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Od svih originala koje je Jens Juel ostavio, najpoznatiji je Portrait of a Woman (1773), koji se nalazi u kolekciji Ermitaž, Sankt Peterburg. Odmah za njima slede Kommandørkaptajn Henrik Gerner (1785) i De tre gratier (1765). Naš katalog sadrži 130 dela umetnika Jens Juel; galerija je čuvala 100 dela koja svet najviše admira, od kojih je svako prikazano sa svojim datumom, muzejom i pričom.
Jens Juel's "Portrait of a Woman," painted in 1773, is more than just a likeness; it’s a carefully constructed tableau of elegance and quiet contemplation. This exquisite work, currently residing within the hallowed halls of the Hermitage Museum in St. Petersburg, offers a glimpse into the refined world of Danish aristocracy during the late 18th century. The painting immediately draws the eye to its subject – a woman radiating an…
Jens Juel rendered this portrait of Kommandørkaptajn Henrik Gerner in 1785. The sitter was a prominent Danish engineer and military officer who held the rank of Commandeur-Capitain. His professional life was defined by his service as a Fabrikmester, or Chief naval constructor, a position central to the maritime administration of the era.
The work titled De tre gratier is a mythological painting by the Danish artist Jens Juel. It emerged from his brush between 1765 and 1766. This piece captures a moment of classical grace through the figures of the Three Graces.
The air in the room feels still, held in a quiet tension as Peder Rahr meets our gaze. He sits in a three-quarter pose, his body angled slightly away while his eyes lock onto the observer with a steady, intellectual focus. There is a profound sense of dignity in his posture, the quiet confidence of a man who understands the weight of his own commerce. He is a merchant of…
The light finds Cathrine Sophie Kirchhoff in a quiet collision with the dark. She emerges from an indistinct, shadowy background, her presence defined by the soft glow upon her skin and the intricate textures of her station. Her expression is serene, a poised stillness that suggests a life of composed dignity. She is captured in a three-quarter view, her gaze meeting the viewer with a calm, steady clarity. The darkness…
A young man sits anchored in an upholstered chair, his posture a study in controlled command. He is Frederik VI, captured in the year 1786 as a crown prince. The light falls from the upper left, catching the crisp white of his stockings and the subtle sheen of his silk breeches. He wears a decorated frock coat and a waistcoat, the fabric heavy with the weight of his station. To…
In this 1770 oil on canvas, Johan Georg Pauli is depicted in a three-quarter length pose, seated slightly off-center. He wears a muted grey frock coat over a waistcoat and cravat of soft blue and white tones. His hands rest near papers that signify his professional status as a post director and judicial counselor. The lighting originates from the upper left, casting shadows across the contours of his face and…
A single man sits in the quiet gravity of a seated pose. He is Christen Ravn, a coffee merchant and a friend to the artist, caught in a moment of steady, calm intelligence. The light falls from the upper left, carving the contours of his forehead and the bridge of his nose against a dark, draped background. His heavy coat, perhaps velvet, holds the weight of his social standing in…
In Malerens broder Oluf, Jens Juel presents a close-up bust portrait of a young boy. The subject is positioned slightly off-center, creating a subtle tension within the frame. He gazes directly toward the viewer from an eye-level perspective, establishing an immediate connection. The monochromatic color palette relies on a range of grayscale tones, moving from deep blacks in the background to bright highlights on the face.
