1840
Self-portrait (Adèle Ferrand, 1840)
Adèle Ferrand (1817–1848) 创作了《Self-portrait》。 创作于 1840 年。 现藏于Saint-Denis, France的Musée Léon-Dierx。 尺寸为 41 × 30 cm。
- 1840
- 41 × 30 cm
- Musée Léon-Dierx, Saint-Denis
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统计数据Self-portrait简介
- 标题
- Self-portrait
- 艺术家
- Adèle Ferrand (1817–1848)
- 艺术家出生于
- Nancy, France
- 日期
- 1840
- 尺寸
- 41 × 30 cm
- 观赏地点
- Musée Léon-Dierx, Saint-Denis, France
哪家博物馆收藏有 Self-portrait？
Musée Léon-Dierx
Saint-Denis, France
Origins and History of the Museum The Musée Léon-Dierx emerged in 1911 through the dedicated efforts of two Reunion Islanders, Georges Athénas and Aimé Merlo. These two men operated under the shared pseudonym of Marius and Ary Leblond. Their vision was realized through a public campaign designed to gather works for the institution.
Self-portrait 的高分辨率图像
Adèle Ferrand, Self-portrait (1840), Musée Léon-Dierx. 公有领域
关于 Self-portrait 的常见问题解答
在哪里可以观赏到 Adèle Ferrand 的《Self-portrait》 的原作？
Adèle Ferrand 的《Self-portrait》 目前正在 Musée Léon-Dierx, Saint-Denis, France 展出。此处列出的博物馆指代原作，而非复制品。
Adèle Ferrand 的《Self-portrait》 的创作年份是哪一年？
Adèle Ferrand 的《Self-portrait》创作于1840年。
原件"Self-portrait"的尺寸是多少？
Adèle Ferrand 的《Self-portrait》 的记录尺寸为 41.0 x 30.0cm。您也可以按比例定制其他尺寸的复制品。
Adèle Ferrand 的《Self-portrait》 是否属于公有领域？
Adèle Ferrand 的《Self-portrait》 属于 属于公有领域 —— 其版权已过期。此版权状态决定了该作品图像的复制方式。
“Self-portrait”的作者是谁？
"Self-portrait" 的创作者是 Adèle Ferrand。该作品以 Adèle Ferrand 的名义编入目录。
Adèle Ferrand 创作《Self-portrait》时是多少岁？
Adèle Ferrand 在 23 岁时创作了《Self-portrait》。艺术家出生于 1817，该作品创作于 1840 年。
Adèle Ferrand 的《Self-portrait》 的版权情况是如何界定的？
"Self-portrait" 的版权状态 —— 属于公有领域 —— 其版权已过期 —— 取决于艺术家于 1848 年逝世这一事实。
Adèle Ferrand 的《Self-portrait》 是否收藏于艺术家的原籍国？
是的——该作品目前存放于艺术家的原籍国。Adèle Ferrand的出生国是France，而收藏有《Self-portrait》原件的博物馆则位于France。
关于艺术家 Adèle Ferrand
1817–1848, France
Adèle Ferrand
The Short Arc of a Romantic Talent To look at the surviving works of Adèle Ferrand is to witness a career truncated by tragedy before it could reach its full maturity. Born in Nancy, she emerged as a practitioner of the Romantic school, demonstrating a technical command that earned her regular placement in the Paris Salon starting in 1837. Her presence in the French art scene was not accidental; it was built on rigorous training under figures such as Le Poittevin and the Belgian historical painter Louis Gallait. She possessed the ability to handle both genre scenes and portraits with a directness that avoided unnecessary flourish.
Adèle Ferrand 的其他作品
Portrait of Denis François Le Coat de Kerveguen1846
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