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Family Group in a Landscape (1645) je slika autora Žak D'Artois koja privlači najviše pažnje; original se nalazi u muzeju Metropoliten музеј у Њујорку, Њујорк. Nakon toga, pogled se seli na Extensive forest landscape with St. Stanisław Kostka (1665) i The Ford in the Forest (1660). Među 59 dela umetnika Žak D'Artois u našem katalogu, ovih 57 su najpoznatija, od kojih je svako jedinstveni original predstavljen sa godinom nastanka, muzejom i razlogom zbog kojeg je i danas neprocenjivo.
A man stands with an arm outstretched, his finger tracing a line toward the distant horizon. Beside him, a woman and three children form a silent, structured group against the wildness of the Belgian countryside. The light falls from the upper left, catching the heavy folds of their period clothing and the pale skin of their faces. They are anchored by the dark, heavy mass of a sprawling tree on…
The canvas presents a dense, large-scale forest landscape characterized by an asymmetrical arrangement of ancient trees. On the left, massive trunks with textured, craggy bark dominate the foreground, their sprawling canopies extending toward the center. These dark, heavy forms create a natural frame for the interior of the woods. A winding path or clearing cuts through the mid-ground, leading the eye toward a small group of figures positioned on the…
The air feels heavy with the scent of damp earth and ancient bark as the eye moves through a dense, dark frame of towering trees. These massive, irregular trunks act as a natural curtain, pulling the viewer into a secluded world where light and shadow perform a quiet dance. In the center of this woodland sanctuary, a shallow stream cuts through the terrain, creating a ford where life moves at…
A natural archway of heavy, textured bark frames the view. On the left and right, massive trees reach upward, their limbs twisting like slow-moving currents. These foreground sentinels cast long, cooling shadows across the earth, creating a dark vignette that pushes the eye toward a luminous center. Through this organic gateway, a pale blue sky peeks through a canopy of soft white clouds. The light arrives from the upper left,…
Step into the quietude of this expansive woodland. Jacques d'Arthois invites us into a vast, untamed wilderness where the scale of nature dwarfs the human presence. The composition is framed by heavy, detailed trees on the left and right, creating a natural vignette that draws the eye toward a luminous center. Deep forest greens and earthy ochre tones dominate the foliage, while the sky breaks through the canopy in pale…
The scene unfolds within Landscape with Stag Hunt, a work that captures a moment of intense pursuit amidst the wild. Jacques D' Arthois, the hand behind this composition, breathes life into the rugged terrain through his precise rendering of the natural world. Born in Brussels, Belgium, in 1613, the artist brings a deep familiarity with the wooded landscapes of his homeland to this 1649 creation. The hunt moves through a…
The composition is anchored by a dense, dark mass of trees occupying the left and central portions of the frame. These vertical elements create a sense of enclosure, casting much of the woodland into deep shadow. To the left, a sunlit rocky cliffside features a small, cascading waterfall that introduces movement into the otherwise still scene. In the lower foreground, a group of small figures and an animal gather near…
In the heart of the Flemish Baroque era, Jacques d'Arthois captured a world where nature and pastoral life exist in a state of eternal, quiet grace. His masterpiece, Landscape with a Herd, is far more than a mere depiction of the countryside; it is an immersive window into a meticulously crafted vision of rural serenity. Painted between 1630 and 1650, this evocative oil on canvas invites the viewer to step…
In this 1630 oil on canvas, we find ourselves standing at the edge of a dense, shadowed woodland. The composition uses a repoussoir technique, where the dark, detailed bark of the foreground trees frames the view, drawing the eye inward toward a luminous, central valley. Sunlight breaks through a heavy, cloud-swept sky, casting a soft light upon the rolling hills and the distant, misty horizon. It is a scene of…
