined through masterful brushstrokes. The works of

    Colin Black

    , particularly his evocative depictions of Lancaster Sands, command attention with their vibrant color palettes and ability to capture the ephemeral beauty of the coastline. This commitment to fostering artistic dialogue is further realized through recurring exhibitions that juxtapose historical artifacts with modern responses, creating a tension that is both intellectually stimulating and aesthetically profound.

    What truly distinguishes Touchstones Rochdale is its role as a catalyst for community connection and intellectual curiosity. It is a place where the monumental meets the personal, and where the architectural legacy of 1884 provides a dignified stage for the social changes of the twenty-first century. Whether one is drawn to the allure of ancient mysteries, the gravity of industrial history, or the fresh energy of contemporary painting, the centre offers an unparalleled experience of cultural immersion. It remains a cornerstone of the borough—a symbol of pride that continues to evolve, ensuring that the heritage of the past and the inspirations of the future are forever entwined in a single, breathtaking tapestry.

    Více informací zde

    Najděte si online

    QR kód odkazující na stránku ke stažení John Bright

    originaluniqueart.com/cs/art/download/lowes-cato-dickinson-john-bright-AQRNKX-en/

    Citace tohoto díla

    MLA
    Dickinson, Lowes Cato. John Bright. 1873, Touchstones Rochdale Arts And Heritage Centre. https://originaluniqueart.com/cs/art/lowes-cato-dickinson-john-bright-AQRNKX-en/
    APA
    Dickinson, Lowes Cato (1873). John Bright [Painting]. Touchstones Rochdale Arts And Heritage Centre. https://originaluniqueart.com/cs/art/lowes-cato-dickinson-john-bright-AQRNKX-en/
    Chicago
    Lowes Cato Dickinson. John Bright. 1873. Touchstones Rochdale Arts And Heritage Centre. https://originaluniqueart.com/cs/art/lowes-cato-dickinson-john-bright-AQRNKX-en/
    Harvard
    Dickinson, Lowes Cato (1873) John Bright. Touchstones Rochdale Arts And Heritage Centre. Available at: https://originaluniqueart.com/cs/art/lowes-cato-dickinson-john-bright-AQRNKX-en/

    Zaměřte se pozorně

    John Bright — Lowes Cato Dickinson

    Detailní pohled

    Odpovídejte vlastními slovy. Neexistují zde žádné špatné odpovědi – pouze odpovědi, které dokážete vysvětlit.

    1. Co vás zaujme jako první a proč?
    2. Které barvy nebo tvary vytvářejí atmosféru – a jaká to je atmosféra?
    3. Vraťte se k dílu James Clerk Maxwell, Fellow, Physicist (1891), který jste v tomto průvodci viděli dříve. Uveďte dvě věci, které má společné s tímto dílem, a jednu věc, která je odlišná.
    4. Lowes Cato Dickinson bylo při vzniku tohoto díla ve věku přibližně 54. Co v něm vypadá jako práce umělce právě v této životní fázi?
    5. Co by vás umělec mohl chtít vyvolat?

    Vaše odpověď

    Napište krátký odstavec o tomto uměleckém díle. Vycházejte při psaní z faktů uvedených v předchozích částech tohoto průvodce a ze svých předchozích odpovědí.

    Otázky a odpovědi

    Kdo vytvořil dílo "John Bright" a v jakém roce?

    Lowes Cato Dickinson vytvořil/a „John Bright“ v roce 1873.

    Využívá „John Bright“ od Lowes Cato Dickinson výrazné kontrasty, nebo jemné harmonie?

    V díle "John Bright" je Serene kontrast spojen s Strong Color Unity harmonií.

    Umožňuje autorské právo k dílu „John Bright“ od Lowes Cato Dickinson jeho reprodukce?

    Autorskoprávní status díla „John Bright“ od Lowes Cato Dickinson je jasný: toto dílo spadá do patří do volného užití – autorská práva vypršela. Jeho umístění v instituci Touchstones Rochdale Arts And Heritage Centre tento stav nemění.