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Cup

Explore Giovanni Battista Gariboldi’s 1936 ceramic bowl – a textured masterpiece showcasing organic forms & serene green hues. A unique, hand-built piece reflecting Italian artistry.

Discover Giovanni Battista Gariboldi’s breathtaking Italian landscapes & genre scenes. A renowned 19th-century painter celebrated for his mastery of light & color.

Giclée / Konsttryck

Giclée- eller canvasprint av museumskvalitet med snabb produktion och flexibla ytbehandlingsalternativ. ( Beställ handmålad reproduktion Byt till digital bild)

Corner sample of the P118B picture frame: formgjuten polystyren, 5 cm wide and 3 cm thick
P118B Skr10
Corner sample of the P118H picture frame: formgjuten polystyren, 5 cm wide and 3 cm thick
P118H Skr10
Corner sample of the P118W picture frame: formgjuten polystyren, 5 cm wide and 3 cm thick
P118W Skr10
Corner sample of the P438Z picture frame: formgjuten polystyren, 5.5 cm wide and 3.5 cm thick
P438Z Skr10
Corner sample of the P508JH picture frame: formgjuten polystyren, 7 cm wide and 3.5 cm thick
P508JH Skr12
Corner sample of the P508YH picture frame: formgjuten polystyren, 7 cm wide and 3.5 cm thick
P508YH Skr12
Corner sample of the P805H picture frame: formgjuten polystyren, 5 cm wide and 3.5 cm thick
P805H Skr10
Corner sample of the P805Z picture frame: formgjuten polystyren, 5 cm wide and 3.5 cm thick
P805Z Skr10
Corner sample of the P919BZ picture frame: formgjuten polystyren, 7 cm wide and 3.5 cm thick
P919BZ Skr10
Corner sample of the P919G picture frame: formgjuten polystyren, 7 cm wide and 3.5 cm thick
P919G Skr10
Corner sample of the P919XJ picture frame: formgjuten polystyren, 7 cm wide and 3.5 cm thick
P919XJ Skr10
Corner sample of the P959ZH picture frame: formgjuten polystyren, 5 cm wide and 3 cm thick
P959ZH Skr10
Corner sample of the P968JZ picture frame: formgjuten polystyren, 6 cm wide and 4 cm thick
P968JZ Skr12
Corner sample of the W106C picture frame: massivt trä, 5 cm wide and 3 cm thick
W106C Skr8
Corner sample of the W218G picture frame: massivt trä, 5 cm wide and 3 cm thick
W218G Skr10
Corner sample of the W218JH picture frame: massivt trä, 5 cm wide and 3 cm thick
W218JH Skr8
Corner sample of the W218Y picture frame: massivt trä, 5 cm wide and 3 cm thick
W218Y Skr10
Corner sample of the W307PJ picture frame: massivt trä, 6 cm wide and 3 cm thick
W307PJ Skr10
Corner sample of the W316G picture frame: massivt trä, 6 cm wide and 3 cm thick
W316G Skr10
Corner sample of the W316PJ picture frame: massivt trä, 6 cm wide and 3 cm thick
W316PJ Skr8
Corner sample of the W316Y picture frame: massivt trä, 6 cm wide and 3 cm thick
W316Y Skr10
Corner sample of the W398PJ picture frame: massivt trä, 5 cm wide and 3 cm thick
W398PJ Skr8
Corner sample of the W4111J picture frame: massivt trä, 6.5 cm wide and 3.5 cm thick
W4111J Skr10
Corner sample of the W500HY picture frame: massivt trä, 7 cm wide and 5 cm thick
W500HY Skr15
Corner sample of the W500JH picture frame: massivt trä, 7 cm wide and 5 cm thick
W500JH Skr15
Corner sample of the W692G picture frame: massivt trä, 8 cm wide and 4 cm thick
W692G Skr12
Corner sample of the W849H picture frame: massivt trä, 5 cm wide and 3 cm thick
W849H Skr8
Corner sample of the W940BG picture frame: massivt trä, 7.5 cm wide and 4.5 cm thick
W940BG Skr15
Corner sample of the W953PJ picture frame: massivt trä, 6 cm wide and 3.5 cm thick
W953PJ Skr8

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Skr 809

Cup

Giclée / Konsttryck

Storlek på reproduktion

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Slutgiltigt pris

Skr 809

Kortfakta

  • Year: 1936
  • Subject or theme: Mythic Art
  • Influences: Edward Burne-Jones
  • Movement: Pre-Raphaelite
  • Title: Cup

Konstquiz

Det finns endast ett korrekt svar på varje fråga.

