Ažurirano: новембар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 182 dela Јакопо Басано u našem katalogu
Ukratko
Calvary (1575) je slika autora Јакопо Басано koja privlači najviše pažnje; original se nalazi u muzeju Museu Nacional d'Art de Catalunya, Barselona. Nakon toga, pogled se seli na Angels announcing to the shepherds the Birth of Jesus (1551) i Portrait of a Youth with Mandolin (1537). Među 182 dela umetnika Јакопо Басано u našem katalogu, ovih 100 su najpoznatija, od kojih je svako jedinstveni original predstavljen sa godinom nastanka, muzejom i razlogom zbog kojeg je i danas neprocenjivo.
In this somber composition from 1575, we find ourselves drawn into the immediate, claustrophobic tension of the Crucifixion. The scene is dominated by the verticality of the cross, which bisects the canvas and anchors the viewer's gaze. Christ is depicted with a pale, luminous skin tone that contrasts sharply against the surrounding darkness, highlighting the physical strain of the moment. Around him, the atmosphere is thick with chaos; spears and…
A celestial burst of golden light pierces a heavy, nocturnal landscape, marking the intersection of the heavenly and the earthly. At the center of this radiance, a winged messenger descends, casting a sharp chiaroscuro effect across the scene. Below this divine illumination, a group of shepherds and their livestock huddle in the darkness, their forms defined by the sudden, intense light. The composition relies on deep earth tones, blacks, and…
A young man emerges from a deep, dark void. His gaze meets the viewer directly, steady and unblinking. He wears a black beret-style cap and a heavy, dark doublet that absorbs the light. Only one side of his face catches the directional glow, carving his features out of the surrounding gloom. A white ruffled cuff breaks the darkness at his wrist, where his arm reaches toward the edge of the…
This Renaissance-era oil portrait, dating from 1585, presents a somber and deeply expressive close-up bust portrait of an elderly man. The subject is positioned slightly off-center, facing towards the left of the frame, while his gaze is directed piercingly toward the viewer. The composition utilizes a shallow depth of field, focusing all attention on the subject's facial features by leaving much of the background and the back of the head…
The Altarpiece of the Blessed Conception is a significant work by the Venetian painter Jacopo Bassano. Also known by the title Sant’Anna in trono con la Vergine bambina tra i santi Girolamo e Francesco, the painting captures a sacred assembly through the hand of a master. It was executed in 1541. The pigment rests upon a canvas surface, holding the weight of its original purpose within its fibers.
The composition rests upon a stable, triangular geometry. Within this shape, the Virgin Mary cradles the Christ Child, their forms intertwined in a quiet, domestic intimacy. A young Saint John the Baptist enters the frame, his small limbs mirroring the soft curves of the infants. The scene is a study in weight and texture. Heavy crimson drapery falls in deep, sculptural folds behind the figures, creating a dark stage for…
The oil painting depicts a close-up portrait of a woman and an infant, positioned against a dark, draped background. The composition focuses on the upper bodies of the two figures. The woman, the Madonna, is rendered with soft contours and a pale complexion. She wears a white veil that possesses a translucent quality, resting against her hair and shoulders. A heavy red drapery surrounds the figures, creating a deep contrast…
The portrait presents a bust-length view of a man, positioned slightly off-center against a dark, indeterminate background. The subject is a male figure with dark hair and a beard, looking toward the viewer with a weary expression. His gaze is direct, establishing an eye-level perspective that creates a sense of immediate presence. He wears a simple, light-colored garment that rests against his neck, providing a pale contrast to the darker…
This 16th-century portrait, titled Portrait of a Franciscan Friar, was executed by the artist Jacopo Dal Ponte, also known as Jacopo Bassano. It is an early work from the artist's career, capturing a moment of significant development in his stylistic evolution. The subject is an unidentified Franciscan friar, a figure whose presence in portraiture is relatively uncommon given the vows of humility associated with the order.
