Коротко кажучи
На думку експертів галереї, найвідоміший витвір Copley Fielding — це Richmond hill, (1830). Ambelside, (1829) та Lake Nemi with Pontine Marshes in the Background (1837) доповнюють тріо, яке впізнає кожне око. З 105 робіт Copley Fielding у нашому каталозі галерея представляє 89 найвідоміших нижче — кожна з них є оригіналом із зазначенням року створення, музею та унікальних особливостей.
Топ 10 картин художника Copley Fielding у галереї
Картини художника Copley Fielding, від 11 до 89 місця в рейтингу
Теми, що привертали увагу Copley Fielding
Чотири сюжети, які найчастіше зустрічаються в цих оригіналах, кожен із найкращим прикладом.
Beach 11 робіт
Landscape 9 робіт
Animals 8 робіт
Музеї, у яких зберігаються оригінали Copley Fielding
4 музеїв, у яких зберігається більшість картин із цього списку.
| Музей | Місто | Твори Copley Fielding | Картини зі цього списку |
|---|---|---|---|
| Бірмінгем | 2 | Lake Nemi with Pontine Marshes in the Background, Scottish Loch With Mountains | |
| Сідней | 1 | Dunster Castle, sunset | |
| Нью-Хейвен | 1 | A Scene On The Coast, Merionethshire | |
| 1 | William Gibbs |
Copley Fielding, одна фірмова картина за десятиліття
Картини Copley Fielding: відповіді галереї
Яка картина Copley Fielding є найвідомішою серед усіх?Дізнатися відповідь
Richmond hill, (1830). Далі йдуть Ambelside, (1829) та Lake Nemi with Pontine Marshes in the Background (1837).
Скільки років було Copley Fielding, коли він/вона завершив/завершила Richmond hill,?Дізнатися відповідь
43 років: Richmond hill, датована 1830 роком, а Copley Fielding народився(-лася) у 1787.
Які 10 найкращих картин Copley Fielding?Дізнатися відповідь
Richmond hill,, Ambelside,, Lake Nemi with Pontine Marshes in the Background, Scottish Loch With Mountains, Ubaldo and Carlo in the Enchanted Boat,, Byland Abbey,, A Herdsman With Cattle Above Rydal Water In The Lake District, Sunset, Sussex, Beached Fishing Vessels At Low Tide та Unloading the catch, whitby. У рейтингу вище вказано рік створення та музей для кожної картини.
Скільки творів створив Copley Fielding?Дізнатися відповідь
Наш каталог містить 105 робіт Copley Fielding, датованих періодом з 1829 по 1851.
Де висять найвідоміші оригінали робіт Copley Fielding?Дізнатися відповідь
Переважно в Birmingham Museum and Art Gallery (Бірмінгем), Галерея Нового Південного Уельсу (Сідней) та Yale Center for British Art (Нью-Хейвен). У таблиці музеїв вище наведено їхній повний перелік.
Коли Copley Fielding створив свої найвідоміші картини?Дізнатися відповідь
У 1830s: 4 із 89 робіт на цій сторінці були створені тоді, серед них Richmond hill,.
Які найранніші та найпізніші відомі роботи Copley Fielding?Дізнатися відповідь
На цій сторінці найдавніша робота датована Ambelside, (1829), а найновіша — Byland Abbey, (1851).
До яких сюжетів Copley Fielding звертався найчастіше?Дізнатися відповідь
Beach (11), Landscape (9) та Animals (8), у 89 роботах на цій сторінці.
З яким напрямом пов'язаний Copley Fielding?Дізнатися відповідь
Romanticism, судячи з оригіналів на цій сторінці.
Які оригінальні роботи Copley Fielding зберігаються в Birmingham Museum and Art Gallery?Дізнатися відповідь
Lake Nemi with Pontine Marshes in the Background та Scottish Loch With Mountains: Birmingham Museum and Art Gallery, Бірмінгем зберігає 2 робіт із цієї сторінки.
Copley Fielding: художник
The Visionary Brush of Anthony Vandyke Copley Fielding
In the golden age of British watercolor, few names resonate with as much elegance and technical prowess as Anthony Vandyke Copley Fielding. Born in 1787 in the industrious landscape of Sowerby, near Halifax, Fielding emerged from the rugged textures of Yorkshire to become a defining voice of the Victorian era. His life was a masterful composition of scientific precision and romantic sensibility, a duality that allowed him to capture not just the surface of the natural world, but its very soul. As a pupil of the esteemed John Varley, Fielding inherited a profound respect for the nuances of light and atmosphere, a foundation upon which he built a career that would eventually lead him to the presidency of the Royal Society of Watercolours.
Fielding’s artistic development was deeply intertwined with his intellectual pursuits. His time as a Fellow of Trinity College, Cambridge, provided him with a unique vantage point; here, the rigors of scientific inquiry met the fluidity of artistic expression. This intersection is perhaps most visible in his meticulous approach to anatomy and nature. Having engaged in the study of dissections, he brought an unparalleled understanding of structure to his work, whether rendering the powerful musculature of a subject in portraiture or the intricate skeletal details of flora and fauna. This scientific eye did not stifle his creativity but rather anchored it, allowing him to depict the elements—the crashing waves of a coastal storm or the gentle light of a sunset—with a realism that felt both grounded and transcendent.
A Mastery of Landscape and Marine Subjects
The breadth of Fielding’s oeuvre is nothing short of extraordinary, spanning from the tranquil valleys of the English Lake District to the dramatic, wind-swept coasts of Wales. He was a painter who understood the language of the weather. His landscapes often eschewed mere rustic charm in favor of an idealized, classical beauty inspired by the great Richard Wilson. In his hands, the British countryside became a stage for the sublime. One might find himself lost in the turbulent energy of A Scene on the Coast, Merionethshire - Storm Passing Off, where the tension between sea and sky is palpable, or find peace in the soft, luminous washes of his more pastoral views.
His fascination with marine subjects further solidified his reputation as a premier watercolorist. Fielding possessed a rare ability to capture the weight and movement of water, utilizing a sophisticated palette of inks, graphite, and watercolors to create depth and motion. His works often evoke a sense of profound openness, inviting the viewer to breathe in the salt spray or feel the sudden chill of an approaching gale. This mastery was not limited to the canvas; his influence extended into the realm of printmaking and teaching, where he shared his sophisticated techniques with a new generation of artists, ensuring that his legacy of atmospheric precision would endure.
Legacy and Historical Significance
The accolades bestowed upon Fielding during his lifetime serve as a testament to his standing among the giants of 19th-century art. His triumph at the Paris Salon of 1824, where he stood alongside luminaries such as John Constable and Richard Parkes Bonington, marked his arrival on the international stage. Furthermore, the high regard in which he was held by the influential critic John Ruskin underscores the lasting impact of his aesthetic vision. Fielding was more than a mere chronicler of scenery; he was an architect of atmosphere.
Today, the works of Anthony Vandyke Copley Fielding reside in some of the world's most prestigious institutions, including the Victoria & Albert Museum and the Yale Center for British Art. His contribution to the canon of British art remains significant because he bridged the gap between the meticulous observation of the Enlightenment and the emotive power of Romanticism. To look upon a Fielding painting is to witness a moment caught in the delicate balance between the tangible world and the infinite imagination, a legacy that continues to inspire collectors and art historians alike.