Fråga 1:
What artistic movement is Giovanni Battista Gariboldi’s ‘Cup’ primarily associated with?
Fråga 2:
The image description highlights a particular stylistic element of the artwork. What is it?
Fråga 3:
What color palette dominates the visual experience presented by the ‘Cup’ image?
Fråga 4:
Giovanni Battista Gariboldi's artistic style reflects a rejection of what characteristic found in academic painting?
Fråga 5:
Edward Burne-Jones's artistic approach involved studying and imitating masters like Botticelli. What was a key difference between his method and that of traditional art education?

Giovanni Battista Gariboldi: Cup - A Study in Organic Texture and Serene Green

Giovanni Battista Gariboldi’s 1936 ceramic bowl stands as a testament to the enduring power of Italian craftsmanship and a masterful exploration of natural forms. More than just tableware, it embodies a deliberate aesthetic choice—a commitment to capturing the essence of organic beauty within a meticulously crafted medium.

  • Subject Matter: The bowl’s central focus is simplicity itself: a single ceramic vessel designed to hold liquid. However, its unassuming appearance belies a profound consideration for visual harmony and textural richness.
  • Style: Gariboldi's work aligns squarely with the principles of ceramic art—a tradition rooted in ancient techniques and celebrated for its ability to transform raw materials into objects of enduring elegance. Influenced by Art Deco sensibilities, it leans towards geometric forms softened by organic contours.
  • Technique: The bowl’s surface is achieved through a painstaking process of hand-building – likely utilizing coil construction—followed by careful glazing application. This technique ensures that every piece possesses unique variations in tone and texture, reflecting the inherent irregularities of natural materials.

The glaze itself contributes significantly to the overall impression. Gariboldi skillfully employs a palette dominated by shades of green – from deep olive tones reminiscent of ancient woodlands to lighter hues suggestive of tranquil lagoons. These colors aren’t merely decorative; they evoke feelings of serenity and connection with the natural world.

Historical Context: Created in 1936, Gariboldi's bowl reflects the broader artistic currents of its time—a period marked by a renewed interest in organic forms and a desire to express emotion through visual language. It stands as an exemplar of Italian ceramic art during the Fascist era, showcasing a dedication to tradition while embracing stylistic innovations.

Symbolism: The bowl’s textured surface – resembling a leaf or petal – speaks to themes of growth, fragility, and renewal. These symbols resonate deeply within Pre-Raphaelite aesthetics—a movement that championed idealized beauty and sought inspiration in medieval myths and legends. Gariboldi's piece invites contemplation on the relationship between humanity and nature.

Emotional Impact: Viewing Gariboldi’s bowl is an experience of quiet contemplation. Its understated elegance and harmonious color palette inspire a sense of calm and appreciation for artisanal skill—a reminder that beauty can be found in simplicity and that objects crafted with care hold profound emotional resonance.

Frågor och svar

Kan "Cup" av Giovanni Battista Gariboldi, som finns i samlingen på Sforza slottet, reproduceras lagligt?

"Cup" av Giovanni Battista Gariboldi, som finns på Sforza slottet, är allmän egendom – upphovsrätten har löpt ut. Denna status avgör om reproduktioner av bilden får framställas.

Var i Giovanni Battista Gariboldis karriär placerar sig "Cup"?

Inom Giovanni Battista Gariboldis karriär tillhör "Cup" perioden Early Modern. Denna fas underlättar jämförelser med konstnärens övriga verk.

Vem skapade "Cup" och under vilket år?

Giovanni Battista Gariboldi skapade "Cup" år 1936.