The composition presents a stark division between two disparate human conditions, rendered in oil on a canvas measuring 55.0 x 43.0cm. In the foreground, a figure lies on the ground, positioned at a lower physical plane. This individual is depicted with pale skin and a sense of physical frailty. Above this figure, a banquet table is laden with food, where figures are gathered in an interior setting. The lighting follows…
Portrait of a Bearded Man1550 · J. Paul Getty Museum
12
The Good Samaritan (1550)1550 · Kapitolinski muzeji
13
The Adoration of the Kings1540
14
Diana and Actaeon1585 · Art Institute of Chicago
15
Portrait of a Venetian Senator (Bernardo Morosini?)1540 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe
16
Virgin and Child with the Saints Martin of Tours and Anthony the Great1542 · Bavarske državne slikopisne kolekcije
17
The Supper at Emmaus1538 · Kimbell Art Museum
18
The Good Samaritan1547 · Royal Collection
19
The Martyrdom of Saint Mark1537 · Royal Collection
20
John the Baptist1553 · Bavarske državne slikopisne kolekcije
21
The Market1553 · Bavarske državne slikopisne kolekcije
22
Expulsion of the Merchants from the Temple1553 · Bavarske državne slikopisne kolekcije
23
Annunciation to the Shepherds1553 · Bavarske državne slikopisne kolekcije
24
The Entry of the Animals into the Ark1553 · Bavarske državne slikopisne kolekcije
25
Adoration of the Shepherds1553 · Bavarske državne slikopisne kolekcije
26
The Deluge1553 · Bavarske državne slikopisne kolekcije
27
The Lamentation of Christ1553 · Bavarske državne slikopisne kolekcije
28
Saint Jerome Penitent1550 · Bavarske državne slikopisne kolekcije
29
St Jerome in the wilderness1562 · Fitzwilliam Museum
30
Saint Sebastian1553 · Bavarske državne slikopisne kolekcije
31
Portrait of Dirck Volckertsz. Coornhert (1522-1590)1553 · Bavarske državne slikopisne kolekcije
32
The birth of Jesus and adoration of the shepherds1550 · Nacionalna galerija Armenije
33
The Journey of Jacob1561 · Royal Collection
34
Portrait of a Man Holding Gloves1557 · Buckingham Palace
35
The Decapitation of St John the Baptist1550 · Statens Museum For Kunst
36
Building the Ark of Noah1550 · Muzej Beaux-Arts
37
The Annunciation to the Shepherds )1553
38
Sketch for an Altarpiece1575 · Rhode Island School of Design Museum of Art
39
The Martyrdom of Saint Sebastian1574 · Musée des Beaux-Arts de Dijon
40
Portrait of an Old Gentleman1570 · National Museum of Art, Architecture and Design
41
Pastoral Scene1568 · Szépművészeti Múzeum
42
The Israelites in the Desert1575 · Staatliche Kunstsammlungen Dresden
43
Christ in the House of Mary, Martha, and Lazarus1577 · Muzej fine umetnosti u Hjustonu
44
The Supper at Emmaus1565 · Royal Collection
45
The Flood1570 · Royal Collection
46
Tamar and Juda1566 · Kunsthistorisches Museum
47
Adoration of the Magi1577 · Museu Nacional d'Art de Catalunya
48
Vulcan's Forge1577 · Музеј Прадо
49
Christ Healing the Lame Man1569 · Muzej finih umetnosti u Bostonu
50
Portrait of a Man1576 · Muzej finih umetnosti u Bostonu
51
The Adoration of the Shepherds1570 · Nationalmuseum
52
Autumn1577
53
The Animals Entering Noah's Ark1579
54
The Deposition1570
55
Saint Valentine Baptizing Saint Lucilla1575
56
Le Retour du Fils prodigue1576 · Musée d'Unterlinden
57
Entry of the Animals into Noah's Ark1590 · Bavarske državne slikopisne kolekcije
58
The Adoration of the Shepherds1587
59
Daniel in the Lions' Den1581 · Ham House
60
Adoration of the Shepherds1585 · Museu de Arte de São Paulo Assis Chateaubriand
61
Portrait of Urban VII1590
62
San Cristóbal
63
Christ Crowned with Thorns1590
64
The Agony in the Garden1550 · Städel Museum
65
Adoration of the Shepherds1580 · Музеј Прадо
66
The Miraculous Draught of FishesNational Gallery of Art
67
The Good Samaritan1562 · National Gallery