In this portrait, Jens Juel captures Skuespilleren Frederik Schwarz, a man whose presence was defined by the stage. The subject was a prominent Danish actor, a figure of the Royal Danish Theatre from 1773 to 1810. He moved through the theatrical world with a versatility that allowed him to inhabit the sharp edges of comedy and the heavy shadows of tragedy. His face holds the quiet weight of a man…
Portrait of Countess Caroline Schimmelmann(?)1768 · Statens Museum For Kunst
12
Postmester Frederik Carl Harboe (?)1764 · Statens Museum For Kunst
13
Countess Anna Joachima Danneskiold-Laurvigen, née Ahlefeldt1790 · Statens Museum For Kunst
14
A Running Boy. Marcus Holst von Schmidten1802 · Statens Museum For Kunst
15
Sophie Birgitta Mathiesen1781 · Statens Museum For Kunst
16
Johan Tobias Sergel, Sculptor1794 · Nationalmuseum
17
Promenading in a Park1764 · Statens Museum For Kunst
18
Geheimeråd Henrik Hielmstierne1780 · Statens Museum For Kunst
19
Portrait of Colonel Jean-Jacques Gautier and His Wife1781 · Statens Museum For Kunst
20
Portrait of Anna Elisabeth Battier, née Storp1771 · Statens Museum For Kunst
21
Amtmand, geheimeråd Antoine de la Calmette1781 · Statens Museum For Kunst
22
The Sculptor Jacques-François-Joseph Saly1772 · Statens Museum For Kunst
23
Kobberstikkeren J.F. Clemens1777 · Statens Museum For Kunst
24
Kitchen Interior with a Girl Reading1764 · Statens Museum For Kunst
25
Boy Reading at Artificial Light1763 · Statens Museum For Kunst
26
Maleren Michael Gehrmann (?)1764 · Statens Museum For Kunst
27
Portrait of Lauritz Christian Steen1766 · National Museum of Art, Architecture and Design
28
Otto Christopher von Munthe af Morgenstierne1772 · National Museum of Art, Architecture and Design
29
Portrait of Bodilla Birgitte von Munthe af Morgenstierne, b. de Flindt1772 · National Museum of Art, Architecture and Design
30
Caroline Matilda, Queen of Denmark (1751-75)1772 · Royal Collection
31
The Roman Dwarf Francesco Ravai, called Bajocco1774 · Statens Museum For Kunst
32
A Girl from Holstein1766 · Statens Museum For Kunst
33
Bernt Anker som ung1770
34
Portrait of Maren Juel1780 · National Museum of Art, Architecture and Design
35
Frederik VI, King of Denmark (1768-1839)1784 · Royal Collection
36
Louise Augusta, Duchess of Augustenburg (1771-1843)1784 · Royal Collection
37
Johanne Sophie de Coninck, f. Wleugel1781 · Statens Museum For Kunst
38
Generalpostdirektør Frederik Hauch som ung1776 · Statens Museum For Kunst
39
Herreportræt1781 · Statens Museum For Kunst
40
Jean-Armand Tronchin, udsending ved det franske og engelske hof. Schweiz1779 · Statens Museum For Kunst
41
Baroness Matilda Guiguer de Prangins in her Park at the Lake of Geneva1779 · Statens Museum For Kunst
42
Generalkonsul Johan Christian Pingels døtre i en have1781 · Statens Museum For Kunst
43
The Artist's First Betrothed1778 · Statens Museum For Kunst
44
Gruppebillede af kunstnerens børn1781 · Statens Museum For Kunst
45
Cecilie Marie Elisabeth Schouw, f. Bagge, Poul Johan Schouws hustru1781 · Statens Museum For Kunst
46
Maria Ulrica Berner, f. Schouw1781 · Statens Museum For Kunst
47
Portrætskitse. Maleren N.A. Abildgaard (?).1781 · Statens Museum For Kunst
48
Skuespilleren Frederik Schwarz1781 · Statens Museum For Kunst
49
Elisabeth (Lisa) de la Calmette, f. baronesse Iselin, Antoine de la Calmettes hustru1781 · Statens Museum For Kunst
50
Portrait of Bernt Anker1790 · National Museum of Art, Architecture and Design
51
Portrait of Adam Levin Søbøtker1792 · Øregård Museum
52
Two Dwarfs: Obligeert, a Jewish pigtail-ribbon Vendor, beside the Roman Dwarf Bajocco in one of the Streets of Copenhagen1795 · Statens Museum For Kunst
53
Peder Anker med hustru og datter1792 · Statens Museum For Kunst
54
En kurtisane1788 · Statens Museum For Kunst
55
Debora Fabritius de Tengnagel, née Cloppenburg1787 · Statens Museum For Kunst
56
The Ryberg Family1795 · Statens Museum For Kunst
57
Grevinde Margarethe Moltke, f. Løvenskiold1786 · Statens Museum For Kunst
58
Portræt af Louise Augusta1792 · Statens Museum For Kunst