The scene is a vertical landscape dominated by a rugged, rocky terrain on the left side. A waterfall descends through this stone formation, creating white foam as the water moves downward. To the right and above the falls, dense trees with detailed foliage extend toward the top edge of the frame. The mid-ground features a sloping terrain that descends toward a distant, low-lying horizon. This horizon line suggests a wide…
Path to the Lake1650 · Slovačka nacionalna galerija
12
Deer Hunt1649 · Bavarske državne slikopisne kolekcije
13
Falconry1649 · Bavarske državne slikopisne kolekcije
14
Landscape with Staffage1649 · Bavarske državne slikopisne kolekcije
15
A Bay1649 · Bavarske državne slikopisne kolekcije
16
Forest Path1649 · Bavarske državne slikopisne kolekcije
17
Forest Edge1649 · Bavarske državne slikopisne kolekcije
18
Wilderness Landscape with Waterfall1649 · Bavarske državne slikopisne kolekcije
19
Landscape with Trees and Water1649 · Bavarske državne slikopisne kolekcije
20
Landscape with Trees1649 · Bavarske državne slikopisne kolekcije
21
Sunken Road in a Wood1658 · National Museum of Art, Architecture and Design
22
Woodland Scene1653 · National Museum of Art, Architecture and Design
23
Landscape near Brussels1654 · Ermitaž
24
Wooded landscape with hunters and travellers1657 · Groninger Museum
25
Wooded Landscape with Hunters1657 · Statens Museum For Kunst
26
View taken in Brabant with figures and animals1660 · Musée des Beaux-Arts de Quimper
27
Mountain pass with soldiers attacking peasants1657 · Staatliche Kunsthalle Karlsruhe
28
Rudolf von Habsburg Handing over his Horse to a Priest1650
29
Landscape1665 · Groeningemuseum
30
Landscape with a Group of Trees at the Shore of a Lake, Three Riders on the Road in the Foreground1667 · Städel Museum
31
Waters with Planted Dykes1660 · Bavarske državne slikopisne kolekcije
32
Cavaliers Halting on a Road in a LandscapeCalke Abbey
33
Landscape with a River and Figures
34
Wooded Landscape
35
Edge of a WoodLuvr
36
Landscape with ShepherdRezidenzgalerie Salzburg
37
Pond at the edge of a woodPalais des Beaux-Arts de Lille
38
Landscape with Peasants Repelling LatonaMusée des Beaux-Arts de Strasbourg
39
Landscape: Woodland with Lake and FiguresAuckland Art Gallery Toi o Tāmaki
40
The Sonian forest with figuresMuseum of Fine Arts Ghent (MSK)
41
LandscapeKraljevski muzej lepih umetnosti u Antverpenu
42
Road through a ForestMuzej finih umetnosti u Bostonu
43
Landscape with a Rider in RedNationalmuseum
44
View of the woods of Soignies and the ponds of the Rood Klooster
45
Landscape with a Huntsman
46
Hunting party
47
A wooded landscape
48
Peasants at the Edge of a Forest
49
Landscape with a Hunting PartyPetworth House
50
Landscape with a River and Horsemen
51
Landscape, Riverbank with Figures
52
Landscape with Figures
53
Flemish landscape
54
Woody Landscape with Gypsies Telling a Gentleman's Fortune
55
Wooded Landscape
56
A rocky cove with fisherfolk on the shore, an artist sketching in the foreground
57
An Extensive Wooded Landscape with Travellers on a Path
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Žak D'Artois | Slike iz ovog spiska |
|---|---|---|---|
 Bavarske državne slikopisne kolekcije |
Minhen | 12 | The Ford in the Forest, Landscape with Stag Hunt, Deer Hunt |
 Kunsthistorisches Museum |
Beč | 3 | Extensive forest landscape with St. Stanisław Kostka, Extensive forest landscape with St. Francis Borgia, Landscape with a herd |
 Ermitaž |
Sankt Peterburg | 3 | Landscape, Landscape with a Herd, Landscape near Brussels |
 Städel Museum |
Frankfurt | 2 | Landscape with Entrance to a Forrest, Landscape with a Group of Trees at the Shore of a Lake, Three Riders on the Road in the Foreground |
 National Museum of Art, Architecture and Design |
Oslo | 2 | Sunken Road in a Wood, Woodland Scene |
 Metropoliten музеј у Њујорку |
Њујорк | 1 | Family Group in a Landscape |
 Slovačka nacionalna galerija |
Bratislava | 1 | Path to the Lake |
 Groninger Museum |
Groningen | 1 | Wooded landscape with hunters and travellers |
Izaberite deceniju da biste videli original koji je definiše.