68
Moses Strikes Water from the Rock1584 · Kunsthistorisches Museum
69
The Sacrifice of Noah1580 · Walker Art Gallery
70
The Miraculous Draught of Fishes1545
71
The Journey to Calvary1543 · Fitzwilliam College
72
Christ among the Doctors1539 · Ashmolean Museum of Art and Archaeology
73
Entry into the Ark1550 · château-musée de Boulogne-sur-Mer
74
Winter1550 · Musée de Grenoble
75
The Annunciation to the Shepherds )1554
76
The Annunciation to the Shepherds )1552
77
The Annunciation to the Shepherds )1557
78
The Annunciation to the Shepherds )1556
79
The Annunciation to the Shepherds )1555
80
The Annunciation to the Shepherds )1558 · National Gallery of Art
81
Alfonso d'Arcano, Prior of Venice1560
82
The Adoration of the Magi1560 · The Barber Institute of Fine Arts
83
Birth of the VirginCampion Hall
84
The Arrest of Christ1592
85
Lazarus and the Rich Man, Jacopo Bassano (copy after), 1544 - 17001700 · Rijksmuseum
86
The Annunciation to the Shepherds )1551
87
Christ in EmmausBavarske državne slikopisne kolekcije
88
The Flight into EgyptToledo Museum of Art
89
The Holy Family with DonorsNational Gallery of Ireland
90
Shepherds watering their CattleNational Museum of Art, Architecture and Design
91
The Adoration of the ShepherdsNational Museum of Art, Architecture and Design
92
Virgin and Child with John the Baptist and Saint Anthony the AbbotFinnish National Gallery
93
The Mocking of ChristMuzej finih umetnosti u Bostonu
94
Christ with St Martha and the Virgin MaryStatens Museum For Kunst
95
Annunciation to the Shepherds (The Night Camp)Musée des Beaux-Arts de Strasbourg
96
portrait of a man 1528
97
Annunciation to the ShepherdsMusée des Beaux-Arts de Strasbourg
98
Gondolier
99
Study for 'The Good Samaritan
100
Lazarus and the Rich ManCleveland Museum of Art
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Јакопо Басано | Slike iz ovog spiska |
|---|---|---|---|
 Bavarske državne slikopisne kolekcije |
Minhen | 16 | Virgin and Child with the Saints Martin of Tours and Anthony the Great, John the Baptist, The Market |
 Kunsthistorisches Museum |
Beč | 6 | Portrait of a Youth with Mandolin, Male Portrait, The parable of the rich man and poor Lazarus |
 Royal Collection |
London | 6 | The Good Samaritan, The Martyrdom of Saint Mark, The Journey of Jacob |
 Музеј Прадо |
Мадрид | 9 | Angels announcing to the shepherds the Birth of Jesus, Vulcan's Forge, Adoration of the Shepherds |
 National Museum of Art, Architecture and Design |
Oslo | 3 | Portrait of an Old Gentleman, Shepherds watering their Cattle, The Adoration of the Shepherds |
 Muzej finih umetnosti u Bostonu |
Boston | 3 | Christ Healing the Lame Man, Portrait of a Man, The Mocking of Christ |
 Museu Nacional d'Art de Catalunya |
Barselona | 2 | Calvary, Adoration of the Magi |
 Art Institute of Chicago |
Čikago | 2 | Virgin and Child with the Young Saint John the Baptist, Diana and Actaeon |
Izaberite deceniju da biste videli original koji je definiše.
A young man emerges from a deep, dark void. His gaze meets the viewer directly, steady and unblinking. He wears a black beret-style cap and a heavy, dark doublet that absorbs the light. Only one side of his face catches the directional glow, carving his features out of the surrounding gloom. A white ruffled cuff breaks the darkness at his wrist, where his arm reaches toward the edge of the…
The Altarpiece of the Blessed Conception is a significant work by the Venetian painter Jacopo Bassano. Also known by the title Sant’Anna in trono con la Vergine bambina tra i santi Girolamo e Francesco, the painting captures a sacred assembly through the hand of a master. It was executed in 1541. The pigment rests upon a canvas surface, holding the weight of its original purpose within its fibers.
