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Mika Alas

A charming view of a sunlit yellow building with elegant white trim by Petar Bajalović captures a serene architectural moment that invites you to bring this piece of Serbian modernism into your private collection.

A prominent figure of architectural modernism, Petar Bajalović captured serene moments in works like Mika Alas through a unique fusion of structural precision and impressionistic light that invites you to discover his legacy.

Giclée / Sanat Baskısı

Hızlı üretim ve esnek bitiş seçenekleriyle müze kalitesinde giclée veya kanvas baskı. ( El Yapımı Tablo Satın Al Dijital Görsele Geç)

Corner sample of the P118B picture frame: kalıplanmış polistiren, 5 cm wide and 3 cm thick
P118B ₺10
Corner sample of the P118H picture frame: kalıplanmış polistiren, 5 cm wide and 3 cm thick
P118H ₺10
Corner sample of the P118W picture frame: kalıplanmış polistiren, 5 cm wide and 3 cm thick
P118W ₺10
Corner sample of the P438Z picture frame: kalıplanmış polistiren, 5.5 cm wide and 3.5 cm thick
P438Z ₺10
Corner sample of the P508JH picture frame: kalıplanmış polistiren, 7 cm wide and 3.5 cm thick
P508JH ₺12
Corner sample of the P508YH picture frame: kalıplanmış polistiren, 7 cm wide and 3.5 cm thick
P508YH ₺12
Corner sample of the P805H picture frame: kalıplanmış polistiren, 5 cm wide and 3.5 cm thick
P805H ₺10
Corner sample of the P805Z picture frame: kalıplanmış polistiren, 5 cm wide and 3.5 cm thick
P805Z ₺10
Corner sample of the P919BZ picture frame: kalıplanmış polistiren, 7 cm wide and 3.5 cm thick
P919BZ ₺10
Corner sample of the P919G picture frame: kalıplanmış polistiren, 7 cm wide and 3.5 cm thick
P919G ₺10
Corner sample of the P919XJ picture frame: kalıplanmış polistiren, 7 cm wide and 3.5 cm thick
P919XJ ₺10
Corner sample of the P959ZH picture frame: kalıplanmış polistiren, 5 cm wide and 3 cm thick
P959ZH ₺10
Corner sample of the P968JZ picture frame: kalıplanmış polistiren, 6 cm wide and 4 cm thick
P968JZ ₺12
Corner sample of the W106C picture frame: masif ahşap, 5 cm wide and 3 cm thick
W106C ₺8
Corner sample of the W218G picture frame: masif ahşap, 5 cm wide and 3 cm thick
W218G ₺10
Corner sample of the W218JH picture frame: masif ahşap, 5 cm wide and 3 cm thick
W218JH ₺8
Corner sample of the W218Y picture frame: masif ahşap, 5 cm wide and 3 cm thick
W218Y ₺10
Corner sample of the W307PJ picture frame: masif ahşap, 6 cm wide and 3 cm thick
W307PJ ₺10
Corner sample of the W316G picture frame: masif ahşap, 6 cm wide and 3 cm thick
W316G ₺10
Corner sample of the W316PJ picture frame: masif ahşap, 6 cm wide and 3 cm thick
W316PJ ₺8
Corner sample of the W316Y picture frame: masif ahşap, 6 cm wide and 3 cm thick
W316Y ₺10
Corner sample of the W398PJ picture frame: masif ahşap, 5 cm wide and 3 cm thick
W398PJ ₺8
Corner sample of the W4111J picture frame: masif ahşap, 6.5 cm wide and 3.5 cm thick
W4111J ₺10
Corner sample of the W500HY picture frame: masif ahşap, 7 cm wide and 5 cm thick
W500HY ₺15
Corner sample of the W500JH picture frame: masif ahşap, 7 cm wide and 5 cm thick
W500JH ₺15
Corner sample of the W692G picture frame: masif ahşap, 8 cm wide and 4 cm thick
W692G ₺12
Corner sample of the W849H picture frame: masif ahşap, 5 cm wide and 3 cm thick
W849H ₺8
Corner sample of the W940BG picture frame: masif ahşap, 7.5 cm wide and 4.5 cm thick
W940BG ₺15
Corner sample of the W953PJ picture frame: masif ahşap, 6 cm wide and 3.5 cm thick
W953PJ ₺8

Standart
özel boyutlu
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INCH

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genişlik
yükseklik

Çerçevenize veya duvarınıza uygun olması için ihtiyacınız olan genişlik ve yüksekliği yazın. Bir baskı yalnızca kesilebilir, görselden daha büyük hale getirilemez; bu nedenle farklı bir formdaki boyut seçimi, görselin bir kısmının kaybına neden olur. Herhangi bir baskı yapmadan önce onaylamanız için size bir dijital taslak gönderiyoruz. Bu sayfada gösterilen resim gerçek kesimi göstermez — bunu yalnızca taslak gösterir.