59
Dameportræt1794 · Statens Museum For Kunst
60
En aldrende maler1789 · Statens Museum For Kunst
61
Johan Tobias Sergel, the Swedish sculptor1794 · Nationalmuseum
62
Portrait of Isabella Agneta Elisabeth van Tuyll van Serooskerken (1740-1805)1787 · Zuylen Castle
63
Haagen Mathiesen1788
64
Benedicta Henrikka Løvenskiold, née Aall1790
65
Caroline Rudolphine Schubart1800
66
Peter Nicolai Arbo1800 · National Museum of Art, Architecture and Design
67
Portrait of Anne Cathrine Collett (1768-1846)1800 · National Museum of Art, Architecture and Design
68
Kjøpmann David Chrystie1801 · National Museum of Art, Architecture and Design
69
Fru Elisabeth Sophie Chrystie, f. Krefting1801 · National Museum of Art, Architecture and Design
70
Peter Tutein with his Youngest Son Louis Alexander1800 · Nivaagaards Malerisamling
71
Poul Johan Schouw, guvernør i Ostindien1799 · Statens Museum For Kunst
72
Portrait of Gertrud Hage, née Heitmann1800 · Statens Museum For Kunst
73
Ane Margrethe Abildgaard, f. Bastholm. Maleren N.A. Abildgaards moder1781 · Statens Museum For Kunst
74
The Artist's Five Children in a garden. Study1801 · Statens Museum For Kunst
75
Jacob Aall1802
76
Lovise Andrea Aall1802
77
Dameportræt1781 · Statens Museum For Kunst
78
The Engraver Johann Friderich Clemens at his Work Table1776 · Statens Museum For Kunst
79
Self-portrait by artificial light1762 · Statens Museum For Kunst
80
Stocks and Carnations1781 · Statens Museum For Kunst
81
An Apple, caville rouge, and other Fruits1791 · Statens Museum For Kunst
82
Hyena from the zoo at Frederiksberg Castle1767 · Statens Museum For Kunst
83
An Autumn Landscape by the Rhine1781 · Statens Museum For Kunst
84
Uvejrslandskab1781 · Statens Museum For Kunst
85
Tordenvejr i udkanten af en by1781 · Statens Museum For Kunst
86
View of the Country near Jægerspris1782 · Statens Museum For Kunst
87
A View Across Lake Leman Towards Mont Blanc and Geneva1779 · Statens Museum For Kunst
88
View of the Lake Geneva Close to Veyrier1778 · Thorvaldsen Museum
89
A Mountainous Landscape with a Waterfall. Sunrise1790 · Statens Museum For Kunst
90
Et vadested ved foden af en kirke1789 · Statens Museum For Kunst
91
The Crossing over the Little Belt at Snoghøj. Moonrise1787 · Statens Museum For Kunst
92
Arcadian Landscape. Motif from Baia in Italy1791 · Statens Museum For Kunst
93
The Bridge and the Waterfall at Dornach, Switzerland1791 · Statens Museum For Kunst
94
Heavy rain on sea1791 · Statens Museum For Kunst
95
Flowers and Fruit on a Table1791 · Statens Museum For Kunst
96
Landscape with Northern Lights1790 · Ny Carlsberg Glyptotek
97
Count Siegfred Victor Raben-Levetzau and Wife1796 · Ny Carlsberg Glyptotek
98
Landscape with a Church and a Mill1797 · National Museum of Art, Architecture and Design
99
Johann Jacob Frølich d.æ.Statens Museum For Kunst
100
Elisabeth (Lisa) de la Calmette, f. baronesse IselinStatens Museum For Kunst
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Jens Juel | Slike iz ovog spiska |
|---|---|---|---|
 Statens Museum For Kunst |
Kopenhagen | 77 | Kommandørkaptajn Henrik Gerner, De tre gratier, Peder Rahr, købmand i Ribe |
 National Museum of Art, Architecture and Design |
Oslo | 10 | Portrait of Lauritz Christian Steen, Otto Christopher von Munthe af Morgenstierne, Portrait of Bodilla Birgitte von Munthe af Morgenstierne, b. de Flindt |
 Royal Collection |
London | 3 | Caroline Matilda, Queen of Denmark (1751-75), Frederik VI, King of Denmark (1768-1839), Louise Augusta, Duchess of Augustenburg (1771-1843) |
 Ny Carlsberg Glyptotek |
Kopenhagen | 3 | Landscape with Northern Lights, Count Siegfred Victor Raben-Levetzau and Wife |
 Nationalmuseum |
Стокхолм | 2 | Johan Tobias Sergel, Sculptor, Johan Tobias Sergel, the Swedish sculptor |
 Nivaagaards Malerisamling |
Nibe | 2 | Peter Tutein with his Youngest Son Louis Alexander |
 Ermitaž |
Sankt Peterburg | 1 | Portrait of a Woman |
 Øregård Museum |
Gentofte | 1 | Portrait of Adam Levin Søbøtker |
Izaberite deceniju da biste videli original koji je definiše.