In the heart of the Flemish Baroque era, Jacques d'Arthois captured a world where nature and pastoral life exist in a state of eternal, quiet grace. His masterpiece, Landscape with a Herd, is far more than a mere depiction of the countryside; it is an immersive window into a meticulously crafted vision of rural serenity. Painted between 1630 and 1650, this evocative oil on canvas invites the viewer to step…
A man stands with an arm outstretched, his finger tracing a line toward the distant horizon. Beside him, a woman and three children form a silent, structured group against the wildness of the Belgian countryside. The light falls from the upper left, catching the heavy folds of their period clothing and the pale skin of their faces. They are anchored by the dark, heavy mass of a sprawling tree on…
A natural archway of heavy, textured bark frames the view. On the left and right, massive trees reach upward, their limbs twisting like slow-moving currents. These foreground sentinels cast long, cooling shadows across the earth, creating a dark vignette that pushes the eye toward a luminous center. Through this organic gateway, a pale blue sky peeks through a canopy of soft white clouds. The light arrives from the upper left,…
The canvas presents a dense, large-scale forest landscape characterized by an asymmetrical arrangement of ancient trees. On the left, massive trunks with textured, craggy bark dominate the foreground, their sprawling canopies extending toward the center. These dark, heavy forms create a natural frame for the interior of the woods. A winding path or clearing cuts through the mid-ground, leading the eye toward a small group of figures positioned on the…
The composition is anchored by a dense, dark mass of trees occupying the left and central portions of the frame. These vertical elements create a sense of enclosure, casting much of the woodland into deep shadow. To the left, a sunlit rocky cliffside features a small, cascading waterfall that introduces movement into the otherwise still scene. In the lower foreground, a group of small figures and an animal gather near…
Family Group in a Landscape (1645), Metropoliten музеј у Њујорку, Њујорк. Slede Extensive forest landscape with St. Stanisław Kostka (1665) i The Ford in the Forest (1660).
32 godina: Family Group in a Landscape datira iz 1645, a Žak D'Artois je rođen/a 1613.
Family Group in a Landscape, Extensive forest landscape with St. Stanisław Kostka, The Ford in the Forest, Landscape with Entrance to a Forrest, Extensive forest landscape with St. Francis Borgia, Landscape with Stag Hunt, Landscape, Landscape with a Herd, Landscape with a herd i Landscape with waterfall. Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 59 dela umetnika Žak D'Artois, datiranih od 1630 do 1682.
Većinom u Bavarske državne slikopisne kolekcije (Minhen), Kunsthistorisches Museum (Beč) i Ermitaž (Sankt Peterburg). Tabela muzeja iznad sadrži njih sve.
U 1640s: 11 od 57 dela na ovoj stranici nastalo je tada, od čega je Family Group in a Landscape.
Na ovoj stranici, najstarije delo je iz Landscape with a Herd (1630), a najnovije iz Landscape (1682).
Landscape (32), Sky (27) i Forest (27), kroz svih 57 dela na ovoj stranici.
Oil On Canvas, za 26 od 57 dela na ovoj stranici.
Baroque, sudeći po originalima na ovoj stranici.
The Ford in the Forest, Landscape with Stag Hunt i Deer Hunt: Bavarske državne slikopisne kolekcije, Minhen čuva 12 dela sa ove stranice.
Prateći uticaje koji su oblikovali stil koji je nosio Žak D'Artois, otkrivamo složenu interakciju umetničkih tradicija. Njegova ranija dela pokazuju jasnu zahvalnost prema Lodeviku de Vadru, još jednom istaknutom bruselskom pejzažnom slikarom, čije su kompozicije često sadržale slične šumske okoline i grupe figura. Ipak, Žak D'Artois je postepeno razvio sopstveni, prepoznatljiv glas, koji je karakterisala veća posvećenosti detaljima i rafiniraniji osećaj atmosferske perspektive. Uticaj Denisa van Alsloota takođe je primetan u njegovim ranim radovima, naročito u načinu na koji je prikazivao drveće i šumsko lišće. Kako je sazrevao, Žak D'Artois je počeo da eksperimentiše sa pejzažima većih razmera, odgovarajući na rastuću potražnju za dekorativnim delima koja su mogla krasiti crkve i opatije. Ove ambiciozne kompozicije zahtevale su sofisticovano razumevanje prostornog organizovanja, kao i vrhunsko majstorstvo u radu sa bojama i tonovima. Iako su dokumentovani dokazi ograničeni, veruje se da je Kornelis Hajsmans možda boravio u Žakovom ateljeu oko 1650. godine, mada tačan obim njegovog uticaja ostaje predmet neizvesnosti.