A celestial burst of golden light pierces a heavy, nocturnal landscape, marking the intersection of the heavenly and the earthly. At the center of this radiance, a winged messenger descends, casting a sharp chiaroscuro effect across the scene. Below this divine illumination, a group of shepherds and their livestock huddle in the darkness, their forms defined by the sudden, intense light. The composition relies on deep earth tones, blacks, and…
The composition rests upon a stable, triangular geometry. Within this shape, the Virgin Mary cradles the Christ Child, their forms intertwined in a quiet, domestic intimacy. A young Saint John the Baptist enters the frame, his small limbs mirroring the soft curves of the infants. The scene is a study in weight and texture. Heavy crimson drapery falls in deep, sculptural folds behind the figures, creating a dark stage for…
In this somber composition from 1575, we find ourselves drawn into the immediate, claustrophobic tension of the Crucifixion. The scene is dominated by the verticality of the cross, which bisects the canvas and anchors the viewer's gaze. Christ is depicted with a pale, luminous skin tone that contrasts sharply against the surrounding darkness, highlighting the physical strain of the moment. Around him, the atmosphere is thick with chaos; spears and…
This Renaissance-era oil portrait, dating from 1585, presents a somber and deeply expressive close-up bust portrait of an elderly man. The subject is positioned slightly off-center, facing towards the left of the frame, while his gaze is directed piercingly toward the viewer. The composition utilizes a shallow depth of field, focusing all attention on the subject's facial features by leaving much of the background and the back of the head…
The air is thick with the heavy scent of dust and animal musk. In this wide landscape, a great procession moves toward a distant, illuminated structure. Oxen and horses form heavy, muscular masses in the foreground, their bodies defined by deep shadows and sharp highlights. They move with a slow, rhythmic weight. Above them, the sky is a theater of small, delicate silhouettes—birds in flight, tracing lines against the light.…
Calvary (1575), Museu Nacional d'Art de Catalunya, Barselona. Slede Angels announcing to the shepherds the Birth of Jesus (1551) i Portrait of a Youth with Mandolin (1537).
65 godina: Calvary datira iz 1575, a Јакопо Басано je rođen/a 1510.
Calvary, Angels announcing to the shepherds the Birth of Jesus, Portrait of a Youth with Mandolin, Portrait of an Old Man, Altarpiece of the Blessed Conception, Virgin and Child with the Young Saint John the Baptist, Madonna and Child, Male Portrait, Portrait of a Franciscan Friar i The parable of the rich man and poor Lazarus. Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 182 dela umetnika Јакопо Басано, datiranih od 1537 do 1592.
Većinom u Bavarske državne slikopisne kolekcije (Minhen), Kunsthistorisches Museum (Beč) i Royal Collection (London). Tabela muzeja iznad sadrži njih sve.
U 1550s: 31 od 100 dela na ovoj stranici nastalo je tada, od čega je Angels announcing to the shepherds the Birth of Jesus.
Na ovoj stranici, najstarije delo je iz Portrait of a Youth with Mandolin (1537), a najnovije iz The Arrest of Christ (1592).
People (25), Man (24) i Landscape (12), kroz svih 100 dela na ovoj stranici.
Oil On Canvas, za 44 od 100 dela na ovoj stranici.
High renaissance, sudeći po originalima na ovoj stranici.
Virgin and Child with the Saints Martin of Tours and Anthony the Great, John the Baptist i The Market: Bavarske državne slikopisne kolekcije, Minhen čuva 14 dela sa ove stranice.
Rođen u skromnom gradu Basano del Grappa, smeštenom blizu užurbanog srca Venecije, Đakopo da Ponte – kasnije poznat kao Đakopo Basano – izronio je iz porodice duboko upisane u umetničku tradiciju. Njegov otac, Frančesko il Vekjo, već je bio priznati slikar kada je oko 1510. godine prihvatio mladog Đakopa u svoju radionicu, uvodeći ga u zahtevni svet umetnosti. Ova rano obrazovanje, u kombinaciji sa izlaganjem živopisnoj i inovativnim atmosferi Venecije, duboko će oblikovati Basanov prepoznatljiv stil – očaravajući spoj religiozne svečanosti, intimnih žanrovskih scena i zadivljujuće realističnih pejzaža.
Basanove formativne godine obeležilo je jedinstveno učenje. Za razliku od mnogih umetnika koji su tražili formalnu obuku u dalekim gradovima poput Firence ili Rima, on je svoje veštine usavršavao u poznatom okruženju svog rodnog mesta. Očeva radionica pružila mu je neprocenjivo iskustvo ne samo u slikarskim tehnikama, već i u praktičnim zanatima poput kartografije i merenja terena – veštinama koje će kasnije obogaćiti njegove majstorske prikaze venecijanske ruralne sredine. Ključno je bilo to što je Basano bio izložen delima vodećih venecijanskih majstora, poput Ticinija i Đorđonea, upijajući njihove inovativne pristupe boji, kompoziciji i svetlosti. Ovaj uticaj je posebno očigledan u njegovim ranim slikama, gde vešto oponaša Ticinijev sjajni palet i dramatičnu upotrebu kjaroskura – igre svetlosti i senke.