Dünya Çapında Teslimat (); standart 4/5 hafta yerine 2 haftada. (3 Kasım)

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Toplu Alım İndirimi

Toplam Tutar

₺ 3933

Mika Alas

Giclée / Sanat Baskısı

Reproduksiyon Boyutu

-

Toplam Tutar

₺ 3933

Hızlı Bilgiler

  • Subject or theme: Architecture and street scene
  • Artistic style: Modernism

A Window into Serenity: The Architectural Charm of Mika Alas

In the quietude of Petar Bajalović’s Mika Alas, we are invited to step away from the frenetic pace of modern life and linger within a moment of architectural grace. This captivating piece presents a luminous yellow building, its facade adorned with crisp white trim that catches the light like a soft memory. The composition draws the eye upward toward a delicate second-floor balcony, where the interplay of shadow and sun creates a rhythmic dance across the many windows and shutters. There is a profound sense of stillness here; even the presence of a solitary figure near the center serves not to disrupt the peace, but to ground the viewer, offering a human connection to the grandeur of the structure. It is a painting that does not merely depict a building, but rather captures the very essence of a tranquil afternoon.

The technique employed by Bajalović reflects his unique dual identity as both an architect and a painter. One can sense the structural precision in the way the windows are aligned and the geometric balance of the building's proportions, yet this architectural rigor is softened by a masterful use of color and light. The warm, buttery tones of the walls evoke a feeling of sun-drenched nostalgia, while the delicate brushwork lends a painterly texture that breathes life into the inanimate stone and wood. This fusion of structural clarity and atmospheric softness creates a multidimensional experience, making the scene feel both tangibly real and dreamily impressionistic.

A Masterpiece for the Modern Interior

For the discerning collector or interior designer, Mika Alas offers much more than mere decoration; it provides an emotional anchor for a room. The painting’s palette—dominated by warm yellows and bright whites—possesses a natural ability to illuminate a space, bringing a sense of brightness and openness to any gallery wall or living area. Its subject matter, rooted in the beauty of classical architecture and peaceful urban life, lends an air of sophistication and timelessness to contemporary settings. Whether placed in a sunlit breakfast nook or as a focal point in a formal study, this work invites contemplation and serves as a constant reminder of the beauty found in quiet, well-ordered environments.

Investing in a high-quality reproduction of this work allows one to possess a fragment of Serbian modernist history. The piece resonates with those who appreciate art that celebrates light, structure, and the poetic beauty of the everyday. It is an evocative choice for those seeking to infuse their homes with a sense of calm, elegance, and historical depth, transforming a simple wall into a portal to a more serene era.

Soru ve Cevaplar

"Mika Alas" adlı eser, Petar Bajalović'in diğer çalışmalarıyla hangi ortak noktaları paylaşıyor?

Petar Bajalović'in eserleri arasında yer alan "Mika Alas", modernist architecture influence, bold colors, geometric designs, serbian modernism legacy temalarıyla birlikte Modernism üslubunda konumlanmaktadır.

"Mika Alas" hangi tona daha yakın?

"Mika Alas", Green to Violet Spectrum tonlarını andıran bir yapıdadır.

Petar Bajalović imzalı "Mika Alas" açık tonlu bir eser mi yoksa koyu tonlu mu?

Petar Bajalović imzalı "Mika Alas", brilliant parlaklık ve Bright Balance düzeyinde bir lüminans ile kaydedilmiştir.


Sanatçı Özgeçmişi

The Architect of Modernity

Petar Bajalović was a distinguished Serbian architect who left an indelible mark on the urban fabric of his era, living and working through the transformative years of the Belle Epoque and the Interwar period. Born in Šabac, Serbia, his intellectual journey led him from the classrooms of Belgrade's Gymnasium to the prestigious Technical College in Karlsruhe, Germany, where he refined his mastery of structural design. This rigorous academic foundation allowed him to emerge as a pivotal figure in the rise of architectural modernism within Serbia, blending technical precision with an evolving aesthetic sensibility.

A Legacy of Structure and Form

As a scholar and practitioner, Bajalović’s influence extended far beyond the drafting table. He was not only a creator of spaces but also a dedicated educator, serving as a professor and the founder of the descriptive geometry field of studies at the Faculty of Architecture of the University of Belgrade. His commitment to the discipline helped shape future generations of architects, including his own daughter, Jelena Bajalović, who followed in his professional footsteps. His architectural contributions are characterized by their historical significance, ranging from the construction of the Serbian Pavilion for the International Exhibition of Art in 1911 to significant renovations of landmarks such as the Stanković music school in Belgrade.

Architectural Achievements and Landmarks

The work of Petar Bajalović is woven into the very identity of Belgrade, manifesting in structures that remain celebrated today. His ability to navigate various architectural currents allowed him to contribute to several notable projects:
  • The Serbian Pavilion designed for the International Exhibition in Rome (1911-1912).
  • The renovation of the Stanković music school on Kneza Miloša street, which stands as a Historical Monument.
  • Modifications to the house of Saint Sava in Belgrade, a project that integrated his vision into existing historical structures.
Through these works, Bajalović demonstrated a profound ability to balance the demands of modernism with the enduring grace of classical and Art Nouveau influences, ensuring his place as a cornerstone of Serbian architectural history.
Petar Bajalović

Petar Bajalović

1876 - 1947 , Serbia

Kısa Bilgiler

  • Artistic Movement Or Style: Architectural modernism
  • Artists Or Movements Influenced By This Artist: ['Jelena Bajalović']
  • Full Name: Petar Bajalović
  • Nationality: Serbian
  • Notable Artworks:
    • Mika Alas
    • Serbian Pavilion in Rome
  • Place Of Birth: Šabac, Serbia
  • Date Of Birth: 1876
  • Date Of Death: 1947