Pointillism
The banks of the Seine (Maximilien Luce)
Maximilien Luce (1858–1941) made The banks of the Seine. It belongs to the Pointillism movement.
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Hand Made Oil Painting
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StatsThe banks of the Seine, in brief
- Title
- The banks of the Seine
- Artist
- Maximilien Luce (1858–1941)
- Artist born in
- Paris, France
- Movement
- Pointillism
- Subject
- france, fish
High-resolution images of The banks of the Seine
Maximilien Luce, The banks of the Seine. Public domain.
Colours matched to the original by a digital expert, the file finely retouched, faithful to the artist's brushwork.
Own the high-resolution fileQuestions on The banks of the Seine, answered
What is "The banks of the Seine" about?
The themes present in "The banks of the Seine" by Maximilien Luce include france, fish. Together they summarize the artwork's subject matter.
Can the image of "The banks of the Seine" by Maximilien Luce be freely reproduced?
Regarding copyright, "The banks of the Seine" is in the public domain - its copyright has expired.
Who is the artist behind "The banks of the Seine"?
The artist behind "The banks of the Seine" is Maximilien Luce. The work is catalogued under Maximilien Luce's name.
Which artistic current is "The banks of the Seine" by Maximilien Luce part of?
"The banks of the Seine" is a work of Pointillism. The movement indicates the artistic tradition the work is part of.
Why is the copyright status of "The banks of the Seine" what it is?
"The banks of the Seine" by Maximilien Luce is in the public domain - its copyright has expired. Copyright duration runs from the artist's death, which occurred in 1941.
About the artist, Maximilien Luce
1858–1941, France
Maximilien Luce
A Parisian Soul: The Life and Art of Maximilien Luce Maximilien Luce, born in Paris in 1858, was a painter deeply entwined with the social and artistic currents of his time. His early life, spent amidst the working-class neighborhoods of Montparnasse, instilled within him a sensitivity to the realities of urban existence—a theme that would resonate throughout his prolific career. Initially apprenticed to a wood engraver in 1872, Luce honed a meticulous attention to detail and an appreciation for line and form, skills that would later inform his explorations with color and light. This foundational training wasn’t merely technical; it connected him to a tradition of graphic arts deeply engaged with social commentary, setting the stage for his own politically charged artistic journey.
Also by Maximilien Luce
The Pile Drivers1902
Notre Dame1899
The Flood1910
Paris, View of the Seine, Night1893Essays around The banks of the Seine
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