Umetničko putovanje Basana može se široko podeliti na različite periode, od kojih svaki karakteriše suptilna promena u stilu i tematici. Njegova rana dela, prvenstveno religiozne scene nastale 1ms30-ih i 40-ih godina, pokazuju jasan dug Ticinijevom uticaju. Slike poput „Prečišćenja hrama“ prikazuju bogatu, živopisnu paletu boja i dinamičnu kompoziciju – što je odstupanje od tadašnjih statičnijih konvencija. Međutim, čak i u ovim ranim delima, Basano uvodi elemente koji će postati zaštitni znaci njegovog stila: fokus na svakodnevne detalje, interesovanje za hvatanje prolaznih trenutaka ljudske interakcije i izuzetna sposobnost da svojim scenama podari osećaj atmosfere.
Kako je sazrevao, Basanova umetnička vizija se širila. Sve više se okretao žanrovskim slikama – intimnim prikazima ruralnog života, koji uključuju seljake, životinje i ritmove poljoprivrednog rada. Ova dela, često postavljena na pozadinu pitomičnog venecijanskog pejzaža, prožeta su neverovatnim osećajem realizma i neposrednosti. Slike poput „Ovca i jagnjeta“ ili „Povratka izgubljenog sina“ exemplifikuju ovu promenu, demonstrirajući Basanovu sposobnost da uhvati suštinu ljudskog iskustva u prirodnom okruženju. On je vešto spajao religiozne teme sa svetovnim motivima, stvarajući dela koja su istovremeno duhovno rezonantna i vizuelno očaravajuća.
Basanov opus je izuzetno raznolik, obuhvatajući širok spektar tema i stilova. Među njegovim najslavnijim slikama nalaze se „Večera u Emau“, remek-delo venecijanskog slikarstva karakterisano sjajnim bojama, dinamičnom kompozicijom i evokativnim prikazom biblijske scene; „Požar“ – dramatičan prikaz požara u štali koji pokazuje Basanovu majstorstvo u svetlosti i senki; kao i „Jakobov povratak u Kanaan“, potresna narativna scena ispunjena emocionalnom dubinom i psihološkim uvidom. Njegov rad takođe obuhvata brojne portrete, pejzaže i religiozne kompozicije, od kojih svaka odražava njegovu evoluirajuću umetničku senzibilitetnost.
Pored Ticinija, na Basana su uticali razni umetnici, uključujući majstore ranog renesansnog perioda poput Dürera i Rafaela, kao i savremene venecijanske slikare poput Tintoreta i Veroneza. On je vešto apsorbovao elemente iz ovih različitih izvora, sintetizujući ih u jedinstveno lični stil koji je istovremeno inovativan i duboko ukorenjen u venecijanskoj tradiciji.
Uticaj Đakopa Basana na razvoj venecijanskog slikarstva je neosporan. Njegovi majstorski prikazi svetlosti, boje i ljudskih emocija pomogli su u oblikovanju toka venecijanske umetnosti za generacije koje su došle. Bio je pionir u žanru pejzažnog slikarstva, podižući ga sa puke dekorativne komponente na integralni deo svojih kompozicija. Štaviše, Basanova sposobnost da neprimetno spoji religiozne i svetovne teme – sakralno sa svakodnevnim životom – uspostavila je presedan koji će pratiti mnogi umetnici venecijanske škole.
Basanovo nasleđe prevazilazi pojedinačna dela koja je stvorio. Njegova četvoro sinova – Frančesko Basano Mlađi, Đovani Batista da Ponte, Leandro Basano i Đirolamo da Ponte – nastavili su njegovu umetničku lozu, negujući njegov stil i doprinoseći živopisnoj umetničkoj zajednici Basano del Grappa. Danas se Đakopo Basano pamti kao jedan od najvažnijih renesansnih slikara Venecije – gospodar svetlosti, boje i ljudskog iskustva čija dela nastavljaju da očaravaju publiku širom sveta.