The work titled De tre gratier is a mythological painting by the Danish artist Jens Juel. It emerged from his brush between 1765 and 1766. This piece captures a moment of classical grace through the figures of the Three Graces.
Jens Juel's "Portrait of a Woman," painted in 1773, is more than just a likeness; it’s a carefully constructed tableau of elegance and quiet contemplation. This exquisite work, currently residing within the hallowed halls of the Hermitage Museum in St. Petersburg, offers a glimpse into the refined world of Danish aristocracy during the late 18th century. The painting immediately draws the eye to its subject – a woman radiating an…
Jens Juel rendered this portrait of Kommandørkaptajn Henrik Gerner in 1785. The sitter was a prominent Danish engineer and military officer who held the rank of Commandeur-Capitain. His professional life was defined by his service as a Fabrikmester, or Chief naval constructor, a position central to the maritime administration of the era.
This oil on canvas portrait by Jens Juel depicts Countess Anna Joachima Danneskiold-Laurvigen, née Ahlefeldt. Painted about 1790, the work captures the subject during the later years of her life, as she lived from 1717 to 1795. The sitter was the daughter of Privy Councillor Hans Adolph Ahlefeldt and held the position of lady-in-waiting to Queen Sophie Magdalene. Her social standing is reflected in her formal presentation and the specific…
The oil on canvas painting titled A Running Boy. Marcus Holst von Schmidten was executed by the Danish artist Jens Juel in 1802. The work identifies its subject as Marcus Pauli Holst von Schmidten, a young nobleman. The figure is captured in a state of movement, depicted as he dashes toward his destination.
Portrait of a Woman (1773), Ermitaž, Sankt Peterburg. Slede Kommandørkaptajn Henrik Gerner (1785) i De tre gratier (1765).
28 godina: Portrait of a Woman datira iz 1773, a Jens Juel je rođen/a 1745.
Portrait of a Woman, Kommandørkaptajn Henrik Gerner, De tre gratier, Peder Rahr, købmand i Ribe, Cathrine Sophie Kirchhoff, f. Christensen, Frederik VI som kronprins, Postdirektør, justitsråd Johan Georg Pauli, Kaffehandler Christen Ravn, en ungdomsven af Juel, Malerens broder Oluf i Skuespilleren Frederik Schwarz. Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 130 dela umetnika Jens Juel, datiranih od 1762 do 1802.
Većinom u Statens Museum For Kunst (Kopenhagen), National Museum of Art, Architecture and Design (Oslo) i Royal Collection (London). Tabela muzeja iznad sadrži njih sve.
U 1780s: 35 od 100 dela na ovoj stranici nastalo je tada, od čega je Kommandørkaptajn Henrik Gerner.
Na ovoj stranici, najstarije delo je iz Self-portrait by artificial light (1762), a najnovije iz A Running Boy. Marcus Holst von Schmidten (1802).
Man (15), Woman (9) i Lace (7), kroz svih 100 dela na ovoj stranici.
Oil On Canvas, za 22 od 100 dela na ovoj stranici.
Neoclassicism, sudeći po originalima na ovoj stranici.
Kommandørkaptajn Henrik Gerner, De tre gratier i Peder Rahr, købmand i Ribe: Statens Museum For Kunst, Kopenhagen čuva 72 dela sa ove stranice.
U zlatnom dobu danske neoklasicizma, malo je imena koje budi toliku poštovanjanje kao što je Jens Juel. Kao slikar čiji je četkica posedovala retku sposobnost da zabeleži ne samo fizički lik, već samu dušu i društveni status svojih subjekata, Juel stoji kao vodeći portretiści svoje ere. Rođen 12. maja 1745. godine u kući svog rođaka u Balslevu u Danskoj, njegov put od skromnog početka do vrhova kraljevskog patronata svedočanstvo je izuzetnog talenta oblikovanog rigoroznom disciplinom i necrpnom radoznalošću prema svetu koji ga okružuje.
Juelov umetnički temelj postavljen je daleko od salona Kopenhagena. Njegovi roditelji, prepoznajući njegov rani sklonost ka umetnosti, poslali su ga u Hamburg na zanat kod slikara Johanna Michaela Gehrmana. Tokom pet ili šest godina, on se urubao u tehničke rigore zanata, usavršavajući veštine koje će mu na kraju omogućiti da ovlada pejzažima, žanrovskim scenama i, što je najpoznatije, portretom. Ovaj period intenzivnog učenja pružio mu je svestranost koja će definisati njegovu karijeru, omogućavajući mu da se neprimetno kreće između intimnih detalja jednog lica i prostranog lepota prirodnog sveta.
Sa samo dvadeset godina, Juel se preselio u Kopenhagen kako bi pohađao Kraljevsku dansku akademiju umetnosti, gde je njegov genije brzo prepoznat. Njegovi akademski trijumfi bili su značajni; dodeljena mu je mala zlatna medalja akademije 1767. godine i prestižna velika zlatna medalja 1771. godine za dela zasnovana na biblijskim temama. Međutim, okviri akademije nisu mogli zadržati duh tako širokih vidika kao što je njegov. Tražeći puls savremene umetnosti, Juel je započeo veliko evropsko putovanje koje će izbrusiti njegov neoklasicistički senzibilitet.
Njegova putovanja odvela su ga do vanvremenskog veličanstva Rima, gde je proveo četiri godine uz kolege danske umetnike poput Nicolaija Abildgaarda, upijajući klasične uticaje koji će kasnije prožimati njegov rad. Iz Italije, otputovao je u Pariz, epicentar portretizma, a zatim i u Ženevu. U Švajcarskoj, boravajući u domu svog prijatelja Charlesa Bonneta, Juelova reputacija je procvetala. Upravo je tamo pokazao svoju sposobnost da spoji naučno zapažanje sa umetničkom gracioznošću, čak ilustrujući Bonnetovu Naturalističku i filozofsku istoriju. Ova međunarodna iskustva prožela su njegove danske korene kosmopolitskom sofisticiranošću, čineći ga mostom između severnoevropske tradicije i šireg evropskog prosvetiteljstva.
Ono što istinski razlikuje Jens Juela od njegovih savremenika bila je njegova sposobnost da konstruiše više od običnih sličica; on je stvarao tableau-e elegancije i tihe kontemplacije. Bilo da je slikao otmeno aristokratiju ili nežnu svetlost pejzaža, njegov rad karakteriše osećaj klasičnog realizma i suptilne lepote. Njegovi portreti često prikazuju subjekte sa pogledom koji je direktan, ali suptilno udaljen, pozivajući posmatrača u privatni, gotovo sveti trenutak povezanosti.
Njegov istorijski značaj ne može se preuveličavati. Kao vodeći danski portretiści 18. veka, on je oblikovao vizuelni identitet danske zlatne ere. Njegovo nasleđe je sačuvano u ogromnim kolekcijama, najpoznatije u dvorcu Frederiksborg, gde njegovi brojni portreti nastavljaju da oživljavaju istoriju danske monarhije i plemstva. Kroz svoje majstorstvo u svetlosti, teksturi i ljudskim emocijama, Jens Juel ostaje vanvremenska figura, podsećajući nas da prava umetnost ne beleži samo istoriju — ona hvata samu esenciju ljudskog iskustva.
